TERRY HOKNES - MY FAVORITE SONGS OF ALL TIME !  hoknes@hotmail.com   

2221

SHANIA TWAIN

SHE'S NOT JUST A PRETTY FACE

2002

2222

FAITH NO MORE

FROM OUT OF NOWHERE

1990

2223

GEORGE HARRISON

DAY THE WORLD GETS ROUND

1973

2224

BEATLES

I'M DOWN

1965

2225

10CC

RUBBER BULLETS

1973

2226

ABBA

DANCE (WHILE THE MUSIC STILL GOES ON)

1974

2227

BEATLES

I SHOULD HAVE KNOWN BETTER

1964

2228

TARA LYN HART

STUFF THAT MATTERS

1999

2229

RASCALS

PEOPLE GOT TO BE FREE

1968

2230

MOODY BLUES

HIGHER AND HIGHER

1969

2231

MAUREEN MCGOVERN

NICE TO BE AROUND

1974

2232

LOVE AND SAS

DONT STOP NOW

1992

2233

YELLOWCARD

ONLY ONE

2004

2234

NIGHT RANGER

SISTER CHRISTIAN

1984

2235

CULTURE CLUB

MISS ME BLIND

1984

2236

JOHN CAFFERTY

ON THE DARK SIDE

1984

2237

TALKING HEADS

WILD WILD LIFE

1986

2238

SMOKEY ROBINSON

JUST TO SEE HER

1987

2239

BANGLES

A HAZY SHADE OF WINTER

1988

2240

ROB BASE & DJ EASY ROCK

IT TAKES TWO

1988

    SHANIA TWAIN - SHE'S NOT JUST A PRETTY FACE (2002)

Album:  Up (2002)

I became a fan of Shania from the day she released her first country single in Canada in Summer 1993 when I was 22.    When she hit superstardom in 1995 I became a Shania fanatic for the next 10 years.  Eventually I had 10 T-shirts and a poster shrine in my office at Eastview and had 3 copies each of all her CD's.    I have seen her live in concert 5 times including:  Canadian Country Music Awards Calgary 1998 and all 4 shows she did in Saskatoon, SK at SaskPlace on June 4th 1998 (her 3rd live show ever!), March 29th 1999, June 9th 2004 and June 11th 2004 (I had front row seat).   She released her 4th CD Up on November 18th 2002 and I bought 62 copies at A&B Warehouse the day it came out as pre-sells that I sold on ebay.  Performing on the road with Marilyn we listened to the Up CD everyday on the road for 10 months. 

She's Not Just a Pretty Face" is a song by Canadian singer Shania Twain. It was the fourth country single released from her 2002 album Up!. The song was written by Robert John "Mutt" Lange and Twain. Twain had announced that "Nah!" would be the next single after "Forever and for Always", but "She's Not Just a Pretty Face" was released instead. It became Twain's 15th top ten single on Billboard Country. The song was originally to be released to the UK as a pop single, but that plan was cancelled. It was however released to Eastern Europe as the fourth single, where it did reasonably well in some countries. "She's Not Just a Pretty Face" debuted in North America on October 6, 2003. Despite reaching the top ten, "She's Not Just a Pretty Face" was not included in Twain's 2004 Greatest Hits CD. The song was also nominated for Best Female Country Vocal Performance at the 2005 Grammy Awards. The song was also performed on some highly rated TV shows, The Oprah Winfrey Show, the 2003 Country Music Awards, and the 2003 Billboard Music Awards, all helping it land in the top ten.

    FAITH NO MORE - FROM OUT OF NOWHERE (1990)

October 22nd 1990 - my #7 favorite daily song for 6 days at age 19 in 2nd year University.

From Out of Nowhere" was the first track off Faith No More's third studio album The Real Thing. It was also the first single to be released off it and to feature Mike Patton on vocals. It was first released on August 30, 1989 and reached #23 on the UK singles chart. However, it never became as popular as "Epic", which peaked at #25 in the same charts, despite the former song peaking higher.

The band has been quoted saying regarding the video that "[They] didn't know what we were doing".

The music video was purposely tongue-in-cheek. It seems to be a subtle parody of glam metal bands at the time.

There are two very different versions of this video. When you play both versions next to each other you will find that some shots are different. Some of the videos found on the internet are the 'second version' videos.

The first version features Mike Patton in camouflage shorts, a black undershirt, and sunglasses. Words come across a few times during the video on the screen. And there are a few shots of exteriors at the beginning and end.

In the second version Patton is wearing spandex shorts and a black and blue coat. Billy Gould is using a different bass, and there are many more exterior shots, as well as more words going across the screen. Only a few shots are kept from the first version, being some of the shots of Mike Bordin. This latter version was used on the video releases

    GEORGE HARRISON - THE DAY THE WORLD GETS ROUND (1973)

Album:  Living In The Material World (1973)

I first bought this album around 1983 at age 12.  Overall it has always been one of my least favorite George albums but still some amazing songs on it.

The Day the World Gets 'Round" is a song by George Harrison from his 1973 album Living in the Material World. It was inspired by Harrison's feelings following the successful Concert for Bangladesh shows, held in New York on 1 August 1971, and reflects his belief that if all individuals were more spiritually aware, there would be no suffering in the world. The song has been described variously as a devotional prayer, a naive sentiment, and a protest song.

In 2009 “The Day the World Gets ’Round” was covered by Yusuf Islam and Klaus Voormann and released as a single to benefit children in war-torn Gaza

Musically, the song is dominated by Harrison's 12-string acoustic guitar, and “lush” string and brass orchestration from John Barham. Ringing guitar harmonics sound out alone during the four occasions when the words "The day the world gets 'round" are sung, joined only at the end each time by a couple of low notes on cello and Nicky Hopkins' piano. This musical device provides a release from the tension-filled middle eight, in particular, as well as allowing the two bars containing the song title to serve as both a resolving cadence and the standard opening line for the verses. "The Day the World Gets 'Round" also employs a two-note pedal point (played by Harrison) before line 3 of the verses, a similar musical hook to one employed by John Lennon in his song "Across the Universe". As on its parent album's "Don't Let Me Wait Too Long" and "Living in the Material World", the arrangement employs the double-drummer pairing of Ringo Starr and Jim Keltner, whose trade-off playing adds to the sense of anticipation and tension created during the verses

 

    THE BEATLES - I'M DOWN (1965)

Album: Past Masters (1988)

"I'm Down" is a song by the Beatles written by Paul McCartney (credited to Lennon–McCartney) and first released as the B-side to the single "Help!" in 1965.

According to critic Richie Unterberger of Allmusic, "I'm Down" is "one of the most frantic rockers in the entire Beatles' catalog."   Musically, the song was influenced by 1950s rhythm & blues artist Little Richard—Amazon.com called it a "homage to Little Richard." Some critics see it as a rewrite of Richard's "Long Tall Sally", although Unterberger says there are significant differences. McCartney has cited Little Richard as a big influence, and he sometimes covered his songs (including "Long Tall Sally") in The Beatles' early days, since he liked to reproduce his singing style. Another example of this type of song by McCartney is 1964's "She's a Woman", the B-side of "I Feel Fine".   Lyrically "I'm Down" mirrors the A-side, "Help!", written two months earlier.   The Beatles recorded "I'm Down" on 14 June 1965 in the same session as "Yesterday" and "I've Just Seen a Face".

The Beatles recorded the backing track in seven takes. The first of these takes can be heard on Anthology 2, with a quiet organ track and no backing vocals. At the beginning of the Anthology version, McCartney says, "Let's hope this one turns out pretty darn good" in a faux American accent. During the session, particularly between takes one and two, McCartney can be heard repeating the phrase "Plastic soul, man, plastic soul". He later revealed that the phrase, which the Beatles later adapted for the title of their album Rubber Soul, was used by black musicians to describe Mick Jagger

    10cc - RUBBER BULLETS (1973) hit #1 in UK

10cc are an English art rock band who achieved their greatest commercial success in the 1970s. The band initially consisted of four musicians—Graham Gouldman, Eric Stewart, Kevin Godley, and Lol Creme—who had written and recorded together for some three years, before assuming the "10cc" name in 1972.

For the most part, 10cc featured two strong songwriting teams, one 'commercial' and one 'artistic', but both teams injected sharp wit into lyrically dextrous and musically varied songs. Stewart and Gouldman were predominantly pop-song-writers, who created most of the band's accessible songs. By way of contrast, Godley and Creme were the predominantly experimental half of 10cc, featuring an Art School sensibility and cinematic inspired writing. Every member was a multi-instrumentalist, singer, writer and producer. Most of the band's albums were recorded at their own Strawberry Studios (North) in Stockport and Strawberry Studios (South) in Dorking, with most of those engineered by Stewart.

Rubber Bullets" is a song by 10cc from their debut self-titled album.

Written and sung by Kevin Godley, Lol Creme and Graham Gouldman and produced by 10cc, "Rubber Bullets" was the band's first number one single in the United Kingdom, spending a single week at the top in June 1973. It fared worse in the USA where it peaked at #73. A tongue in cheek homage to Jailhouse Rock with a Beach Boys influence, it attracted some controversy at the time because of the British Army's use of rubber bullets to quell rioting in Northern Ireland.

The song features a double-speed guitar solo, created using a technique also used the same year by Mike Oldfield for his Tubular Bells album. In a BBC Radio Wales interview, guitarist Eric Stewart explained:

“ That's a double track solo on that. It's, it's very, very high, of course, going through a Marshall stack, then I slowed the tape to half speed – seven and a half [inches per second] – and recorded it, you know, going [plays singles picked notes slowly] and when you speed it back up you've got an octave up, but there's a screaming fuzz on the top of it, that's an octave higher than it was recorded. So it's a very unusual sound done in that way, just an experiment. Because 10cc, we love to experiment, we used to love to waste time. And having the beauty of having our own studio, we didn't have a clock in there so we weren't restricted.
    ABBA - DANCE (WHILE THE MUSIC STILL GOES ON) (1974)

Album:  Waterloo (1974)

Waterloo is the second studio album by the Swedish pop group ABBA. It was originally released in Sweden on 4 March 1974 through Polar Music. The album's title track won ABBA the 1974 Eurovision Song Contest. Waterloo was first released on CD in Sweden in 1988; a West German CD release followed in 1990 (later released internationally). The album has been reissued in digitally remastered form three times; first in 1997, then in 2001 and again in 2005 as part of The Complete Studio Recordings box set. It was also released as a special 30th Anniversary edition in 2004, celebrating 30 years of the group's victory in the Eurovision Song Contest.

The original 1974 Polar Music edition of the album opens with the Swedish version of the title track and closes with the English language version. The American version of the album, released through Atlantic Records, closes with a 1974 remix of "Ring Ring". In the United Kingdom/Ireland and several other European markets, the original 1973 version of "Ring Ring" was added as track 6 on side 2. The cover features the sub-title "Bjorn, Benny, Agnetha & Frida" although some editions replaced 'Agnetha' with 'Anna' – by which Agnetha Fältskog was known in some countries.

Waterloo peaked at the top of the charts in Sweden and Norway, charting highly in many other countries as well. In 2004, it was certified platinum in Germany, thirty years after its release.

Waterloo was the group's first album released in most countries outside Scandinavia, and the first to be credited to "ABBA" (the band was originally referred to as "Björn & Benny, Agnetha & Anni-Frid". However, to avoid confusion, they were called "ABBA (Björn, Benny, Agnetha and Frida)". The "Honey, Honey" single was the first release to refer to the group as ABBA and nothing else.

 
    THE BEATLES - I SHOULD HAVE KNOWN BETTER (1964)

Album:  A Hard Days Night (1964)

I Should Have Known Better" is a song composed by John Lennon (credited to Lennon–McCartney), and originally released by The Beatles on the United Kingdom version of A Hard Day's Night, their soundtrack for the film of the same name.

The song is performed in the train compartment scene of A Hard Day's Night. It was in fact filmed in a van, with crew members rocking the vehicle to fake the action of a train in motion.

An orchestrated version of the song conducted by George Martin appears on the North American version of the album.

In January 1964, during a three-week engagement at the Olympia Theatre in Paris, the Beatles first became aware of American singer and songwriter Bob Dylan and, when having acquired a copy of his album The Freewheelin' Bob Dylan, began playing it continuously. American journalist Al Aronowitz introduced them to Dylan when the Beatles visited New York in February 1964, and Dylan subsequently became a big influence on the group, especially Lennon, who even started wearing a copycat Huckleberry Finn cap. One consequence of this “infatuation” (as Ian MacDonald later described it) was the song "I Should Have Known Better". Paul McCartney said Dylan's songs were "great lyrically", and Lennon credited Dylan with inspiring him to write more meaningful lyrics

 
    TARA LYN HART - STUFF THAT MATTERS (1999)

April 19th 2000 - my #8 favorite daily song for 97 days at age 29 at the time we had a hassle with mold at Cumberland where me and Marilyn planned to move and we landed up moving to Dalmeny, SK in July 2000.   I loved this song that was big on CMT at the time.

Tara Lyn Hart, born April 11, 1978 in Roblin, Manitoba, Canada, is a Canadian country music singer/songwriter.   In 1998, Hart was named Billboard magazine's Most Likely to Succeed.Hart's self-titled debut album was released on October 5, 1999. The lead single, "Stuff That Matters," soared up the Canadian country singles chart, eventually peaking at an impressive No. 6. At the 2000 Juno Awards, Hart was nominated for Best Country Female Artist, and the all-genre Best New Solo Artist. In April 2000, she was invited to perform on the Grand Ole Opry. Hart won three awards at the 2000 Manitoba Association of Country Arts Awards - Female Vocalist, and both Song of the Year and Video of the Year for "Stuff That Matters." On June 9, 2000, Hart won two awards at RPM's Big Country Awards - Outstanding New Female Artist and Canadian Country Video of the Year for "Stuff That Matters." When the nominations were announced for the 2000 Canadian Country Music Association (CCMA) Awards, Hart had six nominations, the most for any artist. She won the FACTOR Rising Star Award at the September 11, 2000 ceremony. She picked up two more nominations at the 2000 Prairie Music Awards - Outstanding Country Recording and Outstanding Album by a Major Label. At the 2001 Juno Awards, Hart was again nominated for Best Country Female Artist. She also picked up a nomination for Female Vocalist of the Year at the 2001 CCMA Awards, competing against Lisa Brokop, Terri Clark, Carolyn Dawn Johnson and Michelle Wright. Meanwhile, her album continued to spawn successful singles such as "Save Me," "I Will Be Loving You" and "What He Used To Do." Hart capped off 2001 with a SOCAN award for "Save Me," a song she co-wrote with Hal Draper and David Quilico.
    YOUNG RASCALS - PEOPLE GOT TO BE FREE (1968) hit #1
People Got to Be Free" is a song released in 1968 by The Rascals. Written by group members Felix Cavaliere and Eddie Brigati and featuring a lead vocal from Cavaliere, it is an upbeat but impassioned plea for tolerance and freedom:
All the world over, so easy to see!
People everywhere, just wanna be free.
Listen, please listen! that's the way it should be
Peace in the valley, people got to be free.

It became a big hit in the turbulent summer of 1968, spending five weeks atop the Billboard Pop Singles chart, the group's longest such stay. It was also the group's second-most successful single on the Billboard Black Singles chart, reaching number 14 and trailing only the previous year's "Groovin'". "People Got to Be Free" was RIAA-certified as a gold record on August 23, 1968, and eventually sold over 4 million copies. It later was included on the group's March 1969 album Freedom Suite.

The single's picture sleeve photo was previously featured in the inner album cover of the Rascals' Time Peace: The Rascals' Greatest Hits compilation. The B-side, "My World", was a track from the group's Once Upon a Dream album.

While "People Got to Be Free" was perceived by some as related to the assassinations of Martin Luther King, Jr. and Robert F. Kennedy earlier that year, it was recorded before the latter's death. In fact it was partly a reaction to an ugly encounter wherein the long-haired group was threatened by a group of rednecks after their tour vehicle broke down in Fort Pierce, Florida

The song is clearly a product of its times; however, two decades later writer Dave Marsh included it as number 237 in his book Heart of Rock and Soul: The 1001 Greatest Singles of All Time, saying in reference to, and paraphrase of, the song's lyric, "Ask me my opinion, my opinion will be: Dated, but NEVER out of date."

    THE MOODY BLUES - HIGHER AND HIGHER (1969)

Album:  To Our Childrens Childrens Children (1969)

My mother bought the new album Long Distance Voyager on vinyl in 1981 when I was 10.  It was one of the first "new albums" I ever listened to so I got into The Moody Blues very heavily and possibly had bought most of their early albums in around 1983/1984.  I had On The Threshold and To Our Childrens on cassette tape I think I bought new maybe around 1985 at age 14 !?!?.  Unfortunately there is no chart data for my initial listens to their albums and songs when I first liked them.

Higher and Higher" is the opening track of The Moody Blues 1969 album To Our Children's Children's Children, a concept album about space travel.

"Higher and Higher", which begins the album, describes space travel as one of man's greatest feats. The verses of the song are spoken by Mike Pinder, rather than sung. Sound effects of a rocket launching begin the song and last for the first minute. The band had asked NASA for a recording of a rocket launch to use but they were disappointed (it was described as "a damp squib") so they had to create their own.

"Higher and Higher" was also the Moody Blues' first full length song that was written by the band's drummer Graeme Edge. Edge was usually the writer of short spoken-word interludes that appeared at the beginning and end of previous albums. In the recordings, they were usually recited by Mike Pinder.

Graeme Edge has stated that his inspiration for the song came upon seeing the Apollo 11 crew members Neil Armstrong and Buzz Aldrin first walk on the moon on July 20, 1969.

 
    MAUREEN McGOVERN - NICE TO BE AROUND (1974)

July 10th 1989 - my #2 favorite daily song for 3 days at age 18 the summer before entering University.

Nice to Be Around is Maureen McGovern's second studio album, released in 1974. The title track was the theme from the 1973 film Cinderella Liberty. McGovern composed the music for the songs "All I Want (All I Need)," "Love Knots," "Little Boys & Men" (dedicated to Mark Christopher Axelson), and "Memory." Seven of the album's 10 songs are featured on the album 20th Century Masters - The Millennium Collection: The Best of Maureen McGovern.

Maureen Therese McGovern (born July 27, 1949) is an American singer and Broadway actress, well known for her premier renditions of the Oscar-winning songs "The Morning After" from the 1972 film The Poseidon Adventure, and "We May Never Love Like This Again" from The Towering Inferno in 1974.

During 1974, she recorded two movie themes: "We May Never Love Like This Again" from the disaster film The Towering Inferno, in which she made a short appearance when she is seen singing the song as the evening's entertainment, and "Wherever Love Takes Me" from the British disaster film Gold. The former won an Oscar (though it was only a minor pop hit), and the latter received an Oscar nomination.

In 1976, she recorded her cover version of "The Continental", the very first Oscar-winning track for Best Original Song. It proved to be her only hit in the UK Singles Chart, where it peaked at #16.

 
    LOVE AND SAS - DON'T STOP NOW (1992)

September 1st 1992 - my #4 favorite daily song for 18 days at age 21 in 4th year University.

Love and Sas were a Canadian r&b-, funk-, and rap-influenced pop duo who scored several Top 40 hits on Canadian pop charts.

Lovena 'Love' Fox had worked as a back-up singer for Bon Jovi, The Payolas, and Colin James.

Saskia'Sas' Garel was born in Kingston, Jamaica of Chinese, Spanish, and Afro-Caribbean descent, and had jazz and classical voice training.

The two, who were considered the Canadian equivalent of American female rappers Salt-N-Pepa, released their first album Call My Name in 1991 which spawned the singles "I Don't Need Yo' Kiss" and "Call My Name". "Don't Stop Now" and "Once in a Lifetime".

"I Don't Need Yo' Kiss" was significant for featuring one of the first Canadian female rap performances, which was performed by Sas.

The duo toured Canada, U.S., and the UK, but split in 1993.

    YELLOWCARD - ONLY ONE (2004)

December 11th 2004 - my #3 favorite daily song for 29 days at age 33 while living at Eastview with Michelle/Brianna and performing now with Ovide Pilon for a full year.

December 18th 2004 - my #1 favorite current song on the Rick Dees weekly top 40 for 7 weeks

Only One" is the third single from American Pop punk band Yellowcard. This song is the third and last single from Ocean Avenue and the sixth track. Known for being another TRL hit, it is one of Yellowcard's lengthier tracks, partly due to its violin solo.   "Only One" had to be shortened, from 4:17 to 3:55, for radio airplay purposes. The violin solo in the bridge had to be cut.   In this song vocalist Ryan Key plays the bass. The video was the last to feature Ben Harper as the lead guitarist, and the first to feature Pete Mosely as the bassist.   Yellowcard released "Only One" in the United States on January 25, 2005 as the third single of their first album Ocean Avenue. "Only One" peaked at number 15 on the US' Billboard's Hot Modern Rock Tracks chart and number 28 on the Mainstream Top 40 (Pop Songs).[

 

 

    NIGHT RANGER - SISTER CHRISTIAN (1984) hit #5
Sister Christian" is the title of a song by the American hard rock band Night Ranger. It was released in June 1984 as the second single from their album Midnight Madness. It was ranked number 32 on VH1's 100 Greatest Songs of the 1980s. It was written and sung by the band's drummer, Kelly Keagy, for his sister. It was the band's biggest hit, peaking at number five on the Billboard Hot 100, and staying on the charts for 24 weeks. It also reached number-one in Canada. To this day, it is one of the most popular first dance songs at weddings.

The song is about Keagy's little sister, Christy. Keagy wrote the song at his apartment, near Divisadero and California streets in San Francisco, after he had just returned from a visit to his hometown of Eugene, Oregon. He had been struck at how fast his teenaged sister, 10 years younger than he was, was growing up.

"After we started playing it a lot, Jack turned to me and said, 'What exactly are you saying?' " Keagy recalled. "He thought the words were Sister Christian, instead of Sister Christy, so it just stuck."

The lyric, "You're motoring. What's your price for flight? In finding Mr. Right?" is the subject of much debate. The band stated in a VH-1 Behind the Music interview that the term "motoring" was synonymous with the term "cruising."

The music video was filmed in San Rafael High School.

Night Ranger is an American rock band from San Francisco that gained popularity during the 1980s with a series of albums and singles The band's first five albums sold more than 10 million copies worldwide. The quintet is perhaps best known for the power ballad "Sister Christian", which peaked at #5 in June 1984.

    CULTURE CLUB - MISS ME BLIND (1984) hit #5
Miss Me Blind" is a song by the 1980s New Wave band Culture Club. The song was released on the band's second album, Colour by Numbers, and it peaked at #5 on the US Billboard Hot 100 singles chart in April 1984.

The single was also released in Canada (where it also reached number 5), Brazil, Australia and Japan. However, it was not released as a single in the band's native United Kingdom.

The song includes a reference to the title of Culture Club's previous album. Lead singer Boy George states in the song "But you know, I'm never really sure, If you're just kissing to be clever", the name of Culture Club's debut album.

In most countries (like Japan, Canada and USA), its B-Side was the ballad "Colour by Numbers". In Mexico, the B-Side was "Victims". In Brazil, the B-Side was "Boy Boy (I'm The Boy)".

A very popular 12" was issued, gaining big success in American clubs and elsewhere. The popular extended 12" version contained extracts of the other Culture Club hit of the spring, "It's a Miracle". In the US, the "Miss Me Blind" / "It's a Miracle" 12" single reached #10 on the Billboard Hot Dance Club Play chart in May 1984.

The official music video features Boy George and the rest of the Culture Club members, and it takes place in Japan, and ends with a girl and a man yelling and trying to blow off a fire.

Backing vocals on "Miss Me Blind" were performed by R&B singer Jermaine Stewart

    JOHN CAFFERTY - ON THE DARK SIDE (1984) hit #7
John Cafferty & The Beaver Brown Band is the name of an American rock band from Narragansett, Rhode Island, that began their career in the 1970s and achieved mainstream success in the 1980s. Originally known as simply Beaver Brown, the group (consisting of John Cafferty on vocals and rhythm guitar, Gary Gramolini on lead guitar, Patrick Lupo on bass, Kenny Jo Silva on drums, Bobby Cotoia on piano, and Michael "Tunes" Antunes on saxophone) started out as a New England bar band and initially established a popular following throughout Rhode Island, Connecticut,and Massachusetts.

They achieved their greatest fame performing the music of a "Springsteen-esque" fictional band in the 1983 movie Eddie and the Cruisers. The soundtrack album from the film reached the top 10 on the Billboard 200 chart and produced a number 7 hit single ("On the Dark Side") on the Billboard Hot 100. "On the Dark Side" also held number-one on the Album Rock Tracks chart for five weeks.

The group's 1985 follow-up album Tough All Over made the top 50, getting some attention for "C.I.T.Y" and the title track, which became their second number-one single on the Mainstream Rock Tracks chart. Another song from that album, "Voice of America's Sons", was the featured theme song on the official motion picture soundtrack of the movie Cobra, starring Sylvester Stallone. Subsequent releases were mostly sequels to the Eddie and the Cruisers concept, and Cafferty and the band faded from popular consciousness. Prior to Cobra, Cafferty's "Hearts on Fire" was featured in another Stallone film, Rocky IV.

    THE TALKING HEADS - WILD WILD LIFE (1986) hit #25
Wild Wild Life" is a song by the American new wave band Talking Heads. Released in 1986, it was the lead single from their album True Stories.

The music video for the song won "Best Group Video" at the MTV Video Music Awards in 1987. The video was taken from the film True Stories, with some additional content added. Actor John Goodman, prior to his fame in the sitcom Roseanne, appeared in both the film and MTV versions of the video. The B-side of the single features him singing the song "People Like Us" which is also from the film.

The song was also featured in trailers for the 2006 animated film Over the Hedge, and also at the beginning of another animated film, Open Season, and is included on the soundtrack CD.

The song was also covered by Wailing Souls for the 1993 movie Cool Runnings

Talking Heads was an American New Wave and avant-garde band formed in 1975 in New York City[1] and active until 1991. The band comprised David Byrne (vocals and guitar), Chris Frantz (drums), Tina Weymouth (bass) and Jerry Harrison (keyboards and guitar). Auxiliary musicians also regularly made appearances in concert and on the group's albums. The New Wave style of Talking Heads combined elements of punk, art rock, avant-garde, pop, funk, world music, and Americana. Frontman and songwriter David Byrne contributed whimsical, esoteric lyrics to the band's songs, and emphasized their showmanship through various multimedia projects and performances.

Critic Stephen Thomas Erlewine describes Talking Heads as being "one of the most critically acclaimed bands of the '80s, while managing to earn several pop hits." In 2002, the band was inducted into the Rock and Roll Hall of Fame. Four of the band's albums appeared on Rolling Stone magazine's 2003 list of the 500 Greatest Albums of All Time, and the Channel 4 100 Greatest Albums poll listed one album (Fear of Music) at number 76. On a 2011 update of Rolling Stone's "100 Greatest Artists of All Time", the band was ranked at #100

    SMOKEY ROBINSON - JUST TO SEE HER (1987) hit #8
Just to See Her" is a 1987 top ten hit song recorded by the American R&B and pop singer/songwriter Smokey Robinson. Released as the first single from his million-selling Motown album, One Heartbeat, "Just to See Her" peaked at #8 on the Billboard Hot 100 chart in June 1987. It also reached #2 on the R&B chart and hit #1 on the Adult Contemporary chart that year. In the United Kingdom, the song peaked at #52 on the UK Singles Chart. In addition, Robinson won a Grammy Award for "Just to See Her" at the 1988 ceremony in the category Best Male R&B Vocal performance.

William "Smokey" Robinson, Jr. (born February 19, 1940) is an American R&B singer-songwriter, record producer, and former record executive. Robinson is most notable for being the founder and front man of the popular Motown vocal group, The Miracles, for which he also served as the group's chief songwriter and producer. Robinson led the group from its 1955 origins as The Five Chimes until 1972 when he announced a retirement from the stage to focus on his role as Motown's vice president.

However, Robinson returned to the music industry as a solo artist the following year, later having solo hits such as "Baby That's Backatcha", "Quiet Storm", "The Agony and the Ecstasy", "Cruisin'", "Being With You" and "Just to See Her". Following the sale of Motown Records in 1988, Robinson left Motown in 1990. He was inducted into the Rock and Roll Hall of Fame in 1987

In 1987, following a period of personal and professional issues, Robinson made a comeback with the album, One Heartbeat and the singles, "Just to See Her" and "One Heartbeat", which both peaked at the top ten, with "Just to See Her" winning Robinson his first Grammy Award in 1988. The album became Robinson's most successful to date, selling half a million copies. In the same year Robinson released One Heartbeat, he was inducted as a solo artist to the Rock and Roll Hall of Fame, later igniting controversy as the committee had only inducted Robinson but not members of his group, the Miracles, which Robinson himself was personally offended by. In 2012, however, the committee ratified that mistake announcing that the group would be inducted on their own merit. Though Robinson was not listed as an inductee, the musician is due to induct his former group at the ceremony in April 2012. The same year he was inducted, the UK group, ABC released a tribute song, "When Smokey Sings".

    THE BANGLES - A HAZY SHADE OF WINTER (1988) hit #2

A Hazy Shade of Winter" is a song written by Paul Simon, recorded and released by Simon & Garfunkel in 1966, and then included on their 1968 album, Bookends. It peaked at #13 on the Billboard Hot 100 making it the second highest-charting song on the album after "Mrs. Robinson", which reached #1 when it was released on the back of its inclusion on the soundtrack of The Graduate.

In 1987, The Bangles were approached to record a song for the soundtrack of the film Less Than Zero. They chose to record a cover of "A Hazy Shade of Winter," a song they had been performing since their early days as a band.

Their cover, simply titled "Hazy Shade of Winter," was vastly different from the original, turning it into a harder-edged rock song, and removing most of the bridge section. The record, like the rest of the soundtrack album, was produced by Rick Rubin. After a fruitful but disappointing experience with the producer of their Different Light album, David Kahne, where they were given little input in the production of the songs, the group decided to take more control for the recording of this song, and they were given an additional producer credit. Michael Steele later commented that "we sounded the most on this record the way we actually sound live", and that "If we hadn't been so messed up as a band, it could have been a turning point for us"

Lead vocals were performed jointly by all four members of the group, with a short solo led by Susanna Hoffs towards the end of the song. This was a rare occurrence in the Bangles songs, as they mostly had just one member singing lead on their songs. Due to pressure from their record label, The Bangles removed the verse from the original song that contained the line "drinking my vodka and lime." According to liner notes on the Soundtrack album, Steve Bartek from the band Oingo Boingo played guitar on the track.

When released as a single in November 1987, "Hazy Shade of Winter" became a huge hit, surpassing the popularity of the original version, peaking at #2 on the Billboard Hot 100, and #11 in the UK. It was also a hit around Europe.

    ROB BASE & DJ EASY ROCK - IT TAKES TWO (1988) hit #31
It Takes Two" is a 1988 hip hop song by Rob Base and DJ E-Z Rock and produced by Teddy Riley that was later certified platinum. Throughout the years the song was covered and sampled by various recording artists.

The song samples heavily from Lyn Collins' 1972 song "Think (About It)", using multiple drum breaks, the well known "Woo! Yeah!" sample, as well as the lyric sung by Collins which gives It Takes Two its title.  The famous introduction of the song is spoken over a sample of "Space Dust" by The Galactic Force Band (1978).

Rob Base and DJ E-Z Rock are a hip-hop duo from Harlem, New York who are best known for their hit "It Takes Two." The duo consists of Rob Base (Robert Ginyard, born May 18, 1967) and DJ E-Z Rock (Rodney "Skip" Bryce).

The first Profile release was "It Takes Two." It uses multiple samples from the James Brown and Lyn Collins 1972 song "Think (About It)." The track first became a regional hit and then slowly climbed the Billboard Hot 100, picking up a multi-platinum single certification. The song also peaked at #3 on the Hot Dance Music/Club Play chart.

An album, also called It Takes Two, was quickly put together and it produced a significant follow-up hit, "Joy and Pain," which sampled a song of the same name by Maze featuring Frankie Beverly, as well as "Put The Music Where Your Mouth Is" by The Olympic Runners. It also hit the Top 10 on the dance chart and climbed to #38 on the Hot 100. "Get On the Dance Floor," a track released to clubs in between the two singles, hit #1 on the Hot Dance Music/Club Play chart in 1989. Boosted by those singles the It Takes Two album went platinum seven times over. However, vicious rumors started to circulate that Rob Base had legal problems for using samples from Maze's Frankie Beverly for the hit "Joy and Pain", and he had his own personal problems. DJ E-Z Rock also was forced to leave the group due to his own personal issues, so Rob Base was left to be a solo artist.

In 2008, their song "It Takes Two" was ranked number 37 on VH1's 100 greatest songs of hip hop