Bands are listed by their band name (except bands that start with the word THE will be filed under the next word in their name.

A-E       F-I        J-N       O-R      S       T       U-Z  

Saskatoon Night Clubs & Bars

Saskatoon Recording Studios

Saskatoon Advertisements and Promo

Saskatoon Photographs

If you see a band listed that you know the band history or members names please send me info and/or get those people to contact me directly.  Thanks ! 

lyrics by Ross Martin

My friend from 1st year University at St Peters College, Ross Martin, wrote the lyrics for this song.  I asked him if he had a title yet for the song and he said "it's so hard to find the right title" and I said thats it!

In 1992 age 21 I went and packaged up very first official release album on cassette called COOL ALL OVER.  It featured all my original songs and a weird bunch of genres.  It was reviewed in an issue of the SOMA newspaper in 1992 by Brent Pomeroy.  He liked the musicianship but thought the vocals need work.  The album was recorded primitively on a new 4 track cassette tape recorder I had bought and recorded this album while renting at 314 Cumberland Ave

I wrote my first song in 1982 at age 11 in Grade 6.     I would sporadically write 18 few songs over the next 4 years.  Starting with my 19th song (Opus #19) I began writing on a very regular basis starting in December 1986 in Grade 11 at Aden Bowman.  This included writing over 58 songs with my best friend Nels Krauss over the period of 1986-1992.  I wrote 97 songs in 1987 and then 215 songs in 1988.   By the time I graduated high school at age 17 I was up to Opus #268.   I wrote another 178 songs in 1989.   By the time I celebrated my 19th birthday I was up to Opus #524.   At that time I was in first year University living in Muenster, SK in residence at St Peters College at the monastery.  I met a poet from New York named Philip Murray who I collaborated with writing music to his words 91 songs in total.  I wrote my 1000th song the week I turned 25 in January 1996.

September 6th 1993 - my #2 favorite daily song for 224 days at age 22 at the time I wrote and recorded this 9 minute epic love song.   Brent asked me to put a rush on writing music for this song which I did.  At this time I was rehearsing with Marilyn Faye Parney to go on the road to perform and I put my last shifts in working at Collectors Edge comic shop and at CFCR FM hosting my radio show History Lesson.

I wrote my first song in 1982 at age 11 in Grade 6.     I would sporadically write 18 few songs over the next 4 years.  Starting with my 19th song (Opus #19) I began writing on a very regular basis starting in December 1986 in Grade 11 at Aden Bowman.  This included writing over 58 songs with my best friend Nels Krauss over the period of 1986-1992.  I wrote 97 songs in 1987 and then 215 songs in 1988.   By the time I graduated high school at age 17 I was up to Opus #268.   I wrote another 178 songs in 1989.   By the time I celebrated my 19th birthday I was up to Opus #524.   At that time I was in first year University living in Muenster, SK in residence at St Peters College at the monastery.  I met a poet from New York named Philip Murray who I collaborated with writing music to his words 91 songs in total.  I wrote my 1000th song the week I turned 25 in January 1996.

Album:  Orange Lucy 1 (2001)

In 1990 I wrote music to this classic poem by Robert Bridges.  In 2001 I decided to record it for my new CD playing all the instruments.   I wrote the extra verse for the song.   Song was engineered by the late Neil Meckelborg from Saskatoon, SK, Canada.    Out of the 1100 songs I have written this is the song I am most proud of the final recording. 

April 24th 2001 - my #1 favorite daily song for 121 days making it my #1 favorite song of 2001.

This was the first time I had liked one of my own recordings enough that it was my favorite song and still is my favorite recording I have ever made.

Robert Seymour Bridges, OM, (23 October 1844 – 21 April 1930) was a British poet, and poet laureate from 1913 to 1930

As the new century began a new chapter in songwriting where the focus was more on recording polished songs but writing way less and very sporadic.    I had written 500 songs by the age of 19 and had hit 1000 songs by the age of 25.  But since then I can go over a year at a time without writing a song but really focusing in most cases on a more commercial type of polished song however I still venture into all possible genres.  I continue to play and sing every part on all my songs and recordings.

I hired Neil Meckelborg of Audio Art to record my songs in 2001.  We started out recording a full album at their location downtown behind the Bus depot but eventually worked on recordings at Neil's private studio.  In total we recorded 3 full albums of material of my songs and a full length album of songs I wrote with Marilyn Parney that I produced.  Neil and I also worked on a Trooper hit song karaoke CD in 2001.  I spent 18 months recording with Neil and over 40 songs and over $10,000.00 in studio bills I paid at that time to record the best quality audio ever on my songs.  Neil had used Sonar Cakewalk so I learned how to use it and have used that now for a decade in my own studio.

As the new century began a new chapter in songwriting where the focus was more on recording polished songs but writing way less and very sporadic.    I had written 500 songs by the age of 19 and had hit 1000 songs by the age of 25.  But since then I can go over a year at a time without writing a song but really focusing in most cases on a more commercial type of polished song however I still venture into all possible genres.  I continue to play and sing every part on all my songs and recordings.

I hired Neil Meckelborg of Audio Art to record my songs in 2001.  We started out recording a full album at their location downtown behind the Bus depot but eventually worked on recordings at Neil's private studio.  In total we recorded 3 full albums of material of my songs and a full length album of songs I wrote with Marilyn Parney that I produced.  Neil and I also worked on a Trooper hit song karaoke CD in 2001.  I spent 18 months recording with Neil and over 40 songs and over $10,000.00 in studio bills I paid at that time to record the best quality audio ever on my songs.  Neil had used Sonar Cakewalk so I learned how to use it and have used that now for a decade in my own studio.

As the new century began a new chapter in songwriting where the focus was more on recording polished songs but writing way less and very sporadic.    I had written 500 songs by the age of 19 and had hit 1000 songs by the age of 25.  But since then I can go over a year at a time without writing a song but really focusing in most cases on a more commercial type of polished song however I still venture into all possible genres.  I continue to play and sing every part on all my songs and recordings.

I hired Neil Meckelborg of Audio Art to record my songs in 2001.  We started out recording a full album at their location downtown behind the Bus depot but eventually worked on recordings at Neil's private studio.  In total we recorded 3 full albums of material of my songs and a full length album of songs I wrote with Marilyn Parney that I produced.  Neil and I also worked on a Trooper hit song karaoke CD in 2001.  I spent 18 months recording with Neil and over 40 songs and over $10,000.00 in studio bills I paid at that time to record the best quality audio ever on my songs.  Neil had used Sonar Cakewalk so I learned how to use it and have used that now for a decade in my own studio.

In 1992 age 21 I went and packaged up very first official release album on cassette called COOL ALL OVER.  It featured all my original songs and a weird bunch of genres.  It was reviewed in an issue of the SOMA newspaper in 1992 by Brent Pomeroy.  He liked the musicianship but thought the vocals need work.  The album was recorded primitively on a new 4 track cassette tape recorder I had bought and recorded this album while renting at 314 Cumberland Ave.  I took the lyrics of Brent Pomeroy and wrote 28 songs with him.

I wrote my first song in 1982 at age 11 in Grade 6.     I would sporadically write 18 few songs over the next 4 years.  Starting with my 19th song (Opus #19) I began writing on a very regular basis starting in December 1986 in Grade 11 at Aden Bowman.  This included writing over 58 songs with my best friend Nels Krauss over the period of 1986-1992.  I wrote 97 songs in 1987 and then 215 songs in 1988.   By the time I graduated high school at age 17 I was up to Opus #268.   I wrote another 178 songs in 1989.   By the time I celebrated my 19th birthday I was up to Opus #524.   At that time I was in first year University living in Muenster, SK in residence at St Peters College at the monastery.  I met a poet from New York named Philip Murray who I collaborated with writing music to his words 91 songs in total.  I wrote my 1000th song the week I turned 25 in January 1996.

I wrote my first song in 1982 at age 11 in Grade 6.     I would sporadically write 18 few songs over the next 4 years.  Starting with my 19th song (Opus #19) I began writing on a very regular basis starting in December 1986 in Grade 11 at Aden Bowman.  This included writing over 58 songs with my best friend Nels Krauss over the period of 1986-1992.  I wrote 97 songs in 1987 and then 215 songs in 1988.   By the time I graduated high school at age 17 I was up to Opus #268.   I wrote another 178 songs in 1989.   By the time I celebrated my 19th birthday I was up to Opus #524.   At that time I was in first year University living in Muenster, SK in residence at St Peters College at the monastery.  I met a poet from New York named Philip Murray who I collaborated with writing music to his words 91 songs in total.  I wrote my 1000th song the week I turned 25 in January 1996.

As the new century began a new chapter in songwriting where the focus was more on recording polished songs but writing way less and very sporadic.    I had written 500 songs by the age of 19 and had hit 1000 songs by the age of 25.  But since then I can go over a year at a time without writing a song but really focusing in most cases on a more commercial type of polished song however I still venture into all possible genres.  I continue to play and sing every part on all my songs and recordings.

I hired Neil Meckelborg of Audio Art to record my songs in 2001.  We started out recording a full album at their location downtown behind the Bus depot but eventually worked on recordings at Neil's private studio.  In total we recorded 3 full albums of material of my songs and a full length album of songs I wrote with Marilyn Parney that I produced.  Neil and I also worked on a Trooper hit song karaoke CD in 2001.  I spent 18 months recording with Neil and over 40 songs and over $10,000.00 in studio bills I paid at that time to record the best quality audio ever on my songs.  Neil had used Sonar Cakewalk so I learned how to use it and have used that now for a decade in my own studio.

As the new century began a new chapter in songwriting where the focus was more on recording polished songs but writing way less and very sporadic.    I had written 500 songs by the age of 19 and had hit 1000 songs by the age of 25.  But since then I can go over a year at a time without writing a song but really focusing in most cases on a more commercial type of polished song however I still venture into all possible genres.  I continue to play and sing every part on all my songs and recordings.

I hired Neil Meckelborg of Audio Art to record my songs in 2001.  We started out recording a full album at their location downtown behind the Bus depot but eventually worked on recordings at Neil's private studio.  In total we recorded 3 full albums of material of my songs and a full length album of songs I wrote with Marilyn Parney that I produced.  Neil and I also worked on a Trooper hit song karaoke CD in 2001.  I spent 18 months recording with Neil and over 40 songs and over $10,000.00 in studio bills I paid at that time to record the best quality audio ever on my songs.  Neil had used Sonar Cakewalk so I learned how to use it and have used that now for a decade in my own studio.

In 1992 age 21 I went and packaged up very first official release album on cassette called COOL ALL OVER.  It featured all my original songs and a weird bunch of genres.  It was reviewed in an issue of the SOMA newspaper in 1992 by Brent Pomeroy.  He liked the musicianship but thought the vocals need work.  The album was recorded primitively on a new 4 track cassette tape recorder I had bought and recorded this album while renting at 314 Cumberland Ave

I wrote my first song in 1982 at age 11 in Grade 6.     I would sporadically write 18 few songs over the next 4 years.  Starting with my 19th song (Opus #19) I began writing on a very regular basis starting in December 1986 in Grade 11 at Aden Bowman.  This included writing over 58 songs with my best friend Nels Krauss over the period of 1986-1992.  I wrote 97 songs in 1987 and then 215 songs in 1988.   By the time I graduated high school at age 17 I was up to Opus #268.   I wrote another 178 songs in 1989.   By the time I celebrated my 19th birthday I was up to Opus #524.   At that time I was in first year University living in Muenster, SK in residence at St Peters College at the monastery.  I met a poet from New York named Philip Murray who I collaborated with writing music to his words 91 songs in total.  I wrote my 1000th song the week I turned 25 in January 1996.

I wrote this in memory of Nanny and then it was dedicated to my brother in laws brother who passed away.

As the new century began a new chapter in songwriting where the focus was more on recording polished songs but writing way less and very sporadic.    I had written 500 songs by the age of 19 and had hit 1000 songs by the age of 25.  But since then I can go over a year at a time without writing a song but really focusing in most cases on a more commercial type of polished song however I still venture into all possible genres.  I continue to play and sing every part on all my songs and recordings.

I hired Neil Meckelborg of Audio Art to record my songs in 2001.  We started out recording a full album at their location downtown behind the Bus depot but eventually worked on recordings at Neil's private studio.  In total we recorded 3 full albums of material of my songs and a full length album of songs I wrote with Marilyn Parney that I produced.  Neil and I also worked on a Trooper hit song karaoke CD in 2001.  I spent 18 months recording with Neil and over 40 songs and over $10,000.00 in studio bills I paid at that time to record the best quality audio ever on my songs.  Neil had used Sonar Cakewalk so I learned how to use it and have used that now for a decade in my own studio.

In 1992 age 21 I went and packaged up very first official release album on cassette called COOL ALL OVER.  It featured all my original songs and a weird bunch of genres.  It was reviewed in an issue of the SOMA newspaper in 1992 by Brent Pomeroy.  He liked the musicianship but thought the vocals need work.  The album was recorded primitively on a new 4 track cassette tape recorder I had bought and recorded this album while renting at 314 Cumberland Ave

I wrote my first song in 1982 at age 11 in Grade 6.     I would sporadically write 18 few songs over the next 4 years.  Starting with my 19th song (Opus #19) I began writing on a very regular basis starting in December 1986 in Grade 11 at Aden Bowman.  This included writing over 58 songs with my best friend Nels Krauss over the period of 1986-1992.  I wrote 97 songs in 1987 and then 215 songs in 1988.   By the time I graduated high school at age 17 I was up to Opus #268.   I wrote another 178 songs in 1989.   By the time I celebrated my 19th birthday I was up to Opus #524.   At that time I was in first year University living in Muenster, SK in residence at St Peters College at the monastery.  I met a poet from New York named Philip Murray who I collaborated with writing music to his words 91 songs in total.  I wrote my 1000th song the week I turned 25 in January 1996.

I wrote my first song in 1982 at age 11 in Grade 6.     I would sporadically write 18 few songs over the next 4 years.  Starting with my 19th song (Opus #19) I began writing on a very regular basis starting in December 1986 in Grade 11 at Aden Bowman.  This included writing over 58 songs with my best friend Nels Krauss over the period of 1986-1992.  I wrote 97 songs in 1987 and then 215 songs in 1988.   By the time I graduated high school at age 17 I was up to Opus #268.   I wrote another 178 songs in 1989.   By the time I celebrated my 19th birthday I was up to Opus #524.   At that time I was in first year University living in Muenster, SK in residence at St Peters College at the monastery.  I met a poet from New York named Philip Murray who I collaborated with writing music to his words 91 songs in total.  I wrote my 1000th song the week I turned 25 in January 1996.

As the new century began a new chapter in songwriting where the focus was more on recording polished songs but writing way less and very sporadic.    I had written 500 songs by the age of 19 and had hit 1000 songs by the age of 25.  But since then I can go over a year at a time without writing a song but really focusing in most cases on a more commercial type of polished song however I still venture into all possible genres.  I continue to play and sing every part on all my songs and recordings.

I hired Neil Meckelborg of Audio Art to record my songs in 2001.  We started out recording a full album at their location downtown behind the Bus depot but eventually worked on recordings at Neil's private studio.  In total we recorded 3 full albums of material of my songs and a full length album of songs I wrote with Marilyn Parney that I produced.  Neil and I also worked on a Trooper hit song karaoke CD in 2001.  I spent 18 months recording with Neil and over 40 songs and over $10,000.00 in studio bills I paid at that time to record the best quality audio ever on my songs.  Neil had used Sonar Cakewalk so I learned how to use it and have used that now for a decade in my own studio.

As the new century began a new chapter in songwriting where the focus was more on recording polished songs but writing way less and very sporadic.    I had written 500 songs by the age of 19 and had hit 1000 songs by the age of 25.  But since then I can go over a year at a time without writing a song but really focusing in most cases on a more commercial type of polished song however I still venture into all possible genres.  I continue to play and sing every part on all my songs and recordings.

I hired Neil Meckelborg of Audio Art to record my songs in 2001.  We started out recording a full album at their location downtown behind the Bus depot but eventually worked on recordings at Neil's private studio.  In total we recorded 3 full albums of material of my songs and a full length album of songs I wrote with Marilyn Parney that I produced.  Neil and I also worked on a Trooper hit song karaoke CD in 2001.  I spent 18 months recording with Neil and over 40 songs and over $10,000.00 in studio bills I paid at that time to record the best quality audio ever on my songs.  Neil had used Sonar Cakewalk so I learned how to use it and have used that now for a decade in my own studio.

As the new century began a new chapter in songwriting where the focus was more on recording polished songs but writing way less and very sporadic.    I had written 500 songs by the age of 19 and had hit 1000 songs by the age of 25.  But since then I can go over a year at a time without writing a song but really focusing in most cases on a more commercial type of polished song however I still venture into all possible genres.  I continue to play and sing every part on all my songs and recordings.

I hired Neil Meckelborg of Audio Art to record my songs in 2001.  We started out recording a full album at their location downtown behind the Bus depot but eventually worked on recordings at Neil's private studio.  In total we recorded 3 full albums of material of my songs and a full length album of songs I wrote with Marilyn Parney that I produced.  Neil and I also worked on a Trooper hit song karaoke CD in 2001.  I spent 18 months recording with Neil and over 40 songs and over $10,000.00 in studio bills I paid at that time to record the best quality audio ever on my songs.  Neil had used Sonar Cakewalk so I learned how to use it and have used that now for a decade in my own studio.

As the new century began a new chapter in songwriting where the focus was more on recording polished songs but writing way less and very sporadic.    I had written 500 songs by the age of 19 and had hit 1000 songs by the age of 25.  But since then I can go over a year at a time without writing a song but really focusing in most cases on a more commercial type of polished song however I still venture into all possible genres.  I continue to play and sing every part on all my songs and recordings.

I hired Neil Meckelborg of Audio Art to record my songs in 2001.  We started out recording a full album at their location downtown behind the Bus depot but eventually worked on recordings at Neil's private studio.  In total we recorded 3 full albums of material of my songs and a full length album of songs I wrote with Marilyn Parney that I produced.  Neil and I also worked on a Trooper hit song karaoke CD in 2001.  I spent 18 months recording with Neil and over 40 songs and over $10,000.00 in studio bills I paid at that time to record the best quality audio ever on my songs.  Neil had used Sonar Cakewalk so I learned how to use it and have used that now for a decade in my own studio.

As the new century began a new chapter in songwriting where the focus was more on recording polished songs but writing way less and very sporadic.    I had written 500 songs by the age of 19 and had hit 1000 songs by the age of 25.  But since then I can go over a year at a time without writing a song but really focusing in most cases on a more commercial type of polished song however I still venture into all possible genres.  I continue to play and sing every part on all my songs and recordings.

I hired Neil Meckelborg of Audio Art to record my songs in 2001.  We started out recording a full album at their location downtown behind the Bus depot but eventually worked on recordings at Neil's private studio.  In total we recorded 3 full albums of material of my songs and a full length album of songs I wrote with Marilyn Parney that I produced.  Neil and I also worked on a Trooper hit song karaoke CD in 2001.  I spent 18 months recording with Neil and over 40 songs and over $10,000.00 in studio bills I paid at that time to record the best quality audio ever on my songs.  Neil had used Sonar Cakewalk so I learned how to use it and have used that now for a decade in my own studio.

As the new century began a new chapter in songwriting where the focus was more on recording polished songs but writing way less and very sporadic.    I had written 500 songs by the age of 19 and had hit 1000 songs by the age of 25.  But since then I can go over a year at a time without writing a song but really focusing in most cases on a more commercial type of polished song however I still venture into all possible genres.  I continue to play and sing every part on all my songs and recordings.

I hired Neil Meckelborg of Audio Art to record my songs in 2001.  We started out recording a full album at their location downtown behind the Bus depot but eventually worked on recordings at Neil's private studio.  In total we recorded 3 full albums of material of my songs and a full length album of songs I wrote with Marilyn Parney that I produced.  Neil and I also worked on a Trooper hit song karaoke CD in 2001.  I spent 18 months recording with Neil and over 40 songs and over $10,000.00 in studio bills I paid at that time to record the best quality audio ever on my songs.  Neil had used Sonar Cakewalk so I learned how to use it and have used that now for a decade in my own studio.

As the new century began a new chapter in songwriting where the focus was more on recording polished songs but writing way less and very sporadic.    I had written 500 songs by the age of 19 and had hit 1000 songs by the age of 25.  But since then I can go over a year at a time without writing a song but really focusing in most cases on a more commercial type of polished song however I still venture into all possible genres.  I continue to play and sing every part on all my songs and recordings.

I hired Neil Meckelborg of Audio Art to record my songs in 2001.  We started out recording a full album at their location downtown behind the Bus depot but eventually worked on recordings at Neil's private studio.  In total we recorded 3 full albums of material of my songs and a full length album of songs I wrote with Marilyn Parney that I produced.  Neil and I also worked on a Trooper hit song karaoke CD in 2001.  I spent 18 months recording with Neil and over 40 songs and over $10,000.00 in studio bills I paid at that time to record the best quality audio ever on my songs.  Neil had used Sonar Cakewalk so I learned how to use it and have used that now for a decade in my own studio.

As the new century began a new chapter in songwriting where the focus was more on recording polished songs but writing way less and very sporadic.    I had written 500 songs by the age of 19 and had hit 1000 songs by the age of 25.  But since then I can go over a year at a time without writing a song but really focusing in most cases on a more commercial type of polished song however I still venture into all possible genres.  I continue to play and sing every part on all my songs and recordings.

I hired Neil Meckelborg of Audio Art to record my songs in 2001.  We started out recording a full album at their location downtown behind the Bus depot but eventually worked on recordings at Neil's private studio.  In total we recorded 3 full albums of material of my songs and a full length album of songs I wrote with Marilyn Parney that I produced.  Neil and I also worked on a Trooper hit song karaoke CD in 2001.  I spent 18 months recording with Neil and over 40 songs and over $10,000.00 in studio bills I paid at that time to record the best quality audio ever on my songs.  Neil had used Sonar Cakewalk so I learned how to use it and have used that now for a decade in my own studio.

As the new century began a new chapter in songwriting where the focus was more on recording polished songs but writing way less and very sporadic.    I had written 500 songs by the age of 19 and had hit 1000 songs by the age of 25.  But since then I can go over a year at a time without writing a song but really focusing in most cases on a more commercial type of polished song however I still venture into all possible genres.  I continue to play and sing every part on all my songs and recordings.

I hired Neil Meckelborg of Audio Art to record my songs in 2001.  We started out recording a full album at their location downtown behind the Bus depot but eventually worked on recordings at Neil's private studio.  In total we recorded 3 full albums of material of my songs and a full length album of songs I wrote with Marilyn Parney that I produced.  Neil and I also worked on a Trooper hit song karaoke CD in 2001.  I spent 18 months recording with Neil and over 40 songs and over $10,000.00 in studio bills I paid at that time to record the best quality audio ever on my songs.  Neil had used Sonar Cakewalk so I learned how to use it and have used that now for a decade in my own studio.

As the new century began a new chapter in songwriting where the focus was more on recording polished songs but writing way less and very sporadic.    I had written 500 songs by the age of 19 and had hit 1000 songs by the age of 25.  But since then I can go over a year at a time without writing a song but really focusing in most cases on a more commercial type of polished song however I still venture into all possible genres.  I continue to play and sing every part on all my songs and recordings.

I hired Neil Meckelborg of Audio Art to record my songs in 2001.  We started out recording a full album at their location downtown behind the Bus depot but eventually worked on recordings at Neil's private studio.  In total we recorded 3 full albums of material of my songs and a full length album of songs I wrote with Marilyn Parney that I produced.  Neil and I also worked on a Trooper hit song karaoke CD in 2001.  I spent 18 months recording with Neil and over 40 songs and over $10,000.00 in studio bills I paid at that time to record the best quality audio ever on my songs.  Neil had used Sonar Cakewalk so I learned how to use it and have used that now for a decade in my own studio.

In 2008 CBC announced they would take submissions in a contest for the new hockey theme for TV broadcasts.  I wrote 2 new instrumentals for the competition.  This is the one I really felt was strong, catchy and upbeat and would have worked great.  However the voting process didn't give the song a chance as they really seemed to only look at the earliest entries as there were thousands of entries.

I wrote my first song in 1982 at age 11 in Grade 6.     I would sporadically write 18 few songs over the next 4 years.  Starting with my 19th song (Opus #19) I began writing on a very regular basis starting in December 1986 in Grade 11 at Aden Bowman.  This included writing over 58 songs with my best friend Nels Krauss over the period of 1986-1992.  I wrote 97 songs in 1987 and then 215 songs in 1988.   By the time I graduated high school at age 17 I was up to Opus #268.   I wrote another 178 songs in 1989.   By the time I celebrated my 19th birthday I was up to Opus #524.   At that time I was in first year University living in Muenster, SK in residence at St Peters College at the monastery.  I met a poet from New York named Philip Murray who I collaborated with writing music to his words 91 songs in total.  I wrote my 1000th song the week I turned 25 in January 1996.

Singer Andrea Menard with vocalist and pianist Angie Tysseland and myself Terry Hoknes (backing vocals, double bass, drums).  We played a lot of gigs in Saskatoon in 1992 and 1993 and I convinced the ladies that they should record some music so I recorded this 8 song album in the summer of 1993 at Angie's home on Victoria Ave in Saskatoon. 

Album:  Easy To Embrace (1993)

Singer Andrea Menard with vocalist and pianist Angie Tysseland and myself Terry Hoknes (backing vocals, double bass, drums).  We played a lot of gigs in Saskatoon in 1992 and 1993 and I convinced the ladies that they should record some music so I recorded this 8 song album in the summer of 1993 at Angie's home on Victoria Ave in Saskatoon. 

Album:  Easy To Embrace (1993)

Singer Andrea Menard with vocalist and pianist Angie Tysseland and myself Terry Hoknes (backing vocals, double bass, drums).  We played a lot of gigs in Saskatoon in 1992 and 1993 and I convinced the ladies that they should record some music so I recorded this 8 song album in the summer of 1993 at Angie's home on Victoria Ave in Saskatoon. 

Album:  Easy To Embrace (1993)

Singer Andrea Menard with vocalist and pianist Angie Tysseland and myself Terry Hoknes (backing vocals, double bass, drums).  We played a lot of gigs in Saskatoon in 1992 and 1993 and I convinced the ladies that they should record some music so I recorded this 8 song album in the summer of 1993 at Angie's home on Victoria Ave in Saskatoon. 

H'rattitude DO RIGHT WOMAN 1994 Andrea Menard Angie Tysseland Terry Hoknes

Album:  Easy To Embrace (1993)

Singer Andrea Menard with vocalist and pianist Angie Tysseland and myself Terry Hoknes (backing vocals, double bass, drums).  We played a lot of gigs in Saskatoon in 1992 and 1993 and I convinced the ladies that they should record some music so I recorded this 8 song album in the summer of 1993 at Angie's home on Victoria Ave in Saskatoon. 

H'rattitude DREAM A LITTLE DREAM OF ME 1993 Andrea Menard Angie Tysseland Terry Hoknes

Album:  Easy To Embrace (1993)

Singer Andrea Menard with vocalist and pianist Angie Tysseland and myself Terry Hoknes (backing vocals, double bass, drums).  We played a lot of gigs in Saskatoon in 1992 and 1993 and I convinced the ladies that they should record some music so I recorded this 8 song album in the summer of 1993 at Angie's home on Victoria Ave in Saskatoon. 

H'rattitude MY SWEETIE 1994 Andrea Menard Angie Tysseland Terry Hoknes

Album:  Easy To Embrace (1993)

Singer Andrea Menard with vocalist and pianist Angie Tysseland and myself Terry Hoknes (backing vocals, double bass, drums).  We played a lot of gigs in Saskatoon in 1992 and 1993 and I convinced the ladies that they should record some music so I recorded this 8 song album in the summer of 1993 at Angie's home on Victoria Ave in Saskatoon. 

H'rattitude SASKATOON BLUES 1993 Andrea Menard Angie Tysseland Terry Hoknes

Album:  Easy To Embrace (1993)

Singer Andrea Menard with vocalist and pianist Angie Tysseland and myself Terry Hoknes (backing vocals, double bass, drums).  We played a lot of gigs in Saskatoon in 1992 and 1993 and I convinced the ladies that they should record some music so I recorded this 8 song album in the summer of 1993 at Angie's home on Victoria Ave in Saskatoon. 

H'rattitude NEW ORLEANS I'LL BE THERE 1993 Andrea Menard Angie Tysseland Terry Hoknes

Album:  Easy To Embrace (1993)

Singer Andrea Menard with vocalist and pianist Angie Tysseland and myself Terry Hoknes (backing vocals, double bass, drums).  We played a lot of gigs in Saskatoon in 1992 and 1993 and I convinced the ladies that they should record some music so I recorded this 8 song album in the summer of 1993 at Angie's home on Victoria Ave in Saskatoon.