TERRY HOKNES - MY FAVORITE SONGS OF ALL TIME !  hoknes@hotmail.com  

161

GEORGE HARRISON

ANSWERS AT THE END

1975

162

TERRY HOKNES

LOSS OF LOVE

2002

163

MILEY CYRUS

SEE YOU AGAIN

2007

164

BEATLES

ALL TOGETHER NOW

1969

165

STRAWBS

HEARTBREAKER

1977

166

JOHN LENNON

GROW OLD WITH ME

1984

167

FAITH HILL

ONE

2002

168

KLAATU

LITTLE NEUTRINO

1976

169

BEAU BRUMMELS

LAUGH LAUGH

1965

170

PIDGEON

IRENE

1969

171

TYLER COLLINS & GRADY HARRELL

YOU AND ME

1989

172

MOUNTAIN

BOYS IN THE BAND

1970

173

GEORGE MARTIN

PEPPERLAND

1969

174

GEORGE HARRISON

BALTIMORE ORIOLE

1981

175

KLAATU

CALIFORNIA JAM

1976

176

RICK DERRINGER

TIME WARP

1973

177

NELLY FURTADO

TRY

2004

178

SHANIA TWAIN

THANK YOU BABY

2002

179

CHIPMUNKS

CHIPMUNK SONG

1958

180

RINGO STARR

GOODNIGHT VIENNA

1975

    GEORGE HARRISON - THE ANSWERS AT THE END (1975)

Album:  Extra Texture (1975)

I likely bought this album used at Tramps (not sure which location) in possibly 1983 at age 12 - This has always been my favorite album by George. 

The Answer's at the End" is a song by George Harrison released on his 1975 solo album Extra Texture (Read All About It). It was inspired by text written on a wall of his nineteenth-century mansion, Friar Park, by its original owner, Frank Crisp. It was the third song of Harrison's to pay tribute to the eccentric Victorian lawyer and horticulturist, after "Ballad of Sir Frankie Crisp (Let It Roll)" (from All Things Must Pass) and "Ding Dong, Ding Dong" (from Dark Horse).

The Answer's at the End" was the second song recorded during the Los Angeles sessions for Extra Texture (Read All About It), on 22 April 1975. The album has been described as a rushed affair, born of contractual obligation and expediency, and mostly recorded at a facility that Harrison did not particularly like, A&M Studios, while he was busy overseeing projects by his various Dark Horse Records acts. One of these acts was Attitudes, a band put together by his friend Jim Keltner, who was apparently seeking new challenges after serving in a support role to numerous stars for close to a decade. "The timing was perfect," writes Simon Leng, "as this latest signing to Dark Horse provided a ready-made backup band, close at hand

    TERRY HOKNES - LOSS OF LOVE (2002) Opus #1100 ??

As the new century began a new chapter in songwriting where the focus was more on recording polished songs but writing way less and very sporadic.    I had written 500 songs by the age of 19 and had hit 1000 songs by the age of 25.  But since then I can go over a year at a time without writing a song but really focusing in most cases on a more commercial type of polished song however I still venture into all possible genres.  I continue to play and sing every part on all my songs and recordings.

I hired Neil Meckelborg of Audio Art to record my songs in 2001.  We started out recording a full album at their location downtown behind the Bus depot but eventually worked on recordings at Neil's private studio.  In total we recorded 3 full albums of material of my songs and a full length album of songs I wrote with Marilyn Parney that I produced.  Neil and I also worked on a Trooper hit song karaoke CD in 2001.  I spent 18 months recording with Neil and over 40 songs and over $10,000.00 in studio bills I paid at that time to record the best quality audio ever on my songs.  Neil had used Sonar Cakewalk so I learned how to use it and have used that now for a decade in my own studio.

    MILEY CYRUS - SEE YOU AGAIN (2007)

Album:  Hannah Montana 2 (2007)

October 15th 2007 - my #1 favorite daily song for 27 days and it was my #7 daily song of 2007.

January 26th 2008 - my #1 favorite current top 40 hit for 17 weeks straight making it my #2 favorite top 40 hit of 2008. 

This was the 2nd of 3 #1 hits from the Hannah Montana album on my daily chart.  This CD was my wedding gift from my wife Valerie.

I just loved the minor verses and the huge fun singalong songs with the Boney M flavored rhythm.

See You Again" is a pop song performed by American singer-songwriter Miley Cyrus. The song was composed by Cyrus (credited as Destiny Hope Cyrus), Antonina Armato, and Tim James and produced by Armato and James. It was released on December 19, 2007 by Hollywood Records, as the lead single from Cyrus' debut album Meet Miley Cyrus, the second disc of the dual album Hannah Montana 2/Meet Miley Cyrus. Musically, the track is a dance-pop number that contains influences from various musical genres, including electronic music. Lyrically, the track speaks of teenage romance.

"See You Again" was a critical success, with contemporary critics praising its musical composition and vocal delivery. To follow, it also became Cyrus' first commercially successful single. The song introduced her to new audiences and new countries, paving the way for future hits. "See You Again" became Cyrus' best-charting single at the time by peaking at number ten on the Billboard Hot 100. Its highest peak internationally was at number four on the Canadian Hot 100. Although an official music video for the song was never filmed, it was given a promotional music video, taken from a performance at the 2007 Disney Channel Games. The song sold more than 2.5 million digital copies in the U.S.A.

    THE BEATLES - ALL TOGETHER NOW (1969)

Album:  Yellow Submarine (1969)

My best friend Zender Millar had the Yellow Submarine album at his house and we would listen to it around 1980/1981 around the time that John Lennon died and this was one of the earliest Beatles albums I ever heard along with Rubber Soul and Sgt Pepper at age 10.     My sister Leslie (age 8), Zender (age 11) and myself saw the movie together for the first time for free at the Frances Morrison Public Library in the basement.   This has always been my favorite Beatles album due to having most of side 1 my all time favorite Beatles songs and my immense love of the instrumentals by George Martin from the movie soundtrack.

All Together Now" is a song by The Beatles written primarily by Paul McCartney and credited to Lennon–McCartney. The song was recorded during the band's Magical Mystery Tour period, but remained unreleased until it was included on the Yellow Submarine soundtrack.

McCartney described the song as a children's sing-along with the title phrase inspired by the music hall tradition of asking the audience to join in. He also described a "subcurrent" in the song, a dual-meaning where "we are all together now." According to music critic Tom Maginnis of Allmusic, McCartney created the song "to match the same light-hearted spirit" of "Yellow Submarine" "Yellow Submarine", the song, was from the prior year, 1966.

This song was composed by McCartney for use in the worldwide telecast of the UK segment of "Our World" TV special. "All Together Now" appears in an animated sequence in the film Yellow Submarine, and is also introduced by the Beatles themselves in a final live-action scene of the film, during which translations of "All Together Now" into various languages appear written on-screen (likely a nod to its inception as part of the aforementioned international show segment).

    THE STRAWBS - HEARTBREAKER (1977)

Album: Burning For You (1977)

I discovered The Strawbs in December 1984 after becoming a huge Yes fan that year as both groups had Rick Wakeman as keyboardist.   I eventually bought all of The Strawbs albums and they were one of my all time favorite groups.  This later album lost all their folk rock roots and became more of a hard rock group but this song has the catchiest guitar riff I think ever written.   Dave Lambert took over vocals on this particular song.   This likely would have been my #1 song some time during 1985.

Strawbs (or The Strawbs) are an English rock band founded in 1964. Although the band started out as a bluegrass group they eventually moved on to other styles such as folk rock, glam rock and progressive rock. They are best known for their hit Part of the Union, which reached number two in the UK charts in February 1973, and for touring with Supertramp in their Crime of the Century Tour, doing their Hero and Heroine Tour, which drew musical similarities and themes

    JOHN LENNON - GROW OLD WITH ME (1984)

Album:  Milk And Honey (1984)

This album came out in the spring of 1984 when I was in Grade 8 at John Lake School age 13.  I had bought the vinyl full length album and also the vinyl 12" single of Borrowed Time both brand new.

December 11th 1988 - my #8 favorite daily song for 3 days at age 17 after graduating highschool and paying tribute to Lennon on the 8th anniversary of his death

December 17th 2006 - my #3 favorite daily song for 14 days at age 35 while taking a break from Valerie living alone at Eastview and my son Nicholas 8 months old and paying tribute to Lennon on the 26th anniversary of his death.

Milk and Honey was the duo's projected follow-up to Double Fantasy, though Lennon's death caused a temporary shelving of the project. It took Ono three years to be able to resume work to complete it. Ono's material largely comprises new recordings, which she undertook during the album's preparation in 1983, which give her songs a more commercial and contemporary edge. Conversely, Lennon's material, being rough takes and rehearsal recordings, has a more casual feeling.

Predictably, the reaction to Milk and Honey was less fanatical than the one that greeted Double Fantasy, but it was still well-received, peaking at #3 in the UK and #11 in the U.S., where it went gold.

    FAITH HILL - ONE (2002)

July 20th 2007 - my #10 favorite daily song for 26 days at age 36 the week I proposed to Valerie.

Cry is the fifth studio album by American country music singer Faith Hill. It was released October 15, 2002 via Warner Bros. Records selling 472,486 copies in its first week, a career best for Hill. The album was intended as a crossover project for her, and although three of its singles were released to country radio, none reached Top Ten. The title track and "One" were both Adult Contemoporary hits, however. It went on to sell 4 million copies worldwide. Hill has publicly stated that, of all the albums she has recorded, Cry is her favorite. Cry also hit #179 on the Billboard Top 200 albums of the decade 2000-2009.

Cry is led off by its title track, written by Angie Aparo. This song reached #12 on the country singles charts, the lowest country peak she has achieved with a lead-off single. "When the Lights Go Down" and "You're Still Here" were released to country radio, peaking at #26 and #28 respectively. "One" was not released to country radio, although it was a #7 Adult Contemporary hit for her. "Baby You Belong" was released only in Japan, used as the theme song for Lilo and Stitch. The song's music video features clips from the film.

In 2002, she released another Pop-oriented album, Cry. Although it sold two million copies in the United States, its singles proved not to be as successful as planned. The title track only reached #12 on the country charts and #33 on the Hot 100. The additional three singles released ("When the Lights Go Down", "One", and "You're Still Here") were even less successful than the title track. Hill stayed on a three-year hiatus before releasing her next album, Fireflies in 2005. The album returned Hill to traditional country music, and the lead single, "Mississippi Girl" (written by John Rich) became Hill's first #1 hit on the Country charts in five years.

    KLAATU - LITTLE NEUTRINO (1976)

Album:  3:47 EST (1976)

I discovered Klaatu in March 1985 at age 14 in Grade 9 with the album Hope but likely quickly rushed out and bought this debut album the same month.   Klaatu are definitely one of the most influential bands on my music and influence.  I had listened to Klaatu originally due to the Beatles rumour connection.  Roy Wood and Klaatu are the only two acts to debut at #1 on my favorite daily group chart (both in 1985) showing the instant appreciation of these two acts early on in my charts.  Unfortunately I had no daily song charts during the first run of promotion in 1985.

March 21st 2010 - my #3 favorite daily song for 36 days at age 39 on the celebration of discovering Klaatu 25 years ago that same week.

Little Neutrino", is a track written by Dee Long, from the album 3:47 EST, by the progressive rock group, Klaatu.

On October 18, 1974 a Gibson 12-string acoustic guitar was recorded using a detuned tape delay. Subsequently, the acoustic guitar was double-tracked. In the initial recording session, a Moog synthesizer was used to simulate the sound of a flute.

The sound effects on "Little Neutrino" were recorded by Klaatu's producer, Terry Brown.   "Little Neutrino"'s unique vocal distortion is a result of an artificial larynx, which was used by the track's writer, Dee Long to "mouth" the track's lyrics.   The original version of "Little Neutrino" was a 16-track recording. The recording was subsequently transferred to the 24-track tape format in March 1975.    "Little Neutrino" was first released on August 11, 1976. It was the closing track on Klaatu's debut album, 3:47 EST.

    THE BEAU BRUMMELS - LAUGH LAUGH (1965) hit #15

I first learned this song of all places from watching The Flintstones as a child.

Laugh, Laugh" is a song by American rock group The Beau Brummels, written by guitarist Ron Elliott and produced by Sylvester Stewart, later known as Sly Stone. Released in December 1964 as the band's debut single, the song reached number 15 on the U.S. Billboard Hot 100 chart the following February. "Laugh, Laugh" was the first hit single to come out of the emerging San Francisco music scene in response to the British Invasion. The song was later included on the band's first full-length album, Introducing the Beau Brummels, released in April 1965.

The Beau Brummels promoted the single by appearing on several television shows, including a 1965 episode of The Flintstones in which the band gave an animated performance as the Beau Brummelstones. In 1994, "Laugh, Laugh" was selected to The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll exhibit. Lead singer Sal Valentino reworked the song for his 2008 solo album, Every Now and Then.  

"Laugh, Laugh" was released in December 1964, seven months after the band's formation. In January 1965, the song entered the Billboard Hot 100 at number 96. The song remained in the top 40 portion of the chart for eight weeks, peaking at number 15 in February. Donahue believed the single would have peaked at number one if the band was on a label with stronger distribution In Canada, the song reached number two on RPM magazine's singles chart. As the song climbed the charts, many listeners assumed the Beau Brummels were British, due to the band's name and musical style For their part, Donahue and Mitchell spread rumors that the band was indeed from the UK, and had the band dress in Beatlesque suits.

"Laugh, Laugh" was the first hit single from a burgeoning San Francisco music scene—including such bands as Jefferson Airplane, the Grateful Dead, We Five, Moby Grape, Quicksilver Messenger Service and Country Joe and the Fish— to respond to the British Invasion The song is credited as one of the earliest tracks to blend beat music with folk rock, even before The Byrds recorded "Mr. Tambourine Man." Chris Hillman, who played bass guitar with the Byrds, saw the Beau Brummels at a Los Angeles concert, and later remarked: "I remember them doing the hit they had, 'Laugh, Laugh.' They really sort of answered the Beatles before we did, in that sense." However, Byrds singer-guitarist Roger McGuinn claimed "they had a little trouble singing in tune." The song was one of 10 pop singles named in a January 1966 issue of Billboard which credited the use of harmonica in folk, pop, and rhythm and blues (R&B) music for sparking a harmonica sales boom at record retailers in 1964 and 1965

    PIDGEON - IRENE (1969)

Album:  Pidgeon (1969)

I purchased this album in February 1988 at age 17 the same day I picked up 12 Dreams of Dr. Sardonicus by Spirit at Tramps on 3rd Avenue for $2.00 each.  Two of my all time favorite albums.

March 18th 1988 - my #4 favorite daily song for 1 day at age 17 in Grade 12.

All songs were written by Jobriath Salisbury & poet Richard T. Marshall . A blonde lass named Cheri Gage is credited with lead vocals & autoharp. Bill Strong Smith plays drums & percussion. The legendary Jobriath is credited with keyboards, guitar & lead vocals. (This LP is probably the controversial solo artist's recording debut.) The self-titled Pidgeon album has a lot of musical variety including wild Psych guitar & harpsichord on "Milk & Honey" and "Irene". Vocal harmonies abound. Some tracks are more folky/moody /introspective, while others rock. Jobriath's vocals are very distinctive throughout.

 
    TYLER COLLINS & GRADY HARRELL - YOU AND ME (1989)

Album:  Girls Night Out (1989)

This was the big duet love ballad on this pop dance album.   At the time I thought Tyler must be the best looking female on Earth but I did also truly love this song enough that it was my #1 favorite song of 1991.   A great relaxing mood song with nice harmonies.  

October 13th 1991 - my #1 favorite daily song for 18 days straight which at that time was a lot making it my favorite song of the entire year. 

Tyler Collins (born October 29, 1965) an American R&B singer. 

Collins was born in Harlem, New York and raised in Detroit, Michigan. Collins began taking lessons in dance and theatre, and performing with the children's theatre group, Willow Opera Workshop in Los Angeles, CA   Her professional music career began singing lead for an R&B group called The Boys Next Door. The group signed with Jermaine Jackson's label, Work Records, which later folded. Tyler eventually signed with RCA Records and released her debut album Girls Nite Out. She co-wrote the lead single "Whatcha Gonna Do" which peaked at #8 on the Billboard R&B chart. The 1990 follow-up single "Girls Nite Out" also topped out at #8 on the Billboard's R&B charts, as well as #6 on its Pop charts.  Tyler has also written songs for Celine Dion, Shanice, and Jeffrey Osborne
    MOUNTAIN - BOYS IN THE BAND (1970)

Album:  Mountain Climbing

My mother had bought this album in 1970 and I finally listened to it 17 years later.  They would become the first heavy metal band that I truly liked.  To this date I think they are so much better than Led Zeppelin or Black Sabbath.    Virtuoso guitar playing but a strong seriousness to the music with less blues influence.

May 13th 1987 my #1 favorite daily song.   The 2nd of 3 #1 hits on my chart by Mountain.

Climbing!, also known as Mountain Climbing!, is the official debut studio album by American blues-rock band Mountain. Released on March 7, 1970, the album featured the 'classic' Mountain lineup of Leslie West (guitar, vocals), Felix Pappalardi (bass, piano) and Corky Laing (drums, percussion), and followed the West solo album Mountain featuring Pappalardi and drummer Norman Smart, released in 1969 and often credited to the band. Produced by Pappalardi, the album reached number 17 on the American Billboard 200 albums chart and featured the band's best-known song "Mississippi Queen".

    GEORGE MARTIN & LONDON SYMPHONY ORCHESTRA - PEPPERLAND (1969)

Album: The Beatles - Yellow Submarine (1969)

My best friend Zender Millar had the Yellow Submarine album at his house and we would listen to it around 1980/1981 around the time that John Lennon died and this was one of the earliest Beatles albums I ever heard along with Rubber Soul and Sgt Pepper at age 10.     My sister Leslie (age 8), Zender (age 11) and myself saw the movie together for the first time for free at the Frances Morrison Public Library in the basement.   This has always been my favorite Beatles album due to having most of side 1 my all time favorite Beatles songs and my immense love of the instrumentals by George Martin from the movie soundtrack.   Yellow Submarine is also my favorite movie of all time and so much of that is inspired by the great dark moods set by George Martins instrumentals in the soundtrack.

Sir George Henry Martin CBE (born 3 January 1926) is an English record producer, arranger, composer, conductor, audio engineer and musician. He is sometimes referred to as "the Fifth Beatle"—a title that he has described as "nonsense"—in reference to his extensive involvement on each of The Beatles' original albums. He is considered one of the greatest record producers of all time, with 30 number one hit singles in the UK and 23 number one hits in the USA.

 
    GEORGE HARRISON - BALTIMORE ORIOLE (1981)

Album:  Somewhere In England (1981)

My favorite song on this album and its a cover of an old standard by Hoagy Carmichael.

I may have possibly got this album as early as 1981 when it was almost brand new at age 10.  But I honestly never liked the album at all at that time.  It finally grew on me by 1989 at age 18 but I still think its one of his weakest albums but I finally came to truly love this particular song.

March 11th 1989 - my #1 favorite daily song for 3 days at age 18 while celebrating George's 46th birthday after I had graduated highschool.

November 24th 2009 - my #4 favorite daily song for 27 days at age 38 when I was bed stricken for 10 days with H1N1 virus and couldnt move so I laid there and listened to George for a full week in honor of the 8th anniversary of his death that week.

Somewhere in England is the eighth studio album by George Harrison, released in 1981. The album was recorded as Harrison was becoming increasingly frustrated with the music industry. The album's making was a long one, and his conflicts with Warner Bros. Records at the time led him to leave the label shortly thereafter. Somewhere in England was the first Harrison album to be released after the death of his former The Beatles bandmate John Lennon.

Content to move at his own speed, Harrison began recording Somewhere in England in the autumn of 1979 and continued sporadically, finally delivering the album to Warner Bros. Records in September 1980. However, the executives at Warner Bros. rejected it, ordering Harrison to drop four of its songs ("Tears of the World", "Sat Singing", "Lay His Head", and "Flying Hour"), finding them too downbeat. Harrison's original cover art, featuring his profile against a map of Great Britain was also vetoed by Warner Bros. With Harrison already feeling unable to relate to the current post-punk and new wave musical climate, he acceded to their requests, but knew that when his recording contract came up for renewal after his next album, he wouldn't bother re-signing.

    KLAATU - CALIFORNIA JAM (1976)

Album:  3:47 EST (1976)

I discovered Klaatu in March 1985 at age 14 in Grade 9 with the album Hope but likely quickly rushed out and bought this debut album the same month.   Klaatu are definitely one of the most influential bands on my music and influence.  I had listened to Klaatu originally due to the Beatles rumour connection.  Roy Wood and Klaatu are the only two acts to debut at #1 on my favorite daily group chart (both in 1985) showing the instant appreciation of these two acts early on in my charts.  Unfortunately I had no daily song charts during the first run of promotion in 1985.

3:47 EST is the first album by the Canadian group Klaatu, released in August 1976. The album was renamed Klaatu when released in the United States by Capitol Records. It is regarded as one of the band's greatest albums (along with Hope), using the same kind of Beatlesque psychedelic rock (in the style of Sgt. Pepper's Lonely Hearts Club Band and Magical Mystery Tour), with a few new additions; most notably vocal distortion, more backwards instruments, and some obscure musical instruments such as electric sitars. The Juno-nominated album cover was painted by a friend of Klaatu's members, the Canadian graphic artist, Ted Jones.

For a variety of reasons, rumours spread in the wake of the album's release that Klaatu were, in fact, a secretly reunited Beatles. Although many of the album's songs bear no resemblance whatsoever to anything in the Beatles catalogue ("California Jam" and "True Life Hero," for instance), several other numbers — particularly "Sub-Rosa Subway" — are dead ringers for the Fab Four. The album was moderately successful in the United States, largely as a result of the Beatles rumours

    RICK DERRINGER - TIME WARP (1973)

Album:  All American Boy (1973)

August 20th 1989 - my #1 favorite daily song for 5 days.  This was the last album I listened to in rotation before moving away from home the first time to Muenster, SK to the monastery at St Peters College for 1st year University at age 18.  My grandpa died on September 8th 1989.

All American Boy is an album by Rick Derringer, released on Blue Sky Records in 1973. "Joy Ride" and "Time Warp" (not to be confused with The Rocky Horror Picture Show song) are instrumentals.

Rick Derringer (born Richard Zehringer, August 5, 1947) is an American guitarist, vocalist, and entertainer.

In 1973, the song's author, Rick Derringer recorded the song for his solo debut album All American Boy. The song was released as a single and reached #23 on the Billboard Hot 100, making it his highest showing in the record charts. It has become a staple of 1970s rock music compilations and classic rock radio. Derringer has recorded several live versions of the "Rock and Roll, Hoochie Koo" over the years

Derringer appeared on Alice Cooper's Killer album in 1971, playing the solo on "Under My Wheels." Derringer opened for Led Zeppelin on their last American tour. Derringer was also a featured guitarist on several Todd Rundgren albums in the 1970s, including Something/Anything? (1972), A Wizard, a True Star (1973), Initiation (1975) and the live album Back to the Bars (1978).
 
    NELLY FURTADO - TRY (2004)

Album: Folklore (2004)

July 28th 2004 - my #1 favorite daily song for 37 days straight at age 33 while living with Brianna and Michelle.   We planned to go see Nelly Furtado in concert some time as we both really loved this album.  We did see her in concert at the 2005 Juno Awards in Winnipeg, MB, Canada.   It was my #6 favorite daily song of 2004.

"Try" is a pop ballad written by Canadian singer Nelly Furtado and Brian West for Furtado's second album, Folklore. Produced by Track & Field, it was released as the second single from the album in February 2004. Furtado said the song "is about the reality of love. My energy used to just go everywhere, but now I'm more grounded because I've found true love. The idea here is that, yeah, sometimes life sucks. But life is only so long, and somebody can come along who makes you want to be a better person. You just have to roll with the punches. So "Try" is not a happy-go-lucky song. It has a strange arrangement because the chorus happens only twice, and the end is improvisational. It's like one of those epic power ballads." The Los Angeles Times said of "Try", "Her unfettered enthusiasm wins out as she sings of passion for life".  The song went to #9 in Canada but no charting in USA

    SHANIA TWAIN - THANK YOU BABY (2002)

Album:  Up (2002)

I became a fan of Shania from the day she released her first country single in Canada in Summer 1993 when I was 22.    When she hit superstardom in 1995 I became a Shania fanatic for the next 10 years.  Eventually I had 10 T-shirts and a poster shrine in my office at Eastview and had 3 copies each of all her CD's.    I have seen her live in concert 5 times including:  Canadian Country Music Awards Calgary 1998 and all 4 shows she did in Saskatoon, SK at SaskPlace on June 4th 1998 (her 3rd live show ever!), March 29th 1999, June 9th 2004 and June 11th 2004 (I had front row seat).   She released her 4th CD Up on November 18th 2002 and I bought 62 copies at A&B Warehouse the day it came out as pre-sells that I sold on ebay.  Performing on the road with Marilyn we listened to the Up CD everyday on the road for 10 months. 

December 3rd 2002 - my #1 favorite daily song for 99 days at age 31 including Christmas and my 32nd birthday while on the road with Marilyn now for 9 years and living in Dalmeny, SK and selling on ebay now for 4.5 years.

Thank You Baby! (for Makin' Someday Come So Soon)" is a song by Canadian singer Shania Twain. It was the fourth international single released from her 2002 album Up!. The song was written by Mutt Lange and Twain. It was announced by Twain, that "Thank You Baby!" would be the next single from Up! at her Kilkenny concert, her first concert since the Come On Over Tour. The song fared well on the charts, boosted by club play of the Almighty remixes. The European single was released August 11, 2003 and the UK singles on August 25, 2003.

    THE CHIPMUNKS - THE CHIPMUNK SONG (1958) hit #1

Not only my favorite christmas song ever but there is something so innocent and fun about this song that it still can give me goosebumps thinking of an era where this song could dominate radio and sales.

"The Chipmunk Song (Christmas Don't Be Late)" is a song written by Ross Bagdasarian, Sr. (a.k.a. David Seville) in 1958. Although it was written and sung by Bagdasarian (in the form of a high-pitched chipmunk voice), the singing credits are given to The Chipmunks, a fictitious singing group consisting of three chipmunks by the names of Alvin, Simon, and Theodore. The song won three Grammy Awards in 1958: Best Comedy Performance, Best Children's Recording, and Best Engineered Record (non-classical).   

The song was very successful, reaching No. 1 on the Billboard Hot 100 Pop Singles chart, becoming The Chipmunks' first (and only), as well as David Seville's second and final, No. 1 single. It has the distinction of being the only Christmas record to reach No. 1 on the same chart. The single sold 4.5 million copies in seven weeks, according to Ross Bagdasarian, Jr. Ironically, before the song's success, "The Chipmunk Song" was featured on American Bandstand's "Rate-A-Record" segment and received the lowest possible rating of 35 across the board.   Between 1959 and 1962, the single managed to re-enter the Hot 100, peaking at No. 41 in 1959, No. 45 in 1960, and No. 39 in 1962. (Starting in 1963, Billboard would list re-current Christmas songs on a separate chart.) The song managed to chart on the Hot Digital Songs for the first time in 2005, peaking at No. 35 on that chart.

"The Chipmunk Song" is the last Christmas/holiday song to reach No. 1 on any US singles record chart totaling performance of all available records.   With the release and popularity of the film Alvin and the Chipmunks in December 2007, "The Chipmunk Song" re-entered the Billboard Hot 100 at No. 70. At the same time, a remixed version of the song that appears on the Chipmunks' 2007 album (and soundtrack to the film) Alvin and the Chipmunks: Original Motion Picture Soundtrack, peaked at No. 66 and was credited as "The Chipmunk Song (Christmas Don't Be Late) (2007 Version)".    As of December 25, 2011, Nielsen SoundScan estimated total sales of two versions of the digital track by The Chipmunks at 867,000 downloads, placing it third on the list of all-time best-selling Christmas/holiday digital singles in SoundScan history (behind Mariah Carey's 1994 hit single "All I Want for Christmas Is You" and Trans-Siberian Orchestra's 1996 track "Christmas Eve/Sarajevo 12/24").

    RINGO STARR - GOODNIGHT VIENNA (1975) hit #31
"(It's All Down to) Goodnight Vienna", an up-tempo John Lennon composition, is the title track to Ringo Starr's 1974 album Goodnight Vienna. The final song on the album is "Goodnight Vienna (reprise)". Also released as a single, the single version is a medley combination of "(It's All Down to) Goodnight Vienna" and "Goodnight Vienna (reprise)".

The title song features John Lennon on opening count-in and piano, and Billy Preston on clavinet; and the Reprise song features Lennon's intro, 'OK, with gusto, boys, with gusto!'.

The composition was the second of five Lennon songs to be offered for inclusion on Starr's solo albums, (the others being "I'm the Greatest" from Ringo, "Cookin' (in the Kitchen of Love)" from Ringo's Rotogravure, and two unreleased songs intended for Stop and Smell the Roses). The track appeared in the USA in a special mix; "Goodnight Vienna/Goodnight Vienna (Reprise)", which is currently not found on CD.

Goodnight Vienna is the fourth album by Ringo Starr. It was recorded in the summer of 1974 in Los Angeles, and released later that year. Goodnight Vienna followed the commercially successful predecessor Ringo, and Starr used many of the same players, including Billy Preston, Klaus Voormann, Robbie Robertson, Harry Nilsson, and producer Richard Perry. The title comes from an English slang phrase meaning roughly, "It's all over".