TERRY HOKNES - MY FAVORITE SONGS OF ALL TIME ! hoknes@hotmail.com
|
2381 |
LIGHTHOUSE |
ONE FINE MORNING |
|
2382 |
REDBONE |
COME AND GET YOUR LOVE |
|
2383 |
JIGSAW |
SKY HIGH |
|
2384 |
AEROSMITH |
DREAM ON |
|
2385 |
ABBA |
MAMMA MIA |
|
2386 |
RAM JAM |
BLACK BETTY |
|
2387 |
PUSSYCAT DOLLS |
I HATE THIS PART |
|
2388 |
TERRY HOKNES |
ACTING SILLY |
|
2389 |
DEVO |
WHIP IT |
|
2390 |
SPIRIT |
ATOMIC BOOGIE |
|
2391 |
EXTREME |
HOLE HEARTED |
|
2392 |
ROY WOOD & WIZZARD |
ANGEL FINGERS |
|
2393 |
JOURNEY |
ANYWAY YOU WANT IT |
|
2394 |
DEF LEPPARD |
FOOLIN' |
|
2395 |
PUSSYCAT DOLLS |
STICKWITU |
|
2396 |
TERRY HOKNES |
CERTAIN SADNESS |
|
2397 |
ROY WOOD & WIZZARD |
JOLLY CUP OF TEA |
|
2398 |
PINK FLOYD |
RUN LIKE HELL |
|
2399 |
ROY WOOD |
RED CARS ARE AFTER ME |
|
2400 |
GUNS N ROSES |
NOVEMBER RAIN |
| LIGHTHOUSE - ONE FINE MORNING (1971) hit #24
Lighthouse is a
Canadian
rock
band formed in 1968 in
Toronto which included
horns,
string instruments, and
vibraphone; their music reflected elements of
rock music,
jazz,
classical music and
swing. It won
Juno Awards for
Best Canadian Group of the Year in 1972, 1973 and 1974.
Lighthouse was formed in 1968 in Toronto by vocalist/drummer Skip Prokop (formerly of the Paupers) and keyboardist Paul Hoffert. The two met by coincidence on a flight from New York City to Toronto, and discussed forming a band structured around a rock rhythm section, jazz horn section and classical string section. Prokop had admired Ralph Cole's playing when they shared the bill at the Grande Ballroom in Detroit, so he brought him to Toronto to be the band's guitarist. Prokop and Hoffert assembled the rest of the group from friends, studio session musicians and Toronto Symphony Orchestra members, and proceeded to make a demo recording. On the advice of Richie Havens, Prokop and Hoffert took the demo to MGM Records in New York, who signed the band. Two days later they had a manager, Vinnie Fusco, out of Albert Grossman's office, who overturned the MGM contract and made a deal with RCA Victor. Lighthouse made its debut on May 14, 1969 at the Rock Pile in Toronto, introduced by Duke Ellington with the words, "I'm beginning to see the Light...house". The band originally consisted of 13 members The band moved to the record label GRT and Toronto’s Thunder Sound Studios. There were some other changes within the band as well including the loss of a few members – down to eleven musicians with seven original members still on board. The most notable change was a new lead singer in Bob McBride. In 1971, Lighthouse released One Fine Morning and Thoughts of Movin' On. The title track from One Fine Morning was a hit in Canada, peaking at #2 on Canada's Singles Chart. The song was also an international and American hit, peaking at #24 in 1971 on the Billboard Hot 100 chart, with both albums 'going gold' in Canada. It was preceded on the Canadian charts by "Hats Off to the Stranger |
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| REDBONE - COME AND GET YOUR LOVE (1974) hit #5 Come and Get Your Love" is a 1974 hit single by the Native American rock band Redbone. The song was written by band member Lolly Vegas and produced by Lolly and his brother Pat Vegas, who was also a band member. It was originally featured on Redbone's album, Wovoka; later the song appeared on many "greatest hits" albums released by the band, as well as on numerous compilation albums of the 1970s. The song peaked at number 5 on the Billboard Hot 100 chart in April 1974. It spent 18 weeks in the Top 40 and landed as the 4th most popular song on the Hot 100 for 1974. The single was certified gold by the RIAA on April 22, 1974, which indicates that it had sold over a million copies in the United States. The song is Redbone's highest charting single and one of two Top 40 hits by the band (an earlier recording, "The Witch Queen of New Orleans", peaked at number 21 in 1972). The song "Come and Get Your Love" also exists in a longer version, with an introductory slow part, plus a longer repeated coda, however, most radio stations rarely play it on the air. |
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| JIGSAW - SKY HIGH (1975)
Sky High" is the name of a 1975
single by British pop music group,
Jigsaw. The song, the main title theme to the film
entitled
The Man from Hong Kong, was a world-wide hit in the
latter part of 1975, reaching #3 on the Billboard Hot 100 in
the
United States and #9 in the
UK Singles Chart. The 1975 Australian single was
released under the name "British Jigsaw" because there was
an established and popular local band called "Jigsaw".
Jigsaw were an English pop music group, fronted by the singer-songwriter duo of Clive Scott and Des Dyer. In Australia the group was called "British Jigsaw" due to the existence of a local band of the same name. Originally a six piece band, formed from musicians in Coventry and Rugby by Tony Campbell in April 1966, they went on to score a number of hit singles around the world. They also released thirteen albums. The group was partly influenced by fellow British musicians The Beatles, at times sounding Beatle-esque, especially their ballads, which show leanings towards Paul McCartney's musical and vocal arrangements. Their first single for their new label, entitled "Sky High", was recorded for the film The Man from Hong Kong, a 1975 martial-arts action movie starring George Lazenby. Splash pressed a couple of hundred promotional copies and reaction to the song was good, especially from Radio Luxembourg which began playing the song with high rotation during its nightly English pop music broadcasts to the UK. "Sky High" subsequently made the UK Top 10 in November 1975. Chelsea Records released it in the U.S. (where Splash had no pressing plant) and it was a hit there, going to #3. It charted all over the world and was #1 in Japan. A famous Mexican wrestler called Mil Mascaras used "Sky High" as his theme tune. He would walk to the ring with the song playing in the background. His popularity in Japan helped "Sky High" to become a hit twice over in that country in consecutive years. |
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| AEROSMITH - DREAM ON (1976) hit #3
Dream On" is the first
single by
Aerosmith from their 1973 debut album,
Aerosmith.[3]
Written by lead singer
Steven Tyler, this
blues-influenced
power ballad became their first major hit and
classic rock radio staple. Released in June 1973, it
peaked at number 59 nationally but hit big in the band's
native Boston, where it was the number 1 single of the year
on the less commercial top 40 station, WBZ-FM, number 5 for
the year on highly rated Top 40
WRKO-AM and number 16 on heritage Top 40 WMEX-AM.
The album version of "Dream On" (4:28, as opposed to the 3:25 1973 45rpm edit), was re-issued early in 1976, debuting at number 81 On January 10th, breaking into the Top 40 on February 14th and peaking at number 6 on the Billboard Hot 100 national chart, April 10th. Columbia chose to service Top 40 radio stations with a re-issue of the 3:25 edited version, thus, many 1976 Pop Radio listeners were exposed to the group's first Top 10 effort through the 45 edit. Dream On was first played live in Willimantic, Connecticut at the Shaboo Inn. In a 2011 interview, Steven Tyler reminisced about his father, a Juilliard-trained musician, and recalled "lying beneath his dad's piano as a three-year-old, listening to him play classical music. That's where I got that Dream On chordage," he said. The song is noted for its guitar work as well as Tyler's high screams. The song is composed in the key of F minor. Aerosmith is an American rock band, sometimes referred to as "The Bad Boys from Boston" and "America's Greatest Rock and Roll Band." Their style, which is rooted in blues-based hard rock, has come to also incorporate elements of pop, heavy metal, and rhythm and blues, and has inspired many subsequent rock artists. The band was formed in Boston, Massachusetts in 1970. Guitarist Joe Perry and bassist Tom Hamilton, originally in a band together called the Jam Band, met up with singer Steven Tyler, drummer Joey Kramer, and guitarist Ray Tabano, and formed Aerosmith. In 1971, Tabano was replaced by Brad Whitford, and the band began developing a following in Boston |
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| ABBA - MAMMA MIA (1976)
Mamma Mia" is a song from
ABBA's 3rd album,
ABBA, written by
Benny Andersson,
Björn Ulvaeus &
Stig Anderson, with the lead vocals shared by
Agnetha Fältskog and
Anni-Frid Lyngstad. The song's name is derived from
Italian, where it is an
interjection used in situations of surprise or anguish
(literally, "My mother"). The distinctive sound at the start of the song is the
marimba.
"Mamma Mia" was written at the home of Agnetha Fältskog and Björn Ulvaeus, and was the last track recorded for the album ABBA. The song was one of the four songs from the album to have a music video made to promote the album. The song, however, was never intended for release as a single. Around this time, many artists were recording ABBA songs (such as "Honey, Honey" and "Bang a Boomerang"). When "I Do, I Do, I Do, I Do, I Do" topped the Australian charts for 3 weeks, the Australian public was hungry for more ABBA – the beginnings of ABBAmania. It was the promo clip for Mamma Mia that was proving the most popular after repeat screenings on Australian television, notably Molly Meldrum's Countdown. ABBA’s Australian record company, RCA, asked that Mamma Mia be released as a single but Polar Music refused. However, in the end Stig Anderson agreed & "Mamma Mia" was released in Australia in August 1975 where it spent 10 weeks at number one. After this success in Australia, Epic Records in the United Kingdom took notice of ABBA for the first time since Eurovision and "Waterloo". From then on, Epic began to heavily promote ABBA's singles with the immediate result of "S.O.S." reaching the Top 10 in the important British market, their 1st hit since "Waterloo". "Mamma Mia" soon followed reaching number one on the British charts in early 1976, the second of ABBA's 18 consecutive Top 10 singles. In the UK Singles Chart of January 1976, "Mamma Mia" replaced Queen's song "Bohemian Rhapsody" at the number 1 position, which itself coincidentally contains the lyrical phrase "Mama Mia". |
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| RAM JAM - BLACK BETTY (1977) Black Betty" (Roud 11668) is a 20th century African-American work song often credited to Huddie "Lead Belly" Ledbetter as the author, though the earliest recordings are not by him. Some sources claim it is one of Lead Belly's many adaptations of earlier folk material; in this case an 18th century marching cadence about a flintlock musket. There are numerous recorded versions, including a cappella, folk, and rock arrangements. The best known modern recordings are rock versions by Ram Jam and Spiderbait, both of which were hits.
In 1977, the rock band Ram Jam — which included former
Starstruck and
Lemon Pipers guitarist Bill Bartlett — rereleased an
edit of the Starstruck recording of the song with producers
Jerry Kasenetz and
Jeff Katz under
Epic Records. The song became an instant hit with
listeners, as it reached number 18 on the singles charts in
the
United States and the top ten in the
UK and
Australia. At the same time, the lyrics became the cause
of a
boycott by
civil rights groups
NAACP and
Congress of Racial Equality
Bill Bartlett went on from the Lemon Pipers to form a group called Starstruck—originally including Steve Walmsley (bass) and Bob Nave (organ) from the Lemon Pipers—later replacing Walmsley with David Goldflies (who later played for years with Dickie Betts and Great Southern, and the Allman Brothers). While in Starstruck, Bartlett took Leadbelly's 59 second long "Black Betty," arranged, recorded and released it on the group's own TruckStar label. "Black Betty" became a regional hit, then was picked up by producers in New York who formed a group around Bartlett called Ram Jam. They re-released the song, and it became a hit nationally. The Ram Jam "recording" was actually the same one originally recorded by Starstruck, the band at that time composed of Bartlett, lead guitar and vocals, Tom Kurtz, rhythm guitar and vocals, David Goldflies, bass, David Fleeman on drums. The rest of the tracks on the first studio album containing "Black Betty" was played by the Ram Jam lineup. The song caused quite a stir with the NAACP and Congress of Racial Equality calling for a boycott due to the lyrics. Despite the controversy, the song reached number 18 on the singles chart in 1977 in the U.S. and Top Ten in the United Kingdom and Australia, while the Ram Jam album reached the U.S. Top 40. It was also a hit in the Netherlands, reaching number 4. See the article "Black Betty" for more information about the legacy of the recording and its use in film and television
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| PUSSYCAT DOLLS - I HATE THIS PART (2009) hit #11
I Hate This Part" is a song by American girl group
the
Pussycat Dolls from their second album,
Doll Domination. Written by
Wayne Hector,
Lucas Secon,
Jonas Jeberg and
Cutfather it was released as the album's second single
on October 7, 2008. The song is about someone who knows a
relationship is over, and needs to end it – which is the
hardest part – and the part they hate.
"I Hate This Part" has been well received by the critics praising the melodramatic sound. The song managed to reach number one in Romania and top five in Canada, Belgium and France. It peaked at number nine in Ireland, New Zealand and Switzerland, while it went top twenty in Australia, Denmark, Finland, United Kingdom and United States. The music video of the song was filmed in a desert where it shows the Dolls in various locations where they could express themselves emotionally. The Pussycat Dolls performed the song for the first time in "Wal-Mart Soundcheck" and other various television shows as well as the Doll Domination Tour. "I Hate This Part" rose steadily in the United States until it reached its peak of number eleven on the Billboard Hot 100 and number ten on the Billboard Pop 100 following a considerable increase in airplay on 3 formats. "I Hate This Part" also spent two weeks at number one on Billboard's Hot Dance Club Play, becoming the Dolls' fourth single to reach the top of the chart but the first to spend two weeks there. "I Hate This Part" is the only single in the Pussycat Dolls' history that has charted higher in the United States than the United Kingdom (albeit it was only 1 position higher). On March 11, 2010 "I Hate This Part" was certified platinum by RIAA, after a year since it was released. In Canada, the song debuted at number ninety-three and in following weeks fell to number ninety-six and then to number one-hundred. However it later rebounded up the charts and has since reached a peak position of number five. |
| TERRY HOKNES - ACTING SILLY (2005) Opus #1100 ?? As the new century began a new chapter in songwriting where the focus was more on recording polished songs but writing way less and very sporadic. I had written 500 songs by the age of 19 and had hit 1000 songs by the age of 25. But since then I can go over a year at a time without writing a song but really focusing in most cases on a more commercial type of polished song however I still venture into all possible genres. I continue to play and sing every part on all my songs and recordings. I hired Neil Meckelborg of Audio Art to record my songs in 2001. We started out recording a full album at their location downtown behind the Bus depot but eventually worked on recordings at Neil's private studio. In total we recorded 3 full albums of material of my songs and a full length album of songs I wrote with Marilyn Parney that I produced. Neil and I also worked on a Trooper hit song karaoke CD in 2001. I spent 18 months recording with Neil and over 40 songs and over $10,000.00 in studio bills I paid at that time to record the best quality audio ever on my songs. Neil had used Sonar Cakewalk so I learned how to use it and have used that now for a decade in my own studio. |
| DEVO - WHIP IT (1980) Album: Freedom Of Choice (1980) August 28th 1990 - my #9 favorite daily song for 1 day at age 19 the week before entering 2nd year University. I had the 45 rpm for many years.
"Whip It" is the title of a 1980
single by the American
New Wave band
Devo. It appears on the album
Freedom of Choice. There were two 7" single releases
of "Whip It", one backed with a remix of the track
"Snowball" (which appears on Freedom of Choice) and
one backed with "Turn Around" (a song later covered by
Nirvana). "Whip It" was Devo's biggest hit, and peaked
at No. 14 on the
Billboard Hot 100 chart, No. 3 on the Canadian Singles
Chart and No. 77 on the Australian Singles Chart (Kent Music
Report) It is ranked No. 62 on VH1's 100
Greatest Songs of the '80s as well as No. 15 on the same
channel's 100 Greatest One Hit Wonders of the '80s.
"Whip It" is built on a motorik beat, similar to tracks by Neu! The lead instrument is a Minimoog synthesizer. The bass is performed with a custom six oscillator synthesizer, custom made by Moog Music for Devo. The whip sound was made with an EML ElectroComp 500 synthesizer. On an episode of the VH1 show TrueSpin, Gerald V. Casale revealed that the lead guitar riff from "Whip It" is based on the riff from "Oh, Pretty Woman" by Roy Orbison with the beat moved to the back. The song is in chromatic-minor with a tonic major chord |
| SPIRIT - ATOMIC BOOGIE (1976) Album: Farther Along (1976)
Farther Along was the third album that
Spirit released through
Mercury Records. Though
Jay Ferguson was missing from the lineup, it is
generally considered to be their first "reunion" album.
Out of the four albums that Spirit recorded for Mercury in
the mid-70s, this one is the least influenced by
Randy California's time in
Hawaii. However, it isn't too dissimilar from the
previous two albums in that regard, though the song
structures are very tight throughout. Consequently, it also
bears more than a passing resemblance to
Clear at times, probably because of
John Locke's presence in the group. It is particularly
cherished by fans of that album. The album also includes a
notable version of Nature's Way, which is arranged
for a
chamber orchestra.
Spirit was an American jazz/hard rock/progressive rock/psychedelic band founded in 1967, based in Los Angeles, California. The original lineup of the group evolved from an earlier Los Angeles band, The Red Roosters, which included Randy California (guitars, vocals), Mark Andes (bass) and Jay Ferguson (vocals, percussion). With the addition of California's stepfather Ed Cassidy (drums), and keyboard player John Locke the new band was originally named the Spirits Rebellious (after a book by Khalil Gibran) but was soon shortened simply to Spirit. In 1966 Randy California had also played with Jimi Hendrix (then known as Jimmy James) in his band, The Blue Flame |
| EXTREME - HOLE HEARTED (1991) hit #4
Hole Hearted" is a
folk rock song by American group
Extreme. The song was released as the 4th single from
their successful
Pornograffitti album in 1991 and reached #4 on the
Billboard Top 100. It also charted at #12 in the
UK Singles Chart.
Although the song's chart position was lower compared to the band's previous hit, "More Than Words" (#1 in the US, #2 in the UK), it remains their second-highest charting song overall. Like "More Than Words", the style of this song is different from the majority of its parent album.
Extreme is an American
rock band, headed by frontmen
Gary Cherone and
Nuno Bettencourt,that reached the height of their
popularity in the late 1980s and early 1990s.
Among some of Extreme's musical influences are Aerosmith, Led Zeppelin, Queen, the band played at The Freddie Mercury Tribute Concert in 1992, also jammed with Brian May and Van Halen, and Cherone joined Van Halen in 1996). The band has described their music as "Funky Metal" in the early days, but it would evolve much more in the mid-90s by blending classic rock influences with post-grunge and alternative rock. They have released five studio albums, two EPs (in Japan) and two compilation albums since their formation. The band was one of the most successful rock acts of the early 1990s, selling over 10 million albums worldwide.Extreme achieved their greatest success with their 1990 album Pornograffitti, which peaked at number 10 on the Billboard 200, and was certified gold in May 1991 and 2×platinum in October 1992 That album featured the acoustic ballad single "More Than Words," which reached #1 on Billboard's Hot 100 in the United States. |
| ROY WOOD & WIZZARD - ANGEL FINGERS (1973) Album: Wizzard's Brew (1973) Roy Wood was in The Move (1966-1971) and then ELO (1971-1972) and then leader of Wizzard (1973-1975) meanwhile releasing solo songs. I had been a huge fan of ELO for a while and knew of Roy Wood one of the founding members. On February 14th 1985 at age 14 (grade 9) I flipped through the bargain bin of records at the Kresge's Department Store in Midtown Plaza shopping mall in Saskatoon and found this new sealed album Mustard priced at 99 cents. The first time I heard this album that night I knew I had found a masterpiece and Roy Wood would be the first act to ever debut at #1 on my daily favorite music groups chart on that valentines day. (I declare this to be Roy Wood day). I flew to New York 17 years later in 2002 to see Roy Wood 3 times in concert and got to meet him backstage 2 times. I have posted some of those video performances I filmed on www.youtube.com I became a fan of The Move and Wizzard in May 1985 at age 14.
Angel Fingers (A Teen Ballad) was a popular song by
Wizzard. Written and produced by Roy Wood,
Angel Fingers (A Teen Ballad) was Wizzard's second UK
number one single, spending a single week at the top of the
chart in September 1973. Stylistically, it continued in the
same
Phil Spector-influenced
Wall of Sound style as their earlier hit
See My Baby Jive. Backing vocals were
provided by The Bleach Boys and The Suedettes
Wizzard Brew is the first album by
glam rock group
Wizzard, released in March 1973. In the US it was
released by United Artists Records as 'Wizzard's Brew' (with
a different cover photo) and failed to chart. In
approach, the album was much more experimental than the
group's hit singles, with elements of hard rock (an approach
Wood's previous band
The Move had explored on their 1970 album 'Looking On'),
and improvisation, especially on the lengthy 'Meet Me At The
Jailhouse'. Wood frequently used
ring modulation to give the instruments a harsh,
distorted sound, and the album may represent an early foray
into recording technique that would eventually be called
lo-fi. Critical and popular reaction was mixed.
The original release included a lyric and photo sheet.
It was reissued on CD in 1999 but soon deleted. An expanded
remastered edition, including the four A- and B-sides of the
group's singles tracks, was released on CD in November 2006.
|
| JOURNEY - ANY WAY YOU WANT IT (1980) hit #23
Any Way You Want It" is a popular song performed by
Journey released on the album
Departure as the opening track, as a single in 1980
and was rerecorded with
Arnel Pineda and
Deen Castronovo for their 2008 album
Revelation. It was also played by the popular rock
band
Rise Against. The song was written by
frontman
Steve Perry and guitarist
Neal Schon. It peaked at #23 on the
Billboard Hot 100 chart. The band often plays it
to close their concerts. It appears on all four of the
band's live albums (Captured,
Greatest Hits Live,
Live in Houston 1981: The Escape Tour, and
Revelation on DVD).
Since its release, the song has continued to infiltrate public consciousness due to its use in television advertisements by popular brands such as Heinz, McDonald's, State Farm, Ford and Samsung, and its prominent appearance in the comedy film Caddyshack released the same year of the song. The song is also played multiple times, in the television series Chuck. It was also featured during the middle of The Simpsons episode "Viva Ned Flanders" and in the closing scene of the episode "Burns, Baby Burns", as well as at the ending of the episode "The C Word" of the TV series House. It was voted the 80th best hard rock song of all time by VH1 viewers. According to cowriter Steve Perry, the song was heavily influenced by Irish rock band Thin Lizzy and more particularly by bassist leader Phil Lynott. In July 1979, Journey was touring with Thin Lizzy across the United States when Lynott, Perry and Schon decided to share rhyme scheme exercises during a hanging out in Miami. The "basic" work on "the guitar-vocal-guitar-vocal interchange thing that happened between Phil and his lyrics and the guitarist and his arrangements, inspired the Any Way You Want It sorta give and take thing. It's guitar-voice, guitar-voice, more guitar-guitar-guitar-voice. It be voice-voice and back and forth and that's something that Neal and I think just instinctually picked up by hanging out with him" commented Perry. Schon and Perry would then rework on the song in the band bus, with Schon on acoustic guitar and Perry for vocals Lynott's contribution later influenced other songs built on the same scheme such as "Stone In Love". |
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| DEF LEPPARD - FOOLIN' (1983) hit #28
Foolin" is a 1983 single by
British
heavy metal band
Def Leppard from their
multi-platinum album
Pyromania. When released as a single later that
year, it reached #9 on the
Mainstream Rock chart and #28 on the
Billboard Hot 100.
The popular Canadian teen drama Degrassi: The Next Generation, which is known for naming each episode after an 80s hit song, named an episode after this song. The song is playable in the music video game Rock Band 3. The music video was directed by David Mallet. Shot in June 1983, at Ritz theatre, Elizabeth, NJ, USA. Aired on August 1983, it featured Billy Idol's then-girlfriend Perri Lister playing the harp with her eyes closed. On the video compilation Historia, the text commentary before this video states, "Indeed, a face without eyes," a pun on Idol's song "Eyes Without a Face". Def Leppard are an English rock band formed in 1977 in Sheffield as part of the New Wave of British Heavy Metal movement. Since 1992, the band have consisted of Rick Savage (bass, backing vocals), Joe Elliott (lead vocals), Rick Allen (drums, backing vocals), Phil Collen (guitar, backing vocals), and Vivian Campbell (guitar, backing vocals). Therefore, this is the band's longest-standing lineup. The band's strongest commercial success came between the early 1980s and the early 1990s. Their 1981 album High 'n' Dry was produced by Robert John "Mutt" Lange, who helped them begin to define their style, and the album's stand out track "Bringin' On the Heartbreak" became one of the first metal videos played on MTV in 1982. The band's next studio album Pyromania in 1983, with the lead single "Photograph", turned Def Leppard into a household name. In 2004, the album ranked number 384 on Rolling Stone's 500 Greatest Albums of All Time |
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| THE PUSSYCAT DOLLS - STICKWITU (2005) hit #5
Stickwitu" is a ballad by American
girl group the
Pussycat Dolls from their debut album,
PCD. Produced by
Jimmy Iovine,
Robin Antin,
Ron Fair and Tal Herzberg, it was released as the
album's second single in late 2005. The song is an uptempo
ballad being different to their previous single "Don't
Cha". The title is a
colloquialism for "stick with you".
The song gained worldwide success, reaching top five in the United States and in Belgium, like their previous single it debuted at number one in New Zealand and in the United Kingdom and reached top three in Australia, Ireland and the Netherlands. The song gave the Dolls a Grammy nomination at the 49th Annual Grammy Awards for the Best Pop Performance by a Duo or Group with Vocals but lost to The Black Eyed Peas "My Humps". The song has been performed several times on television including the remix with Avant. Stickwitu" entered the US Billboard Hot 100 at number eighty-five and ascended to number sixty-seven in its second week. By its fourth week, "Stickwitu" had already become the group's second top 40 single and by its ninth week had peaked at number five where it spent three non-consecutive weeks. "Stickwitu" also peaked at number-one for two weeks on the Pop 100 Airplay, and number-two on the Billboard Pop 100 charts respectively. "Stickwitu" also charted on the Billboard Hot R&B/hip-hop songs, and has peaked at number sixty-three. In the United Kingdom, "Stickwitu" debuted and peaked at number-one for two consecutive weeks, becoming the group's second consecutive UK number one single. "Stickwitu" spent 6 weeks within the top ten, and remained on the chart for a total of 17 weeks. In Canada, "Stickwitu" peaked at number fifteen on the Canadian BDS airplay chart and at number-nine on the Canadian Singles Chart, and is to date the group's second top ten single, and also their second most successful song on this chart. |
| TERRY HOKNES - CERTAIN SADNESS (1993)
Opus
#853 lyrics by Brent Pomeroy In 1992 age 21 I went and packaged up very first official release album on cassette called COOL ALL OVER. It featured all my original songs and a weird bunch of genres. It was reviewed in an issue of the SOMA newspaper in 1992 by Brent Pomeroy. He liked the musicianship but thought the vocals need work. The album was recorded primitively on a new 4 track cassette tape recorder I had bought and recorded this album while renting at 314 Cumberland Ave I wrote my first song in 1982 at age 11 in Grade 6. I would sporadically write 18 few songs over the next 4 years. Starting with my 19th song (Opus #19) I began writing on a very regular basis starting in December 1986 in Grade 11 at Aden Bowman. This included writing over 58 songs with my best friend Nels Krauss over the period of 1986-1992. I wrote 97 songs in 1987 and then 215 songs in 1988. By the time I graduated high school at age 17 I was up to Opus #268. I wrote another 178 songs in 1989. By the time I celebrated my 19th birthday I was up to Opus #524. At that time I was in first year University living in Muenster, SK in residence at St Peters College at the monastery. I met a poet from New York named Philip Murray who I collaborated with writing music to his words 91 songs in total. I wrote my 1000th song the week I turned 25 in January 1996. |
| ROY WOOD & WIZZARD - JOLLY CUP OF TEA (1973) Album: Wizzard's Brew (1973) Roy Wood was in The Move (1966-1971) and then ELO (1971-1972) and then leader of Wizzard (1973-1975) meanwhile releasing solo songs. I had been a huge fan of ELO for a while and knew of Roy Wood one of the founding members. On February 14th 1985 at age 14 (grade 9) I flipped through the bargain bin of records at the Kresge's Department Store in Midtown Plaza shopping mall in Saskatoon and found this new sealed album Mustard priced at 99 cents. The first time I heard this album that night I knew I had found a masterpiece and Roy Wood would be the first act to ever debut at #1 on my daily favorite music groups chart on that valentines day. (I declare this to be Roy Wood day). I flew to New York 17 years later in 2002 to see Roy Wood 3 times in concert and got to meet him backstage 2 times. I have posted some of those video performances I filmed on www.youtube.com I became a fan of The Move and Wizzard in May 1985 at age 14.
Wizzard Brew is the first album by
glam rock group
Wizzard, released in March 1973. In the US it was
released by United Artists Records as 'Wizzard's Brew' (with
a different cover photo) and failed to chart.
In approach, the album was much more experimental than the
group's hit singles, with elements of hard rock (an approach
Wood's previous band
The Move had explored on their 1970 album 'Looking On'),
and improvisation, especially on the lengthy 'Meet Me At The
Jailhouse'. Wood frequently used
ring modulation to give the instruments a harsh,
distorted sound, and the album may represent an early foray
into recording technique that would eventually be called
lo-fi. Critical and popular reaction was mixed
|
| PINK FLOYD - RUN LIKE HELL (1979) Album: The Wall (1979)
Run Like Hell" is a song from the 1979
Pink Floyd album
The Wall.
The song is written from the point of view of anti-hero Pink during a hallucination in which he becomes a fascist dictator and turns a concert audience into an angry mob. He sends the mob out to raid nearby neighborhoods that are full of minorities. The music was written by David Gilmour (one of the three songs on The Wall for which Gilmour wrote music), while the lyrics were written solely by Roger Waters. Waters provides the vocals (except for "Run, Run", in which Gilmour is lead singer). The song features the only keyboard solo on The Wall (although on live performances, "Young Lust" and "Another Brick in the Wall, Part II" would also feature keyboard solos); after the last line of lyrics, a synthesiser apparently takes over Waters' singing. Also in the song are the sound of the mob's maniacal laughter, running footsteps, car tyres skidding, and a loud scream. The original single version and promotional EP both contain a clean guitar intro, without the live crowd effects. The bass intro is in D major. This intro is very similar to the bass intro for "Another Brick in the Wall (Part 1)", while the verses are in E minor. The song's original form was much longer. However, it had to be cut due to time limitations of the vinyl record format. Although the lyrics "run like hell" appear several times in the liner notes, they are never actually heard in the song. Near the end, the same piercing shriek (performed by Waters) can be heard in an almost identical way to that heard at the end of "The Happiest Days of Our Lives" when segueing into "Another Brick in the Wall (Part II)". |
| ROY WOOD - RED CARS ARE AFTER ME (1987) Album: Starting Up (1987) I had been a huge fan of ELO for a while and knew of Roy Wood one of the founding members. On February 14th 1985 at age 14 (grade 9) I flipped through the bargain bin of records at the Kresge's Department Store in Midtown Plaza shopping mall in Saskatoon and found this new sealed album Mustard priced at 99 cents. The first time I heard this album that night I knew I had found a masterpiece and Roy Wood would be the first act to ever debut at #1 on my daily favorite music groups chart on that valentines day. (I declare this to be Roy Wood day). I bought a used copy of his first album Boulders a week later at Nudon Record shop on Louise & 8th Street. I flew to New York 17 years later to see Roy Wood 3 times in concert and got to meet him backstage 2 times. I have posted some of those video performances I filmed on www.youtube.com November 1991- age 30 living in Dalmeny, SK with Marilyn now selling on ebay for 3.5 years
Starting Up is the fourth solo album by
Roy Wood, who played most of the instruments and sang
most of the vocals throughout, in addition to writing and
producing the album. ‘On Top Of The World’ featured strings
arranged and conducted by
Louis Clark.
'Under Fire' (1985) and 'Raining In The City' (1986) were both previously released as singles |
| GUNS N ROSES - NOVEMBER RAIN (1992) hit #3
November Rain" is a song by American
rock band
Guns N' Roses, written by lead singer
Axl Rose and released as a single in June 1992. It
appears on the album
Use Your Illusion I. It features a sweeping
orchestral backing and is one of Guns N' Roses' longest
songs.
"November Rain" reached #3 in the Billboard Singles Charts. The song is composed in the key of C major aside from the coda, which is in C minor, but since the guitars, basses and piano are tuned a half step down, the song sounds as if it's in B major and B minor. At 8:57, it is the second-longest song on the album, the longest being the 10:16 "Coma". Its distinct symphonic overtone owes to a sweeping string arrangement, orchestrated by Rose. Most live performances during the Use Your Illusion tour lacked the orchestral backing of the song (the 1992 MTV Video Music Awards being the best-known exception). It is the longest song to reach the top 10 of the Billboard Hot 100. The song peaked at #3 on the chart, becoming the band's sixth and last Top 10 hit, and eighth Top 40 hit. On the radio, "November Rain" is sometimes played in a shortened version of approximately six minutes, but many classic rock stations continue to play the full version. At around seven minutes in, the song fades and then builds into a two-minute coda featuring lead guitar by lead guitarist Slash, accompanied by vocal chants. This song is listed at number six in the The 100 Greatest Guitar Solos list by Guitar World. This song is also rated #9 in the Richter Scale best songs of all time. "November Rain" was voted #1 on the Rock 1000 2006, an annual countdown of the top 1,000 rock songs by New Zealand radio listeners. It was voted #2 on the Rock 1000 2007, being beaten out by "Back In Black" by AC/DC. The song was placed at #140 on Pitchfork Media's Top 200 Tracks of the 90s. |