"Nights in White Satin" is a 1967 single by The Moody Blues, written by Justin Hayward and first featured on the album Days of Future Passed.

It is in the key of E minor, and features the Neapolitan chord.

When first released in 1967, the song reached #19 on the UK Singles Chart, a position that might have been higher were it not for its seven-plus minute length. The song was re-released in 1972 after the success of such longer-running dramatic songs as "Hey Jude" and "Layla", and it charted at #2 on Billboard and #1 on Cash Box in the United States, earning a Gold certification for sales of a million copies. It also reached #1 in Canada. The song also holds the dubious distinction of the highest complete Hot 100 disappearance from the pre-digital download era, vanishing entirely from the chart after falling to #17. It was also released in Spanish as "Noches de Seda" at the same time. In the wake of its US success, the song re-charted in the UK in late 1972 and climbed to #9. The song was re-released yet again in 1979, and charted for a third time in the UK at #14.

There are two single versions of the song, both stripped of the orchestral and "Late Lament" poetry sections of the LP version. The first edited version, with the songwriter's credit shown as "Redwave", was a hasty sounding 3:06 version of the LP recording with very noticeable chopped parts. However, there are many versions of the single that are listed on the labels at 3:06, but in fact are closer to the later version of 4:26. Some versions, instead of ending cold as most do, segue briefly into the symphonic second half ("Late Lament"), and, in fact, run for 4:33 (but are also listed on the label as 3:06). For the second edited version (with the song's writing credited to Hayward), the early parts of the song were kept intact, ending early at 4:26. Just about all single versions were backed with a non-LP B-side, "Cities".

Band member Justin Hayward wrote the song at age 19 in Swindon, and titled the song after a friend gave him a gift of satin bedsheets. The song itself was a tale of a yearning love from afar, which leads many aficionados to term it as a tale of unrequited love endured by Hayward. The London Festival Orchestra provided the orchestral accompaniment for the introduction, the final rendition of the chorus, and the "final lament" section, all of this in the original album version. The "orchestral" sounds in the main body of the song were actually produced by Mike Pinder's Mellotron keyboard device, which would come to define the "Moody Blues sound".^{[citation needed]}

While largely ignored on its first release, the song has since garnered much critical acclaim, ranking #36 in BBC Radio 2's "Sold on Song Top 100" list

Jo Jo Gunne is a rock band, formed in Los Angeles, California, in 1971 by Jay Ferguson (keyboards, vocals and guitar) and Mark Andes (bass guitar and vocals) after they had left Spirit. The group's name is derived from a song by Chuck Berry, Joe Joe Gun, a single that peaked at #83 in November 1958.

With the addition of Andes' brother, Matt Andes (born c. 1950, California) (guitar, vocals) and William "Curly" Smith (born 31 January 1952, Wolf Point, Montana) (drums, vocals and harp), they were signed to Asylum Records.

Jo Jo Gunne had a Top 10 hit in the UK Singles Chart with the song, "Run Run Run", taken from their first album, Jo Jo Gunne (1972), which peaked at 27 in U.S. charts, and received airplay on U.S. album-oriented rock FM radio stations.

Following the first album, Mark Andes left the band and was replaced by Jimmie Randall. Randall introduced a brighter bass sound and helped increase the band's overall volume.    Matt Andes left after Jumpin' the Gunne, and he was briefly replaced by Star Donaldson. A more permanent replacement was found in John Staehely (born 25 January 1952, Austin, Texas), who had played on Feedback, the Spirit album that followed Ferguson and Ande's departure. Staehely's overdriven guitar was a complete change from Matt Andes's Ry Cooder style slide guitar.

After the band broke up, Ferguson recorded several solo albums, including the hit singles "Thunder Island" and "Shakedown Cruise", and scored TV shows and mostly non-notable films. Andes joined Firefall and, later, Heart. Smith went on to have a successful career as a session drummer, and also played with Spirit in the 1980s and Boston from 1994 to 2000.   The original line-up reformed in 2005, and began recording again.

"Layla" is a song written by Eric Clapton and Jim Gordon, originally released by their blues rock band Derek and the Dominos, as the thirteenth track from their album Layla and Other Assorted Love Songs (December 1970). It is considered one of rock music's definitive love songs, featuring an unmistakable guitar figure played by Eric Clapton and Duane Allman, and a piano coda that comprises the second half of the song. Its famously contrasting movements were composed separately by Clapton and Gordon.

Inspired by Clapton's then unrequited love for Pattie Boyd, the wife of his friend and fellow musician George Harrison, "Layla" was unsuccessful on its initial release The song has since experienced great critical and popular acclaim, and is often hailed as being among the greatest rock songs of all time. Two versions have achieved chart success, the first in 1972 and the second (without the piano coda) twenty years later as an acoustic "Unplugged" performance. In 2004 it was ranked #27 on Rolling Stone's list of "The 500 Greatest Songs of All Time", and the acoustic version won the 1993 Grammy Award for Best Rock Song.

The 5th Dimension is an American popular music vocal group, whose repertoire also includes pop, R&B, soul, and jazz.

Originally known as The Hi-Fi's, the group changed its name to The 5th Dimension in late 1966 and was best-known during the late 1960s and early 1970s for popularizing the hits "Up, Up and Away", "Stoned Soul Picnic", "Aquarius/Let the Sunshine In", "Wedding Bell Blues", "One Less Bell to Answer", "(Last Night) I Didn't Get to Sleep at All", and The Magic Garden LP.

The five original members were Billy Davis, Jr., Florence LaRue, Marilyn McCoo, Lamonte McLemore, and Ron Townson. They have recorded for several different labels over their long careers. Their first work appeared on the Soul City label, which was started by Imperial Records/United Artists Records recording artist Johnny Rivers. The group would later record for Bell/Arista Records, ABC Records, and Motown Records.

Some of the songwriters popularized by The 5th Dimension went on to careers of their own, especially Ashford & Simpson, who wrote "California Soul". The group is also notable for having more success with the songs of Laura Nyro than Nyro did herself, particularly with "Stoned Soul Picnic", "Sweet Blindness", "Wedding Bell Blues", "Blowin' Away", and "Save the Country". The group also covered music by well known songwriters such as the song "One Less Bell to Answer", written by Burt Bacharach and Hal David and the songs and music of Jimmy Webb, who penned their hit "Up, Up and Away", including an entire recording of Webb songs called The Magic Garden

Easy Livin'" is a song by the British rock band Uriah Heep, released as the second single from their 1972 album Demons and Wizards. It was the band's only hit in the United States, peaking at #39 on the Billboard Hot 100 in September 1972, and their only single to reach platinum status in the U.S. The song's greatest success came in the Netherlands, where it reached #5 on the singles chart. In 1988 the band released a live version of the song, with new vocalist Bernie Shaw, as a UK single from the album Live in Moscow.

The song was written by Ken Hensley and sung by David Byron.The band members think that song is very dynamic and fast and it is a really hit now too.It is the first song of the album which is has been written only by Ken Hensley.It is the third track on the album and it is the best song on the album,since there was no music video for this song because band has already released a music video for the first single The Wizard,but the song always has been sung in every live concert of Uriah Heep.

"Day After Day" is a song recorded by the rock/pop band Badfinger for inclusion on their 1971 album, Straight Up.

The song was written and sung by Pete Ham and produced by George Harrison, who plays some of the slide guitar parts of the song along with Ham. The record also features Leon Russell on piano. As the song was unfinished at the time Harrison left the Badfinger album to produce the Concert for Bangladesh, the final mix was done by Todd Rundgren, who took over Straight Up after Harrison's departure.

Released as a single in the US in November 1971 (January 1972 elsewhere), it would become the group's highest charting single there, peaking at number 4 on the Billboard Pop Singles chart. It also peaked at number 10 on the UK Singles Chart in January 1972. It remains the band's best-known song, most notably for the slide guitar solos. It went Gold in March 1972, becoming the band's first and only gold single. "Day After Day" reached number 10 on Billboard's Easy Listening survey

Because of all of the overdubs, Badfinger was hesitant to play this song live for years, since it was impossible for a four-piece group to reproduce the single production. However, the song was included in the setlist for Badfinger's 1974 tour

Join Together" is a song by British rock band The Who. It was released as a single in 1972, and was one of three non-album singles relating to the aborted Lifehouse project, along with "Let's See Action" and "Relay". It reached number 9 on the British singles chart and number 17 on the U.S. Billboard Hot 100. It was included on several compilations, including The Who: The Ultimate Collection and 20th Century Masters: The Millennium Collection: The Best of The Who.

A video shot in June 1972 shortly after completing the song featured The Who miming to playback in front of an excited audience. Roger Daltrey and Keith Moon play Jew's harps and Pete Townshend and John Entwistle play chord and bass harmonicas respectively to mime to all those instruments played by Townshend. Also during the video, Townshend's hand is bandaged.

The song was first performed live on The Who's By Numbers Tour from 1975-1976, albeit more bluesy and abbreviated while attached to "My Generation"; it was played in this same arrangement early in the 1979 tour. It was performed once on the 1982 tour as well, tagged on to the end of "Magic Bus".^[1] For the 1989 tour, it was brought back, this time in the same arrangement as the studio version. On January 13, 2011, the band played this song with guests Debbie Harry, Jeff Beck and Bryan Adams as the show-closer for the Concert for Killing Cancer benefit show.

Taxi" is a song written and performed by Harry Chapin from his 1972 album Heads and Tales. Chapin debuted the song on NBC's The Tonight Show in 1972 which was followed by many calls and telegrams sent from viewers to NBC demanding that Chapin return to the show. It was the first time in the show's history that host Johnny Carson brought a performer back the very next night for an encore performance. Taxi thus front-lined his defining work. The single helped establish Chapin's musical style and fame, and as a result many Chapin items feature taxi-related imagery. Legendary WMEX-Boston Radio Personality Jim Connors is credited with a Gold record for discovering Chapin and pushing his single "Taxi" to #24 on the Billboard charts, where it would last 16 weeks on the Hot 100, in the United States.

The song tells the story of Harry, a cab driver, on a rainy night in San Francisco. He picks up a woman, his last fare for the night, and she asks to be taken to her home at 16 Parkside Lane. Harry finds the woman familiar at first, but she doesn't seem to recognize him until after she looks at him in the rear-view mirror and at his license. It is then revealed that she is Sue, Harry's old lover.

In flashback, Harry remembers how he "used to take her home in [his] car" and also how they "learned about love in the back of a Dodge". Sue had wanted to be an actress, while Harry was going to learn to fly (hinting at Chapin's earlier real-life experience at the United States Air Force Academy). Their relationship ended when Sue "took off to find the footlights" and Harry "took off to find the sky".

Listen to the Music" is a song recorded by The Doobie Brothers on their second album Toulouse Street. This song remains a concert staple and is one of The Doobie Brothers' biggest hits.

The song peaked at #11 on the Billboard Hot 100 in November 1972. Its commercial success helped the album Toulouse Street skyrocket on the charts. The song remains a staple of adult contemporary and classic rock radio. The band also uses it as an encore song during live shows. It was written and sung by guitarist and vocalist Tom Johnston. Patrick Simmons, the second guitarist and vocalist in the group, sings the bridge of the song.

During the 1982 'Farewell Tour,' the song was the last one played on the setlist as the encore with drummer Keith Knudsen singing the lead vocal

The Doobie Brothers are an American rock band. The band has sold over 40 million albums worldwide throughout its career. The group was inducted into The Vocal Group Hall of Fame in 2004

Roundabout" is the opening track for the 1971 album Fragile by British progressive rock band Yes. The song was written by singer Jon Anderson and guitarist Steve Howe. In January 1972, an edited version of the song was released as a single with "Long Distance Runaround" on the B-side. "Roundabout" has become one of the best-known songs by Yes. Live versions of the song are found on the albums Yessongs (1973), Classic Yes (1981), Keys to Ascension (1996), House of Yes: Live from House of Blues (2000), and Live at Montreux 2003 (2007). The Yessongs version was released as a single in 1974. An acoustic arrangement of "Roundabout" was recorded for The Ultimate Yes: 35th Anniversary Collection, released in 2003.

With its #13 peak on the Billboard Hot 100, "Roundabout" ranks as the second highest charting US single for Yes, after their 1983 #1 hit "Owner of a Lonely Heart". The single version was edited down to 3:27 for American pop radio airplay, although many stations played the full version of the song. "Roundabout" peaked at #23 on the Dutch Top 40.

Anderson has said the lyrics to the song were inspired by a long tour van ride from northern Scotland to north England, which featured many traffic-clogged roundabouts along with mountain and lake scenery.

On the commentary track for the DVD release of School of Rock (2003), actor Jack Black states that the solo is his personal favourite keyboard solo. "Roundabout" was also used in the 1999 film Outside Providence as it is heard through a sequence of two scenes.

"Roundabout" is a playable track in the music game Rock Band 3, where it is the hardest song for Keys, Pro Guitar, and Band.   "Roundabout" was used as the first song in Episode 20, Season 2 of the TV Series Fringe.

Long Cool Woman in a Black Dress" (also called "Long Cool Woman" or "Long Cool Woman (in a Black Dress)") is a song written by Allan Clarke, Roger Cook, and Roger Greenaway and performed by the British pop group The Hollies. Originally appearing on the album Distant Light, it was released as a single in April 1972 (on Parlophone in the United Kingdom), selling 1.5 million copies in the United States and 2 million worldwide.

On the day "Long Cool Woman" was recorded at AIR Studios, the group's producer, Ron Richards, was ill and, as a result, the song was produced by the group. The song is different from most Hollies' songs in that there are no three-part vocal harmonies, and the song features lead guitar and lead vocal work by Allan Clarke. Upon his return, Ron Richards mixed the recording.

According to Clarke, the song was written "in about five minutes". When the song made its mark in America, Clarke had already left the band; but Clarke feels that "it wasn't unfortunate", since he had written the song.

April Wine is a Canadian rock band formed in 1969. According to the band, they chose the name 'April Wine' simply because members thought the two words sounded good together. The band has released more than twenty albums and forged a live performance reputation that still sees them drawing devoted crowds across Canada and around the world more than forty years after taking their first steps into the hard rock spotlight.

April Wine began in late 1969 in Waverley, Nova Scotia (a suburb of Halifax). The original members were brothers David Henman on guitar and Ritchie Henman on drums. Their cousin Jim Henman joined in on bass, and Myles Goodwyn completed the sound on lead vocals and guitar. In early 1970 the band relocated to Montreal. Shortly after arriving in their new home the band was signed by Aquarius Records. They recorded and released their debut self-titled album April Wine in 1971. The album spawned their first single, "Fast Train", which received fairly steady airplay on radio stations across Canada and established Myles Goodwyn as the band's main songwriter. The single's success gave the band's label confidence and work began on a second album, but not before a change in the line-up (the first of many over the course of the band's career). Jim Henman left the band in the fall of 1971, and was replaced by Jim Clench.

Under the guidance of producer Ralph Murphy, April Wine recorded their second album, titled On Record. The first single from the album was a cover version of the song "You Could Have Been a Lady", originally by the band Hot Chocolate. The record was a commercial success, hitting number 5 on the Canadian charts, as well as cracking the Billboard Hot 100 chart in the United States where it stayed for eleven weeks, peaking at #32. Following quick on its heels, April Wine released a second single from On Record, titled "Bad Side of the Moon". This song, originally by Elton John and Bernie Taupin, also found success on Canadian radio stations and was a minor hit in the U.S. as well. Both tracks remain staples on classic rock radio stations in Canada to this day. On Record was certified Gold in Canada and the band, along with Murphy, hit the studio to cash in on the promotional momentum generated by their second release.

The Osmonds are an American family music group with a long and varied career—a career that took them from singing barbershop music as children, to achieving success as teen-music idols, to producing a hit television show, and to continued success as solo and group performers. The Osmonds are devout members of The Church of Jesus Christ of Latter-day Saints, and their religious values have influenced their careers.

When it began as a barbershop quartet, the group consisted of brothers Alan Osmond, Wayne Osmond, Merrill Osmond, and Jay Osmond. They were later joined by younger siblings Donny Osmond and Jimmy Osmond. Their only sister Marie Osmond, who never sang with her brothers at that time, launched a successful solo career in the 1970s, and family friend Ronnie Mund on tamborine and backing vocals. Older brothers George Virl Osmond, Jr. (Virl) and Tom Osmond were born deaf and did not originally perform, although they later made occasional appearances, most notably on the family Christmas specials from the 1970s. All of the Osmonds were born in their hometown of Ogden, Utah except the youngest, Jimmy, who was born in Canoga Park, California. The group have sold 102 million records worldwide

Conquistador" is a song by the British progressive rock band Procol Harum. Written by Gary Brooker and Keith Reid, it originally appeared on the band's 1967 self-titled debut album. It was released as a single off the band's 1972 album Procol Harum Live In Concert with the Edmonton Symphony Orchestra. It is one of the band's most famous and popular songs and their second Top 40 hit (after "A Whiter Shade of Pale"), peaking at number 16 on the Billboard Hot 100.

The song's lyrics were written by Keith Reid and its music was written by Gary Brooker, who also sang. It was featured on the band's 1967 album, Procol Harum. The song is unusual in that the music was written before the lyrics; according to Reid, "99 out of 100 of those Procol Harum songs were written the words first, and then were set to music." He explained that Brooker had written a piece of Spanish-flavored music before the band had officially formed, and Reid decided to write lyrics about a conquistador. In August 1971, Procol Harum was invited to perform with the Edmonton Symphony Orchestra in Edmonton, Alberta. "Conquistador" was added to the set with little time to spare, and the orchestra had no time to rehearse. Nonetheless, they began the concert with the song, and the concert was captured on the Procol Harum Live In Concert with the Edmonton Symphony Orchestra, of which "Conquistador" was the lead single.

Besides "A Whiter Shade of Pale", "Conquistador" was the band's highest charting single. It peaked at #16 on the Billboard Hot 100 in 1972, and helped catapult the album into the top five. "Conquistador" peaked at #22 on the UK Singles Chart. The song was generally well received by music critics. Georgiy Starostin thought that it was the second-best track on "Procol Harum" due to its "brilliant allegory of the vanity of victory", and the best part was the chorus, with its "scary descending guitar riff." Bruce Eder of Allmusic praised it as "the most accessible song" on Procol Harum Live In Concert with the Edmonton Symphony Orchestra, adding that "nothing else [on the album] matches it for sheer, bracing excitement. It was listed on Dave Thompson's 1000 Songs that Rock Your World

Back Off Boogaloo" is a 1972 single released by Ringo Starr. The song was a hit in the U.S. reaching #9 on the US Hot 100 and achieving Starr's best position in the UK Singles Chart, where it reached #2, blocked only by the Royal Scots Dragoon Guards' version of "Amazing Grace".

This is one of the few songs solely written by Starr. He composed the song himself, but George Harrison produced it (and played lead guitar on it). The B-side is "Blindman".

In a 1977 interview, Starr explained that the phrase "Back Off Boogaloo" was inspired when he and fellow musician (and close friend) Marc Bolan had dinner one night, and Bolan used the word "boogaloo" multiple times in his sentences. Starr said that after dinner, when he had been half awake and half asleep, the beat and tune for the song had become stuck in his head. He went to find a tape recorder to record the song but had trouble when all his tape recorders either were broken or had no batteries, adding, "So, I stole batteries from the kids toys and I got the song down."^{[citation needed]} Ringo also reiterated this story in 1998 on VH1 Storytellers. This would contradict a popular legend that 'Boogaloo' was a nickname for Paul McCartney and that the song was Starr's message to McCartney to "back off" the lawsuits and return to making good music (as the lyric says, "give me something tasty"); and not to "pretend that you're dead" as the "Paul is dead" rumor had perpetuated

Burning Love" is a song written by Dennis Linde, first recorded by Arthur Alexander, who included it on his self-titled 1972 album, and made famous by Elvis Presley, who took it to #2 in the United States in 1972. It was Presley's final top ten pop hit in the U.S.

Presley's version was released as a single on August 1, 1972, with the B-side "It's a Matter of Time", and it reached the Top 40 on the country charts, peaking at #36. Elvis had recorded it at RCA's Hollywood studios on March 28, 1972. The electric guitar opening and riffs were overdubbed and played by Dennis Linde himself.

For the weeks of October 21 and 28, 1972, "Burning Love" rose to #2 on the Billboard Hot 100, being kept from #1 by Chuck Berry's novelty song "My Ding-a-Ling." However, it reached #1 on Cashbox's Top 40 Charts for the week of November 11, which gave him 20 US #1 hits. The song was Elvis's 40th and last Top Ten hit on the US charts. It was also one of the last real rock songs in the last years of his life; from 1972 to 1977 the majority of his songs were ballads, and many of those placed on Billboard's Hot Country Singles chart. "Burning Love" was one of the few exceptions, along with "Promised Land" in 1974.

Reportedly, Presley did not care for the song, and did not feel comfortable performing it. Nonetheless, he performed it in at least two high-profile productions: the concert film Elvis on Tour (during which he had to use a lyric sheet as the song was still new to him), and the later Aloha from Hawaii concert.

The song was also released on an album titled Burning Love and Hits from his Movies: Volume 2 on November 1, 1972. Despite this album's subtitle, none of the movie songs on it were ever hits. The only actual hit on the album was the title song, "Burning Love".

Without You" is a song written by Pete Ham and Tom Evans of British rock group Badfinger, and first released on their 1970 album No Dice. The song has been recorded by over 180 artists, and versions released as singles by Harry Nilsson (1971) and Mariah Carey (1994) became international best-sellers. Paul McCartney once described the ballad as "...the killer song of all time."

Harry Nilsson, at the time best known for his hit "Everybody's Talkin'" and for composing such hits as Three Dog Night's "One", heard Badfinger's recording of "Without You" at a party, and mistook it for a Beatles' song. After realising it was not, he decided to cover the song for his album Nilsson Schmilsson in 1971; it stayed at number 1 on the U.S. pop chart for four weeks, from 13 February to 11 March 1972. The song also spent five weeks atop the U.S. adult contemporary chart. In the UK, the song spent five weeks at number 1 on the British pop chart, beginning on 11 March, and sold almost 800,000 copies. It went to Number One in several other countries, including Australia (for 5 weeks), Ireland (3 weeks) and New Zealand (2 weeks).

The single was produced by Richard Perry, who later explained, "It was a different record for its time. It was a big ballad with a heavy backbeat, and although many artists have cut songs like it since, no one was doing it then." Gary Wright, then known as a member of the British group Spooky Tooth, and later a successful solo artist in his own right, played piano on the recording. Also featured are Klaus Voormann (bass), Jim Keltner (drums) and Tom Plovanic (acoustic guitar). The string and horn arrangements are by Paul Buckmaster. In 1973, Nilsson won the "Best Male Pop Vocal" Grammy award for the song. While Nilsson rarely gave live concerts, he did perform the song with Ringo Starr and his All-Starr Band at Caesar's Palace in Las Vegas in September 1992

Seventh Sojourn, released in 1972, is the seventh studio album by The Moody Blues in their "classic" lineup and their eighth album overall.   In Seventh Sojourn, The Moody Blues used, besides the Mellotron, a keyboard called the Chamberlin, a device similar to the Mellotron created by the original inventor of the device, Harry Chamberlin. It could simulate orchestral sounds more realistically and easily than the Mellotron.    Seventh Sojourn reached #5 in the United Kingdom, and became the band's first American chart topper, spending five weeks at #1 to close out 1972.

Several songs contain overt political references. Mike Pinder's "Lost in a Lost World" laments the brutality of revolution ("Revolution never won / It's just another form of gun") and racial tension ("In their eyes it's nation against nation against nation / With racial pride"). "You and Me," like "Question" from two years earlier, alludes to ongoing wars and conflicts, including Vietnam ("There's a leafless tree in Asia"), Africa ("Under the sun there's a homeless man"), and the Arab-Israeli conflict ("There's a forest fire in the valley / Where the story all began"). In the 1990 Documentary "The Moody Blues: Legend of a Band," Bassist John Lodge described "I'm Just a Singer (In a Rock and Roll Band)" as a response to fans who mistakenly read guru-like wisdom into the Moodies' often philosophical lyrics. The song makes a clear statement that the band is just as worried by the crises of the modern world and has just as few answers as everyone else.

Record producer Mike Curb saw the Osmonds (no longer called "The Osmond Brothers") perform as a band and recognized that they combined a rare mix of polished performing style, instrumental skill, and vocal talent. He helped the Osmonds get a record contract with MGM, and arranged for them to record at Muscle Shoals with R&B producer Rick Hall. Under Hall's guidance, the Osmonds hit the top spot on the pop chart with "One Bad Apple" (Billboard No. 1) in 1971. The Osmonds soon had hits with other light, R&B-style pop numbers like "Double Lovin'" (Billboard No. 14) and "Yo-Yo" (Billboard No. 3). In each of these hits, the formula was the same; Merrill sang lead, and Donny was "co-lead" in essence, singing the "hook" or "chorus" of the song.

At this time the Osmonds also recorded several hits that were billed to Donny, the lead soloist on the songs. They included "Sweet and Innocent" (Billboard No. 7), "Go Away Little Girl" (Billboard No. 1), "Hey Girl"/"I Knew You When" (Billboard No. 9), and "Puppy Love" (Billboard No. 3). It was at this time, 1971 and 1972, that the Osmonds were at their peak of popularity.

After this early "bubblegum soul" phase, the Osmonds began writing their own music, and their sound moved towards rock and roll with hits like "Down by the Lazy River" (#4), "Hold Her Tight" (Billboard No. 14), and "Crazy Horses" (#14). The Crazy Horses album was the band's first really personal statement—the brothers have been quoted as saying that the title song refers to air pollution from cars. They wrote all the songs and played all the instruments with Alan on rhythm guitar, Wayne on lead guitar, Merrill on lead vocals and bass, Jay on drums, and Donny on keyboards. All the brothers sang back-up, with Jay and Donny sometimes singing lead parts.

Record producer Mike Curb saw the Osmonds (no longer called "The Osmond Brothers") perform as a band and recognized that they combined a rare mix of polished performing style, instrumental skill, and vocal talent. He helped the Osmonds get a record contract with MGM, and arranged for them to record at Muscle Shoals with R&B producer Rick Hall. Under Hall's guidance, the Osmonds hit the top spot on the pop chart with "One Bad Apple" (Billboard No. 1) in 1971. The Osmonds soon had hits with other light, R&B-style pop numbers like "Double Lovin'" (Billboard No. 14) and "Yo-Yo" (Billboard No. 3). In each of these hits, the formula was the same; Merrill sang lead, and Donny was "co-lead" in essence, singing the "hook" or "chorus" of the song.

At this time the Osmonds also recorded several hits that were billed to Donny, the lead soloist on the songs. They included "Sweet and Innocent" (Billboard No. 7), "Go Away Little Girl" (Billboard No. 1), "Hey Girl"/"I Knew You When" (Billboard No. 9), and "Puppy Love" (Billboard No. 3). It was at this time, 1971 and 1972, that the Osmonds were at their peak of popularity.

After this early "bubblegum soul" phase, the Osmonds began writing their own music, and their sound moved towards rock and roll with hits like "Down by the Lazy River" (#4), "Hold Her Tight" (Billboard No. 14), and "Crazy Horses" (#14). The Crazy Horses album was the band's first really personal statement—the brothers have been quoted as saying that the title song refers to air pollution from cars. They wrote all the songs and played all the instruments with Alan on rhythm guitar, Wayne on lead guitar, Merrill on lead vocals and bass, Jay on drums, and Donny on keyboards. All the brothers sang back-up, with Jay and Donny sometimes singing lead parts.

Tumbling Dice" is a rock song written by Mick Jagger and Keith Richards for The Rolling Stones' 1972 double album Exile on Main St., and was the album's first single. The single peaked at #7 on the US charts and #5 in the UK.

The lyrics tell the story of a gambler who cannot remain faithful to any woman. The music has a blues boogie-woogie rhythm. "Tumbling Dice" has been performed in many of the band's concerts. Cover versions have been created in such diverse styles as reggae, bluegrass and noise rock. An updated version from a female perspective was also a top 40 single for Linda Ronstadt in 1978, which is included in the film FM.

Three Dog Night is an American rock band best known for their music from 1968 to 1975. During that time all of the band's 21 Billboard top 40 hits in America were consecutive, three of which reached Number One. As of 2012, they are still recording and making live appearances.   In 1967, Three Dog Night was founded by Danny Hutton, Cory Wells, Chuck Negron, Joe Schermie, Floyd Sneed, Jimmy Greenspoon, and Michael Allsup. The group was a successful live act in Los Angeles and gathered considerable attention by several record labels. After a show at the Troubadour, the group was signed to the Dunhill ABC label, and the band started work on their first studio album. 

Harmony is the seventh album by American rock band Three Dog Night, released in 1971. The album featured two Top 10 hits: a cover version of Paul Williams' "An Old Fashioned Love Song" (U.S. #4) and Hoyt Axton's "Never Been to Spain" (U.S. #5).

Three Dog Night is an American rock band best known for their music from 1968 to 1975. During that time all of the band's 21 Billboard top 40 hits in America were consecutive, three of which reached Number One. As of 2012, they are still recording and making live appearances.   In 1967, Three Dog Night was founded by Danny Hutton, Cory Wells, Chuck Negron, Joe Schermie, Floyd Sneed, Jimmy Greenspoon, and Michael Allsup. The group was a successful live act in Los Angeles and gathered considerable attention by several record labels. After a show at the Troubadour, the group was signed to the Dunhill ABC label, and the band started work on their first studio album. 

Harmony is the seventh album by American rock band Three Dog Night, released in 1971. The album featured two Top 10 hits: a cover version of Paul Williams' "An Old Fashioned Love Song" (U.S. #4) and Hoyt Axton's "Never Been to Spain" (U.S. #5).

Three Dog Night is an American rock band best known for their music from 1968 to 1975. During that time all of the band's 21 Billboard top 40 hits in America were consecutive, three of which reached Number One. As of 2012, they are still recording and making live appearances.   In 1967, Three Dog Night was founded by Danny Hutton, Cory Wells, Chuck Negron, Joe Schermie, Floyd Sneed, Jimmy Greenspoon, and Michael Allsup. The group was a successful live act in Los Angeles and gathered considerable attention by several record labels. After a show at the Troubadour, the group was signed to the Dunhill ABC label, and the band started work on their first studio album. 

Harmony is the seventh album by American rock band Three Dog Night, released in 1971. The album featured two Top 10 hits: a cover version of Paul Williams' "An Old Fashioned Love Song" (U.S. #4) and Hoyt Axton's "Never Been to Spain" (U.S. #5).

Black Dog" is a song by English rock band Led Zeppelin, the lead off track of their fourth album, released in 1971. It was also released as a single in the United States and Australia with "Misty Mountain Hop" on the B-side, and reached #15 on Billboard and #11 in Australia.

In 2010, the song was ranked #300 on Rolling Stone's list of the 500 Greatest Songs of All Time. Music sociologist Deena Weinstein argues, "Black Dog" is "one of the most instantly recognisable [Led] Zeppelin tracks".

Led Zeppelin bass player John Paul Jones, who is credited with writing the main riff, wanted to write a song that people could not "groove" or dance to with its winding riff and complex rhythm changes.

Witchy Woman" is a song written by Don Henley and Bernie Leadon, and recorded by the American rock band Eagles. Released as the second single from the band's debut album Eagles, it reached #9 on the Billboard Pop singles chart and is the only single from the album to feature Henley on lead vocals.

"Witchy Woman" was started by guitarist Bernie Leadon who wrote it while he was a member of The Flying Burrito Brothers. Upon joining the Eagles, Bernie and Don Henley completed writing the song in the signature Eagles style and it was one of Henley's first songs he wrote for the Eagles. While the inspiration for the title and lyrics was based on various women they had met and remembered as seductive enchantresses, Henley had Zelda Fitzgerald particularly in mind after reading her biography. The muse and sometimes genius behind her well-published author husband F. Scott Fitzgerald, Zelda was known as wild, bewitching and mesmerizing and was the quintessential "Flapper", as her husband dubbed her, of the Jazz Age and the Roaring Twenties. In his novel, The Great Gatsby, Fitzgerald embodies Zelda's uninhibited and reckless personality in the character of Daisy Buchanan. Theories and speculation on Zelda's behavior were widespread, with lyrics in "Witchy Woman" referring to Zelda's partying excesses being detrimental to her psyche: "She drove herself to madness with the silver spoon", is a reference to Zelda's time in a mental institution and the special slotted silver spoon used to dissolve sugar cubes with Absinthe, the popular 1920s alcoholic beverage distilled from the wormwood tree and called "the green fairy" for sometimes inducing hallucinations. The song was conceived while Don Henley was living in an old house near the Hollywood Bowl, with his flat mate, Henry Vine (aka 'Blitz').