This is an alphabetical artist list of every song to make the top 40 during
any given week during this year and its peak highest position reached on the
national charts in USA
What are your favorite songs on this list?
My personal favorites are listed at the very bottom :
hoknes@hotmail.com
112 with Notorious BIG and Mase Only You 1996 13
2 Pac with K-Ci and JoJo How Do U Want It 1996 01
3T Anything 1996 15
Aaliyah If Your Girl Only Knew 1996 11
Ace Of Base Lucky Love 1996 30
Adam Clayton & Larry Mullen Theme From Mission Impossible (instrumental) 1996 07
Adina Howard & Warren G What's Love Got To Do With It 1996 32
Alanis Morissette Ironic 1996 04
Alanis Morissette You Learn / You Oughta Know (B-Side) 1996 06
All-4-One Someday 1996 30
Az Yet Last Night (From "The Nutty Professor") 1996 09
Barbra Streisand & Bryan Adams I Finally Found Someone 1996 08
Beatles, The Free As A Bird 1996 06
Beatles, The Real Love 1996 11
Blackstreet & Dr.Dre No Diggity 1996 01
Blues Traveler Hook 1996 23
BoDeans, The Closer To Free (From "Party Of Five") 1996 16
Bone Thugs-N-Harmony Tha Crossroads 1996 01
Brandy Sittin' Up In My Room (From "Waiting To Exhale") 1996 02
Brandy with Tamia, Gladys Knight and Chaka Khan Missing You 1996 25
Bryan Adams Let's Make A Night To Remember 1996 24
Bryan Adams & Barbra Streisand I Finally Found Someone 1996 08
Bush Glycerine 1996 28
Busta Rhymes Woo-Hah!! Got You All In Check 1996 08
Case with Foxxy Brown Touch Me Tease Me (From "The Nutty Professor") 1996 14
Celine Dion Because You Loved Me 1996 01
Celine Dion It's All Coming Back To Me Now 1996 02
Chaka Khan & Rufus with Brandy, Tamia and Gladys Knight Missing You 1996 25
Chantay Savage I Will Survive 1996 24
Collective Soul The World I Know 1996 19
Color Me Badd The Earth, The Sun, The Rain 1996 21
Coolio 1,2,3,4 (Sumpin'New) 1996 05
Coolio It's All The Way Live (Now) 1996 29
Coolio Too Hot 1996 24
Crucial Conflict Hay 1996 18
Da Brat Sittin' On Top Of The World 1996 30
D'Angelo Lady 1996 10
DC Talk Just Between You And Me 1996 29
Deborah Cox Who Do U Love 1996 17
Deep Blue Something Breakfast At Tiffany's 1996 05
Delinquent Habits Tres Delinquentes 1996 35
Dishwalla Counting Blue Cars 1996 15
Donna Lewis I Love You Always Forever 1996 02
Dru Hill Tell Me 1996 18
Eric Clapton Change The World 1996 05
Everything But The Girl Missing 1996 02
Faith Evans Soon As I Get Home 1996 21
Folk Implosion Natural One 1996 29
Fugees Fu Gee La 1996 29
Garbage Stupid Girl 1996 24
George Michael (Wham!) Fast Love 1996 08
George Michael (Wham!) Jesus To A Child 1996 07
Ghost Town DJ's My Boo 1996 31
Gin Blossoms Follow You Down 1996 09
Gin Blossoms Till I Hear It From You 1996 11
Ginuwine Pony 1996 06
Gladys Knight & the Pips with Brandy, Tamia and Chaka Khan Missing You 1996 25
Goo Goo Dolls Name 1996 05
Hootie & The Blowfish Old Man & Me 1996 13
Hootie & The Blowfish Time 1996 14
Hootie & The Blowfish Tucker's Town 1996 38
H-Town A Thin Line Between Love And Hate 1996 37
Immature Please Don't Go 1996 36
Immature We Got It 1996 37
Jann Arden Insensitive 1996 12
Jars Of Clay Flood 1996 37
Jewel Who Will Save Your Soul 1996 11
Joan Osborne One Of Us 1996 04
Jodeci Get On Up 1996 22
Jodeci Love U 4 Life 1996 31
Joe All The Things (Your Man Won't Do) 1996 11
John Cougar Mellencamp Key West Intermezzo (I Saw You First) 1996 14
Journey When You Love A Woman 1996 12
Junior M.A.F.I.A with The Notorious B.I.G. Get Money 1996 17
K-Ci & JoJo with 2 Pac How Do U Want It 1996 01
Keith Sweat Twisted 1996 02
Keith Sweat & Athena Cage Nobody 1996 03
Kris Kross Tonite's Tha Night 1996 12
La Bouche Be My Lover 1996 06
La Bouche Sweet Dreams 1996 13
LeAnn Rimes Blue 1996 26
Lina Santiago Feels So Good (Show Me Your Love) 1996 35
Lionel Richie Don't Wanna Lose You 1996 39
LL Cool J Doin' It 1996 09
LL Cool J Loungin' 1996 03
LL Cool J with Babyface, H. Hewett, Jody Watley This Is For The Lover In You
1996 06
Los Del Rio Macarena (Bayside Boys Mix) 1996 01
Los Del Rio Macarena (Non Stop) 1996 23
Lost Boyz Renee 1996 33
Madonna You Must Love Me 1996 18
Mariah Carey Always Be My Baby 1996 01
Mary J. Blige Not Gon'Cry 1996 02
Maxi Priest & Shaggy That Girl 1996 20
Maxwell Ascension (Don't Ever Wonder) 1996 36
MC Lyte with Xscape Keep On, Keepin' On 1996 10
Melissa Etheridge I Want To Come Over 1996 22
Melissa Etheridge Nowhere To Go 1996 40
Merril Bainbridge Mouth 1996 04
Metallica Until It Sleeps 1996 10
Michael Jackson They Don't Care About Us 1996 30
Mint Condition What Kind Of Man Would I Be 1996 17
Monica Why I Love You So Much / Ain't Nobody (B-Side) 1996 09
Monifah You 1996 32
Montell Jordan Falling 1996 18
Montell Jordan & Slick Rick I Like 1996 28
Natalie Merchant Jealousy 1996 23
Natalie Merchant Wonder 1996 20
New Edition Hit Me Off 1996 03
No Doubt Just A Girl 1996 23
No Mercy Where Do You Go? 1996 05
Nonchalant 5 O'Clock 1996 24
Oasis Wonderwall 1996 08
Outkast Elevators (Me and You) 1996 12
Pearl Jam Who You Are 1996 31
Planet Soul Set U Free 1996 26
Presidents Of The United States Of America, The Peaches 1996 29
Quad City DJ's C'Mon N'Ride It (The Train) 1996 03
R. Kelly I Believe I Can Fly 1996 02
R. Kelly I Can't Sleep Baby (If I) 1996 05
R. Kelly with Ronald Isley Down Low (Nobody Has To Know) 1996 04
Robert Miles Children (instrumental) 1996 21
Roger/Zapp with 2 Pac, Dr. Dre California Love 1996 06
Seal Don't Cry 1996 33
Seven Mary Three Cumbersome 1996 39
Shaggy & Maxi Priest That Girl 1996 20
Smashing Pumpkins, The Bullet With Butterfly Wings 1996 22
Smashing Pumpkins, The Tonight, Tonight 1996 36
Smashing Pumpkins, The 1979 1996 12
Snoop Doggy Dogg with Nate Dogg Never Leave Me Alone 1996 33
Spacehog In The Meantime 1996 32
SWV (Sisters With Voices) Use Your Heart 1996 22
SWV (Sisters With Voices) You're The One 1996 05
Tamia with Brandy, Gladys Knight and Chaka Khan Missing You 1996 25
T-Boz Touch Myself 1996 40
Tina Arena Chains 1996 38
Toni Braxton Un-Break My Heart 1996 01
Toni Braxton You're Makin' Me High 1996 01
Tony Rich Project, The Nobody Knows 1996 02
Total Kissin' You 1996 12
Total No One Else 1996 22
Tracy Chapman Give Me One Reason 1996 03
Twista with Do Or Die Po Pimp 1996 22
Warren G & Adina Howard What's Love Got To Do With It 1996 32
Westside Connection Bow Down 1996 21
Whitney Houston Why Does It Have To Hurt So Bad 1996 26
Whitney Houston with Ce Ce Winans & BeBe Count On Me 1996 08
Xscape with MC Lyte Keep On, Keepin' On 1996 10
702 Steelo 1996 32
Upon release in the UK in 1996 the
song only reached number 38. However, after the massive
success of
Don't Speak the song was re-released and managed a peak
of number 3.
After primary songwriter
Eric Stefani left No Doubt in 1994, the rest of the band
took on the role of songwriters for the band, which
dramatically changed the band's musical style.
Tragic Kingdom was the first album on which the band
had written most of the material and singer
Gwen Stefani had written the lyrics, and there were
claims that the band had "sold
out" - dropped their own style to pick up a more popular
one in order to make more money.
Real Love" is a song written by the English
rock musician
John Lennon. Lennon made six takes of the song in 1979
and 1980 with "Real Life", a different song that merged with
"Real Love". The song was ignored until 1988 when the sixth
take was used on the documentary soundtrack
Imagine: John Lennon.
"Real Love" was subsequently
reworked by the three remaining members of
The Beatles (Paul
McCartney,
George Harrison and
Ringo Starr) in early 1995, an approach also used for
another incomplete Lennon track, "Free
as a Bird". "Real Love" was released as a Beatles single
in 1996 in the United Kingdom, United States and many other
countries; it was the opening track on the Beatles'
Anthology 2 album. It is the last "new" credited
Beatles song to originate and be included on an album. To
date, it is the last single by the group to become a Top 40
hit in the US.
The song reached number four and number 11 in the UK and
US singles charts, respectively, and earned a gold record
faster than a number of the group's other singles. The song
was not included on the BBC Radio 1 playlist, prompting
criticism from fans and British members of Parliament. After
the release of "Free as a Bird" and "Real Love", Starr
commented, "Recording the new songs didn't feel contrived at
all, it felt very natural and it was a lot of fun, but
emotional too at times. But it's the end of the line,
really. There's nothing more we can do as the Beatles."
Although the song was released as single in both the UK
and US on 4 March 1996, the first time the song was publicly
aired had come on 22 November 1995, when the American
television network, the
American Broadcasting Company (ABC) aired the second
episode of The Beatles Anthology.
The single jumped into the British charts on 16 March
1996 at number four, selling 50,000 copies in its first
week. However, the single's progress in the charts was
stunted by
BBC Radio 1's exclusion of "Real Love" from its
playlist. Reuters, which described Radio 1 as "the biggest
pop music station in Britain," reported that the station
declared, "It's not what our listeners want to hear ... We
are a contemporary music station."
The single was released as part of the
promotion for
The Beatles Anthology video documentary and the
band's
Anthology 1
compilation album. For the Anthology project,
McCartney asked Lennon's widow
Yoko Ono for unreleased material by Lennon to which the
three remaining ex-Beatles could contribute. "Free as a
Bird" was one of two such songs (along with "Real
Love") for which McCartney, Harrison, and Starr
contributed additional instrumentation, vocals, and
arrangements.
Jeff Lynne of
Electric Light Orchestra, who had worked with Harrison
on Harrison's album
Cloud Nine and as part of
The Traveling Wilburys, was asked to co-produce the
record.
"Free as a Bird" was premiered on
BBC Radio 1 in the early hours of 20 November 1995. It
was released as a single in the UK on 4 December 1995, two
weeks after its appearance on the Anthology 1 album.
The single sold 120,000 copies in its first week, entering
the
UK Singles Chart at number 2. It remained in the charts
for 8 weeks. In the US, the song reached no.6 on the
Billboard Hot 100, becoming The Beatles' 34th Top 10
single in America. It was the first time a new single containing new
material had been released under The Beatles' name since "The
Long and Winding Road" in the United States in 1970
OASIS - WONDERWALL (1996) hit #8
Wonderwall" is a song by English rock band
Oasis, written by the band's guitarist and main
songwriter
Noel Gallagher. The song was produced by
Owen Morris and Gallagher for their second album,
(What's the Story) Morning Glory?. According to
Gallagher, "Wonderwall" describes "an imaginary friend who's
gonna come and save you from yourself."
The song was recorded at
Rockfield Studios in Wales, during a two-week recording
of the Morning Glory album in May 1995. Owen Morris
produced the song in a half-day along with Noel Gallagher
using a technique known as "brickwalling"
to intensify the sound of the song.
Liam served as lead singer on "Wonderwall" after Noel had
given him a choice between "Wonderwall" or another single
from the album, "Don't
Look Back in Anger".
"Wonderwall" is written in the
key of F# Minor and is set in
common time with a moderate dance
groove.
Liam Gallagher's voice ranges from an E3 to an F#4
Wonderwall reached number two in the UK Singles Chart. In
the U.S., it peaked at number one on the
Modern Rock Tracks chart for an unprecedented ten weeks,
and reached number eight on the
Billboard Hot 100. It proved to be a major hit in
Australia, New Zealand and Spain by claiming the No. 1 spot
in all three countries. It finished at No. 10 in the end of
year charts for 1995 and No. 26 in the end of decade charts
for the 1990s in the UK.
Prior to "Missing", Everything but the
Girl was most known as a
folk and
jazz team. They had released eight albums prior to
Amplified Heart and had a number-three
UK singles chart success in 1988 ("I
Don't Want to Talk About It"), but were relatively
unknown in the United States. "Missing" was recorded as a
relaxed-sounding guitar-based popular music song that had
earned modest broadcasting airplay on U.S. Adult
Contemporary radio. The duo gave the track to
house music producer
Todd Terry to
remix for nightclubs. The resulting dance version of
"Missing" became a worldwide success, matching Everything
But the Girl's UK best chart score of number three in
November 1995 and scoring number one on the
German singles chart. The song became the duo's first
U.S.
Billboard Hot 100 entry, and after a long climb it
peaked at number two during 1996 (in its twenty-eighth chart
week), eventually scoring fifty-five weeks on the chart (a
record at the time which has since been broken — the single
is today the eleventh-longest charting song on the U.S. Hot
100). One record it has retained is that "Missing" was the
first ever single to spend an uninterrupted year on the U.S.
Hot 100. (In addition to this, "Missing" spent over twenty
weeks on the UK charts on its way to gaining a platinum disc
for the duo - an extremely rare feat for a record that was
never a British number one.)
LEANN RIMES - BLUE (1996) hit #26
Blue" is a song written in 1956 and recorded in 1958
by
Bill Mack, an
American songwriter-country artist and country radio
disc jockey. It has since been covered by several
artists, in particular by
country singer
LeAnn Rimes whose 1996 version became a hit. The song
won Mack the 1996 Grammy Award for Best Country Song. and is
included on the CMT list of the top 100 country songs of all
time.
Contrary to popular opinion, Mack has denied that
Patsy Cline was his inspiration for writing the song.
Although "Blue" was composed by Mack in 1956, he did not
record it until 1958, for
Starday Records in Nesman Recording Studios, Wichita
Falls, Texas. He released it as a
45rpm single, backed by "Faded Rose".
Rimes first recorded the song when she was 11 years old
on an independent album,
All That (1994), under the label Nor Va Jak. Rimes'
father, Wilbur, heard the demo when putting together the All
That album. He disliked the demo stating "The first time I
heard 'Blue' I didn't like it, but it was a demo version
that sounded old fashion." The song was re-recorded for her
debut album in 1996 when she was 13.
Her rendition of "Blue" debuted at #49 on the U.S.
Billboard Hot Country Singles And Tracks for the week of
May 25, 1996, but was soon released to country radio and
became a major hit that summer, peaking at #10 on the
Billboard Country Chart and #26 on the
Billboard Hot 100, while also reaching #1 on the
Canadian Country RPM singles chart. Rime's "Blue" album was
also released the same year and sold six million copies (6×
Multi-Platinum) in the United States.
Rimes re-recorded the song for her new album,
Lady & Gentlemen, which was released on September
27, 2011. The song is credited with Time Jumpers and is
produced by Darrell Brown and Rimes herself
The single
peaked at #5 on the
Billboard Hot 100 chart in the summer of 1996. It
also spent 13 weeks at #1 on the
adult contemporary chart and remained on that chart for
over a year and a half (80 weeks), a feat which was
extraordinarily rare at the time. Since then, however,
certain songs have remained on the AC chart for extended
periods of time, prompting the eventual creation af an Adult
Contemporary recurrent chart for songs that have stayed on
the chart for many weeks and fallen below a certain
threshold.
Although "Change the World" is better known as an
unplugged acoustic track, a rare electric performance of the
song was featured on Babyface's 1997 live album Babyface
MTV Unplugged NYC, with Clapton on co-lead vocals,
playing his namesake
signature Fender Stratocaster guitar. There was also
another electric cover of this track, released the following
year, with
Nathan East on electric bass.
In the song, the performer expresses his desire to
communicate his love to an unnamed woman. This love, he
fears, will go unrequited without a drastic change in his
life.
THE SMASHING PUMPKINS - TONIGHT TONIGHT (1996) hit #36
Tonight, Tonight" is a song by American
alternative rock band
The Smashing Pumpkins, written by the band's frontman,
Billy Corgan. It was the fourth
single and second track from their third album,
Mellon Collie and the Infinite Sadness, and was
released in April 1996. "Tonight, Tonight" was critically
acclaimed and commercially well-received upon its release.
The music video accompanying the song was also successful
and won several awards.
"Tonight, Tonight" was met with critical acclaim.
Allmusic reviewer Amy Hanson stated that the song "packs
an emotional punch". Jim Alexander of NME
regarded the song as "swirling [and] grand".
Time's reviewer Christopher John Farley called
the song "an expansive rock anthem, complete with soaring
guitars and a 30-piece string section."
Entertainment Weekly's reviewer David Browne praised
the use of strings in the song, saying that it was "whipped
into a frenzy by hurricane-like strings". On Mellon
Collie's entry
in
Rolling Stone's
The 500 Greatest Albums of All Time, "Tonight, Tonight"
was praised as "the Pumpkins at their finest".
While "Tonight, Tonight" never approached the chart
success of "1979",
it was among the most successful singles from Mellon
Collie. Its highest position on any national chart was a
number two peak on the
New Zealand Singles Chart. Its highest position in the
United States was at number four on Billboard
Mainstream Rock Tracks. It also achieved number five on
the
Modern Rock Tracks and number 36 on
The Billboard Hot 100. The song also charted in
other countries, peaking at number seven on the
UK Singles Chart (becoming the band's
signature song in that country) and peaking at number 21
on the
Australian Singles Chart on June 9, 1996. Other
countries where it charted include
The Netherlands where it peaked at number 46;
Belgium where it peaked at number 39; and
Sweden where it peaked at number 58
THE QUAD CITY DJ'S - C'MON AND RIDE THE TRAIN (1996) hit #3
C'mon N' Ride It (The Train)" is a popular
dance
song recorded by the
Quad City DJ's in 1995, and released in 1996 as a single
from the album
Get on Up and Dance. The song is based on a sample
of
Barry White's 1974 song "Theme from Together Brothers".
The song peaked at #3 on the
Billboard Hot 100 singles chart. It was ranked the #1
song of 1996 by
Village Voice magazine and is ranked the 1692nd best
song of all time and 20th best of 1996 on Acclaimedmusic.net
This song is played at dance clubs quite often. Many remixes
were made out of this song. The song is used as the theme
song for the 1996
Jon Lovitz comedy-crime film
High School High, and is also featured as a track in
the
Xbox 360
Kinect game
Dance Central.
Most recently, Matthew Wilkening of
AOL Radio ranked the song at #47 on the list of the 100
Worst Songs Ever and made a response to the Quad City DJs in
spirit, saying: "Sure, we'll ride this train. But only if
you place every single copy of this record on the tracks
first." However, the same year
Pitchfork Media included the song as one of their "Ten
actually good 90s
Jock Jams
In
1996 the two formed Quad City DJ's and produced the
single "C'mon
N' Ride It (The Train)" (based on a sample of
Barry White's 1974 song "Theme from Together Brothers").
The song was very successful, peaking at #3 on the
Billboard Hot 100 and was certified platinum.
Bazilian
discussed the song in an interview, saying "I wrote that
song one night — the quickest song I ever wrote — to impress
a girl. Which worked, because we’re married and have two
kids. But we were in the middle of writing Joan’s album,
which was a group effort with Rick Chertoff and Joan and Rob
and I, and I did a demo of “One of Us,” this wacky little
demo which I ended up putting as a hidden track on the CD of
my first solo record, and I played [it] for them. And it
really hadn’t even occurred to me that it was something that
Joan might do, but Rick, in his wisdom, asked Joan if she
thought she could sing it. And I think it was better that he
asked it that way rather than “Do you want to sing it?”
Because the answer to that might not have been yes. But she
definitely said she could sing it, and we did a little live
demo of a guitar and her singing it. And when I got into my
car and popped the
cassette in, I started practicing the
Grammy speech that I should’ve gotten to give."
The song deals with various aspects of belief in
God
by asking questions inviting the listener to consider how
they might relate to God, such as "Would you call [God's
name] to his face?" or "Would you want to see [God's face]
if seeing meant that you would have to believe in things
like
heaven and in
Jesus and the
saints and all the
prophets?" The title of the song comes from the refrain,
"What if God was one of us?"
Roch Parisien called the song "a simple, direct
statement of faith, honest and unadorned, one framed in a
near-perfect chorus and delectable
Neil Young-ish guitar riff." In 2007, the song was
ranked at #54 on "VH1's
100 Greatest Songs of the 90's" and #10 on the network's 40
Greatest One Hit Wonders of the 90's.
THE SMASHING PUMPKINS - BULLET WITH BUTTERFLY WINGS (1996) hit #22
Billy Corgan, lead singer of the group, has stated that
the line "but can you fake it/for just one more show" refers
to the band's headlining slot on the 1994 Lollapalooza tour.
This interpretation is also supported by the fact that the
first fully played incarnations of the song occurred at a
few Lollapalooza shows, as well as on demos recorded early
that year. A very embryonic version was apparently recorded
during the recording of
Siamese Dream; according to Corgan, "somewhere, I
have a tape of us from 1993 endlessly playing the 'world is
a vampire' part over and over." It was not until 1995 that
Corgan finished writing the "rat in a cage" chorus section
of the song
Stupid Girl" debuted as the highest new
entry on the
UK Singles Chart at 4th,
which remains the band's highest charting
single.
In North America, Stupid Girl" reached the
top ten at Modern Rock
peaking at number 2 in August, and only leaving
the top ten in September
as Garbage ascended into the top forty of
the
Billboard 200 for the first time.
In mid-August, "Stupid Girl" peaked at 26th on
the Hot 100 Airplay chart,
and picked up enough
mainstream rock airplay to spend two weeks
at 39th on the
Mainstream Rock Tracks chart.
At the start of September, "Stupid Girl" became
a crossover hit, having built up at both
alternate and
contemporary hit radio, where it reached
25th on the Top 40 Mainstream chart.
Two weeks later, "Stupid Girl" earned Garbage's
highest position on the Hot 100 with a number
24;
it also peaked at 33rd on the Single Sales
chart,
and hit 5th on the Club Play chart.
"Stupid Girl" continued to gain a larger
crossover audience throughout October, debuting
on the
Adult Top 40. "Stupid Girl" bowed off of the
Modern Rock chart in mid-November after
twenty-five weeks
and remained on the Hot 100 until the start of
December, clocking twenty weeks
ALANIS MORRISSETTE - IRONIC (1996) hit #4
Ironic" is a song recorded by Canadian-American
singer
Alanis Morissette for her third
studio album
Jagged Little Pill (1995). It was written by
Morissette and
Glen Ballard, and was produced by him.
Maverick and
Warner Bros. Records released it as the album's fourth
single on February 27, 1996 in CD, maxi and cassette
formats. "Ironic" is a
pop rock song written in the key of
B major, and includes a moderate tempo of eighty-two
beats per minute. Although the lyrics present several
situations which are said to be "ironic",
it has been noted by some commentators, including comedians
and satirists, that these situations were not truly ironic,
earning critiques and parodies as well as corrections to
make the situations actually "ironic".
The track topped
the Canadian
RPM Top Singles chart for six weeks, and reached
the top five in Australia, New Zealand and Norway. In the
United States, the song reached number four on April 13,
1996, and currently is her highest-charting single on the
Billboard Hot 100. "Ironic" was certified gold by
the
Recording Industry Association of America (RIAA). The
song received two
Grammy Award nominations in
1997, one of them
Record of the Year. French director
Stéphane Sednaoui filmed the music video. In it,
Morissette drives through a winter landscape, and she plays
multiple roles as her passengers. MTV nominated the
music video for six
MTV Video Music Awards in
1996, winning three of them. The music video was listed
on VH1's "Greatest Music Videos" list and was parodied by
Allison Rheaume and
"Weird Al" Yankovic.
"Ironic" was written by
Alanis Morissette and
Glen Ballard, and produced by the latter for her third
studio album,
Jagged Little Pill (1995). In an interview with
Christopher Walsh of
Billboard, Ballard explained how he and
Morissette met, and how "Ironic" was written. He commented:
"I'm telling you, within 15 minutes we were at it—just
writing. 'Ironic' was the third song we wrote. Oh God, we
were just having fun. I thought 'I don't know what this
is—what genre it is—who knows? It's just good'
TONI BRAXTON - UNBREAK MY HEART (1996) hit #1
Un-Break My Heart" is a song by American recording
artist
Toni Braxton, taken from her second studio album,
Secrets (1996). The
R&B
ballad was written by
Diane Warren. Braxton expressed a dislike for the song;
however,
Clive Davis was able to convince the singer to record it
and include on her album. It was released as the second
single from the album in July 10, 1996, through
LaFace Records. Lyrically, the song alludes to a
"blistering heartbreak" in which Braxton begs a former lover
to return and undo the pain he has caused. It won a
Grammy Award for Best Female Pop Vocal Performance in
1997.
"Un-Break My Heart" attained commercial success
worldwide. In the United States, the song reached number-one
on the
Billboard Hot 100, where it stayed a total of
eleven weeks, while reaching the same position on the
Hot Dance Club Songs and
Adult Contemporary component charts. In Europe, the song
reached the top-five in more than ten countries while
peaking at number one in Austria, Belgium (Wallonia), Sweden
and Switzerland.
Billie Woodruff directed the accompanying video for the
single. It portrays Braxton mourning on the death of her
lover, while remembering the good times they had together.
Braxton performed the song on the opening ceremony of the
1997
Billboard Music Awards. "Un-Break My Heart" has been
covered by several artists, including American alternative
rock band
Weezer.
In the United States, "Un-Break My Heart" managed to peak at number
one on
Billboard Hot 100 for eleven weeks, from the week of December
7,1996 to the week of February 15,1997 and stayed on the same position
on the
Adult Contemporary chart for fourteen weeks. It was certified
Platinum by the
Recording Industry Association of America (RIAA), for shipping over
1,000,000 physical units of the single in the country. "Un-Break My
Heart" also achieved commercial success worldwide, reaching number one
in Austria, Belgium (Wallonia), the European Hot 100 Singles, Sweden and
Switzerland, while reaching the top five in several European countries.
On the week of November 4, 1996, the song debuted at number four in the
UK Singles Chart, reaching is peak at number two after seven weeks
on the chart. According to the
British Phonographic Industry (BPI), it has shipped over 600,000
copies there, being certified Platinum. In Australia, the song peaked at
number six, and was later certified Platinum by the
Australian Recording Industry Association (ARIA), for shipments of
more than 70,000 units of the single
On May 20, 2008,
David Cook, winner of the seventh season of
American Idol performed the song. Following his
performance, Cook's version peaked at #14 on the
Billboard Hot Digital Songs chart and #28 on the
Billboard Hot 100
The group’s
self-titled second album issued following year, was
certified
RIAA triple platinum, and logged a 76 week run on the
Billboard 200. Notable singles from Collective Soul
included US Rock Chart #1 hits "December," "Where The River
Flows," and "The
World I Know," #2 hit "Gel," and the
Top 10 hit "Smashing Young Man."
Following a split
with their manager, Collective Soul found their tour dates
canceled and were called into the courtroom to face a legal
battle that lasted into 1996. While the legal battles
continued, the band went to a cabin, in the middle of 40
acres (160,000 m2) of cow pasture in Stockbridge,
and began recording. They recorded into a computer their
impromptu efforts of songs Roland penned, and these became
Disciplined Breakdown. The legal case was eventually
settled, and both parties were instructed not to discuss the
outcome.
Between Blackstreet's sung verses are rap verses performed
by Dre, Teddy Riley and
Queen Pen, in that order, as well as backing vocals from
Shaquana Elam. Despite the fact that some of Dr. Dre &
Queen Pen's lyrics are censored, there are no "dirty"
versions of the song. Also, there is a radio version that
excludes both rappers and features Blackstreet only, tailor
made for airplay on Top 40 Pop and Adult R&B stations.
The song's musical backing track is an altered sample
from the beginning of "Grandma's
Hands" by R&B hitmaker
Bill Withers.
Blackstreet (often stylized as BLACKstreet) is an
American R&B group founded in 1991 by Thomas Taliaferro and Teddy Riley,
the inventor of
New Jack Swing known for his work as a member of
Guy.
Chauncey Hannibal and Levi Little were signed under production and
management contracts with Thomas Taliaferro and were merged into what
became Blackstreet featuring Teddy Riley. The current members are
Teddy Riley,
Chauncey Black,
Dave Hollister, & new member Glenn Adams aka Lenny Harold.
Mark Middleton & Eric Williams are no longer in the group. The
original members of Blackstreet were
Teddy Riley,
Chauncey Black, Levi Little, and Joseph Stonestreet. Stonestreet was
replaced, however, by
Dave Hollister before they began work on their self-titled debut
album. The name Blackstreet is a portmanteau of the nicknames of
Hannibal (Chauncey Black) and Joseph Stonestreet (Street).
The group is notorious for doing the dance move "The Lean" at concerts.