TERRY HOKNES - MY FAVORITE SONGS OF ALL TIME !  hoknes@hotmail.com   

41

ITS A BEAUTIFUL DAY

DO YOU REMEMBER THE SUN

1970

42

SNOW

CATERPILLAR

1968

43

YES

CLOSE TO THE EDGE

1972

44

KLAATU

MADMAN

1977

45

PAUL McCARTNEY & WINGS

LOVE IN SONG

1975

46

YES

TEMPUS FUGIT

1980

47

GO GO'S

OUR LIPS ARE SEALED

1981

48

SPIRIT

JACK RABBIT

2004

49

GRAPEFRUIT

AIN'T IT GOOD

1969

50

PINK FLOYD

REMEMBER A DAY

1968

51

ALY & AJ

RUSH

2005

52

PAUL MAURIAT

INCH ALLAH

1967

53

PIDGEON

DARK BIRD

1969

54

BOOTSAUCE

TOUCHING CLOTH

1992

55

LINDSAY LOHAN

A LITTLE MORE PERSONAL

2005

56

KLAATU

PRELUDE

1977

57

BLUES MAGOOS

WE AIN'T GOT NOTHING YET

1967

58

PIDGEON

OF THE TIME WHEN I WAS YOUNG

1969

59

RASCALS

HOW CAN I BE SURE

1967

60

AMERICA

IT'S LIFE

1973

 

    IT'S A BEAUTIFUL DAY - DO YOU REMEMBER THE SUN  (1970)

Album:  Marrying Maiden (1970)

I became a fan because of their debut album from 1968 which was one of my many 1968 favorite albums.  But this track came as a bonus track on the CD version which actually was on their 2nd studio album.  A pleasant folksy song that becomes sad and haunting during the choruses.   The only band I ever liked with a violin in the lineup.

September 26th 2003 became my #1 favorite song for 21 days.

It's a Beautiful Day is a band formed in San Francisco, California in 1967 by Matthew Katz, featuring vocalist Pattie Santos along with violinist David LaFlamme and Linda Laflamme on keyboards.  By 1970 the original lineup of the band had changed somewhat; the LaFlammes had split up and Linda left the band, replaced by Fred Webb. The following album, Marrying Maiden, released in 1970, was their most successful in the charts, reaching number 28 in the USA (their only Top 40 placing) and number 45 in the UK

    SNOW - CATERPILLAR (1968)

Album: Snow (1968)

When I was 17 I was totally into late 1960's music and my all time favorite year for music is 1968 so in 1988 for the 20th anniversary I hunted out every record in the shops that I could buy by groups I'd never heard of.  In this case nobody remembers this bubblegum/psychedelic group but I lucked out and found a sealed copy at a local record shop for I believe $1.99 at that time.  

September 13th 1988 - my #1 favorite daily song for 6 days at age 17 the fall after graduating high school on my marathon of playing all 1968 music for its 20th anniversary.

Released on the Epic imprint in 1968 (BN26435), the sole, eponymous release by the Cleveland, Ohio outfit Snow, although being very much a record redolent of the period, is also an album of two halves. On the original record, side 1 kicks off with the band's attempt to infiltrate the singles chart with 'Where Has My Old Friend Billy Jones Gone', a folk-psych effort featuring a female vocalist brought in for the occasion, and who's influences clearly included Grace Slick amongst others. The side builds momentum, with its melodic harmonies and short, incisive guitar solos setting the scene for the brilliant Englebert and the clever tempo changes of 'You Let Me Know'. Side 2 is even better, starting with piercing guitar on 'Song Of The Sirens' and culminating with the outstanding 'Caterpillar' which, in the space of three minutes, escorts the listener through a plethora of sound effects, key changes and bold experimentation which still sounds as 'cutting edge' as anything comparable from the period.

 

    YES - CLOSE TO THE EDGE (1972)

Album: Close To The Edge (1972)

After dedicating all of 1980-1983 to The Beatles I discovered Yes in 1984 and that year at age 13 bought every single one of their albums due to their new fame with Owner Of A Lonely Heart but it was their 2nd new single Leave It that had my intrigued.  So I learned their first 15 years of material all in 1984 just as I was entering high school.  Yes would quickly become my 2nd favorite band of all time.   I saw Bill Bruford live in concert in 1992 and chatted with him for a moment.  My wife bought tickets to see Yes in 2008 in Toronto but the concert was cancelled due to Jon Anderson's vocal problems.  We flew to New York in 2011 to see Jon Anderson solo in concert.  Members of Yes are my favorite musicians ever including Rick Wakeman, Trevor Rabin, Steve Howe and Chris Squire.   My high school best friend Nels Krauss and I also bonded through our connection of Yes and playing music and we enjoyed jamming on Yes songs in the mid 1980's.

Close to the Edge is the fifth studio album by the English progressive rock band Yes. It was released on Atlantic Records (Atlantic K 50012) in September 1972. It reached No. 4 on the UK Albums Chart and No. 3 on the U.S. Billboard 200 (Atlantic SD 7244) during a chart stay of 32 weeks. In the Netherlands it reached No. 1 on the Dutch album charts, the only Yes album to do so

Yes are an English rock band who achieved worldwide success with their progressive, art and symphonic style of rock music. Regarded as one of the pioneers of the progressive genre, Yes are known for their lengthy songs often with complex instrumental and vocal arrangements, mystical lyrics, elaborate album art, and live stage sets. Seventeen musicians have been a part of the band's line-up, which currently comprises singer Jon Davison, bassist Chris Squire, guitarist Steve Howe, drummer Alan White, and keyboardist Geoff Downes. Yes have sold 13.5 million certified units in the United States

 

    KLAATU - MADMAN (1977)

Album:  Hope (1977)

I discovered Klaatu in March 1985 at age 14 in Grade 9 with the album Hope.  I had built a fort in grandmas basement using her brown couch flipped over.  I laid in there with my record player and played this album 100 times in a two week period.  To this date this album is possibly my #1 favorite album of all time.  Klaatu are definitely one of the most influential bands on my music and influence.  I had listened to Klaatu originally due to the Beatles rumour connection.  Roy Wood and Klaatu are the only two acts to debut at #1 on my favorite daily group chart (both in 1985) showing the instant appreciation of these two acts early on in my charts.  Unfortunately I had no daily song charts during the first run of promotion in 1985 to show my first appreciation for the individual songs.

March 16th 1990 - my #5 favorite daily song for 7 days at age 19 while living at the monastery in Muenster, SK for 1st year University celebrating the 5th anniversary of discovering Klaatu.

April 7th 2005 - my #8 favorite daily song for 25 days at age 34 while living on Eastview with Michelle/Brianna celebrating the 20th anniversary of discovering Klaatu

March 21st 2010 - my #6 favorite daily song for 36 days at age 39 while living at Ave M South with Valerie now married 2.5 years celebrating the 25th anniversary of discovering Klaatu.

Hope, released in September 1977, is the second album by the Canadian progressive rock group Klaatu. It is a concept album, recorded with the London Symphony Orchestra, about the sole survivor of an arrogant race of beings, who warns space travellers of hazards in the last days of his life.   Many fans and critics consider Hope to be the most creative of the Klaatu albums.   It won a Juno Award for "Best Engineered Album" and a Canadian Music Critics award for "Best Album" in 1977.    An alternate version of Hope was released in 2005 as part of the group's Sun Set collection of rarities. The alternate version on Sun Set included the complete contributions of the London Symphony Orchestra, which had largely been removed from the version released in 1977.
    PAUL McCARTNEY & WINGS - LOVE IN SONG (1975)

Album:  Venus And Mars (1975)

I likely had this album by 1983 at age 12 but I spent considerable time playing these songs on the piano and singing the entire album as I had received the guitar/piano songbook in 1984 at Ruth Street making this possibly my most well known album by McCartney.     I had no daily song charts pre-1987 so there is documentation on which were my favorite McCartney songs when I first learned his albums.

October 10th 2004 - my #6 favorite daily song for 46 days at Eastview living with Michelle/Brianna at age 33.

October 6th 2011 - my #9 favorite daily song for 42 days at age 40 living at Ave M South with Valerie now married 4 years and Nicholas age 5.5

Venus and Mars is the fourth album by Wings. Released as the follow-up to the enormously successful Band on the Run, Venus and Mars continued Wings' string of success and would prove a springboard for a year-long worldwide tour. It was Paul McCartney's first post-Beatles release under the Capitol Records label.

After recording Band on the Run as a three-piece with wife Linda and guitarist Denny Laine, McCartney added Jimmy McCulloch on lead guitar and Geoff Britton on drums to the Wings line-up in 1974. Having written several new songs for the next album, McCartney decided upon New Orleans, Louisiana as the recording venue, and Wings headed there in January 1975.

    YES - TEMPUS FUGIT (1980)

Album: Drama (1980)

August 6th 1989 - my #4 favorite daily song  for 2 days at age 18 the summer before entering 1st year University and the last month with my grandpa Les Walters before he passed away on Sept 8th 1989.

After dedicating all of 1980-1983 to The Beatles I discovered Yes in 1984 and that year at age 13 bought every single one of their albums due to their new fame with Owner Of A Lonely Heart but it was their 2nd new single Leave It that had my intrigued.  So I learned their first 15 years of material all in 1984 just as I was entering high school.  Yes would quickly become my 2nd favorite band of all time.   I saw Bill Bruford live in concert in 1992 and chatted with him for a moment.  My wife bought tickets to see Yes in 2008 in Toronto but the concert was cancelled due to Jon Anderson's vocal problems.  We flew to New York in 2011 to see Jon Anderson solo in concert.  Members of Yes are my favorite musicians ever including Rick Wakeman, Trevor Rabin, Steve Howe and Chris Squire.   My high school best friend Nels Krauss and I also bonded through our connection of Yes and playing music and we enjoyed jamming on Yes songs in the mid 1980's.

Drama is the tenth studio album by British progressive rock group Yes. It is the first Yes album without vocalist Jon Anderson. In early 1980, after rehearsing music for the follow-up to the tepidly-received Tormato, both Anderson and keyboardist Rick Wakeman departed the band over creative and financial differences.   Reportedly Anderson and Wakeman were the most enthusiastic about creating a new album, and the rest of the band was lukewarm over the idea, given the relative failure of the last album. This in turn discouraged both Anderson and Wakeman, with the latter at times refusing to leave his room, and both men dejectedly spending time at a local bar. They quit the band soon afterwards.   The remaining members, Chris Squire, Steve Howe and Alan White carried on. Trevor Horn and Geoff Downes of The Buggles (who had recently had a #1 hit in the UK with "Video Killed the Radio Star", and were managed by Yes' long-time manager Brian Lane) were working in an adjacent studio, and, being Yes fans, introduced themselves. As it happened, Squire owned and enjoyed the Buggles' first album, and the pair were invited to sit in during rehearsals. They were soon asked to join the band.
 
    THE GO GO'S - OUR LIPS ARE SEALED (1981) hit #11
Our Lips are Sealed" is a song written by Go-Go's guitarist Jane Wiedlin and Specials and Fun Boy Three singer Terry Hall. It was first recorded by The Go-Go's as the opening track on their 1981 album Beauty and the Beat and served as their debut American single. In 1983 Hall's band, The Fun Boy Three, released it in the UK. In 2000, Rolling Stone named it one of the 100 Greatest Pop Songs of all time.

The Go-Go's were supporting The Specials on the latter's 1980 US tour. According to Wiedlin she and Hall had an affair despite him having a girlfriend back in England and this led to their co-writing the song. The Go-Go's version is significantly more upbeat than the Fun Boy Three one which Wiedlin describes as "gloomier" - arguably this reflects their respective points of view of the relationship.

The video accompanying the Go-Go's recording was an early favorite of the fledgling MTV channel, and helped establish the group's energetic persona. It features sequences of the band members in carefree tableaux (riding around in a convertible, stopping at a lingerie shop and splashing around in a city fountain) interspersed with footage of the band playing a club booking.

Jane Wiedlin says the band was initially unenthusiastic about doing the video when Miles Copeland, president of their label, I.R.S. Records, told them they would be doing it. "We were totally bratty," she recalls. It was funded out of unused funds in The Police's video budget.

The concept was for the band to drive around and be followed by a camera. Belinda Carlisle would sing, and the other members would do cute things. They wanted an older-style convertible and found a 1960 Buick at Rent-A-Wreck. It was, says Wiedlin, the band's idea to end the video by jumping into the Electric Fountain on the corner of Wilshire and Santa Monica Blvds, Beverly Hills. "I thought, at any minute the cops are gonna come. This is gonna be so cool."

She still looks back on it fondly. "I have horrible '80s poodle hair in [it]", she recalled in a 2011 history of MTV. "But there's a simplicity and innocence to the video that appeals to me."

Although originally written and performed with three verses, it is an abbreviated version of the song that appears on Beauty and the Beat. This version of the song was released as a single in June 1981 (see 1981 in music) and peaked at number twenty on the Billboard Hot 100 chart, and fifteen on the Billboard Top Rock Tracks chart. On the dance chart, the song peaked at number ten. A song of unusual longevity as a hit, it remained on the Billboard charts for much of 1982 as well, long after its peak

 

    SPIRIT - JACK RABBIT (2004)

Album: Sea Dream (2004)

June 28th 2003 - my #1 favorite daily song for 33 days at age 32 while staying at grandmas house on Taylor St before moving into my 1st home on Eastview.  

Randy California (born Randy Craig Wolfe; February 20, 1951 – January 2, 1997) was a guitarist, singer and songwriter and one of the original members of the rock group Spirit, formed in 1967.   Randy was born into a musical family in Los Angeles and spent his early years studying varied styles at the family's Los Angeles folk club, the Ash Grove. Randy's uncle, Ed Pearl, was famous as the founder of the Ash Grove. He was 15 years old when his mother Bernice Pearl and new stepfather, Ed Cassidy (later to become a founding member of the band Spirit, with Randy), moved to New York City in the summer of 1966 because Cassidy had a number of jazz gigs lined up. It was there, at Manny's Guitars, that Randy met Jimi Hendrix. He played in Hendrix's band The Blue Flame that summer. California, Cassidy and Pearl lived in an apartment building in Forest Hills (Queens), New York called the Balfour, whose other residents included future Steely Dan co-founder Walter Becker, who cites California's blues-based guitar style as an influence on his own playing.   The stage name "Randy California" was given to him by Hendrix to distinguish him from another Randy in the band (who Hendrix dubbed "Randy Texas"). When Hendrix was invited to come to England by former bassist of British Invasion band The Animals Chas Chandler—who became Hendrix's manager and producer—Randy's parents did not allow him to go so that he could finish high school. So at that time the 15-year-old guitar genius did not become a member of the Jimi Hendrix Experience. By some accounts, Chandler wanted Hendrix as the only guitarist for the band and nixed California's going to England. Hendrix invited Randy anyway, so they could "go find Jeff Beck."   Together with Cassidy, songwriter/front-man Jay Ferguson, bassist Mark Andes (with whom California and Cassidy initially had formed a band called the Red Roosters) and keyboardist John Locke, California founded the band Spirit—originally Spirits Rebellious, after Khalil Gibran's poem—in 1967. The band's demo was produced by Barry Hansen, later to become Doctor Demento.
    GRAPEFRUIT - AIN'T IT GOOD (1969)

Album: Around Grapefruit (1969)

This would have been a masterpiece if The Beatles had recorded it as it sure sounds like it could have fit on the Magical Mystery Tour album but instead Grapefruit recorded this amazing powerful pop song from a perfect 60's album.   I picked up this album at a garage sale in the mid 80s and it became one of my all time favorites and I have "boosted" this album on my charts 4 different occasions.

November 17th 1987 - my #2 favorite daily song for 9 days at age 16 in Grade 12..

November 18th 1988 - my #1 favorite daily song or 6 days at age 17 after finishing highschool.

March 9th 2000 - my #7 favorite daily song for 20 days at age 29 on the road with Marilyn now for 6.5 years.

Grapefruit was a London-based British band of the late 1960s. Their brand of music was a typical late 1960s blend of rock, which they often fused with psychedelic effects such as phasers and vocoders, or classical arrangements.  Grapefruit's recording career spanned only two years, from late 1967 to the end of 1969. They released two albums (around in 1968, Deep Water in 1969) and several singles, none of which made a significant impact on the charts. Their best-known track is probably the Terry Melcher-produced "Dear Delilah", which was released in early 1968, and peaked at #21 in the UK Singles Chart, while their single "Deep Water" did crack the German Top 20, peaking at #19. Toward the end of their career, following the new material being written by Alexander (with some inclusions by Wale) Grapefruit shifted from melodic pop to more of a rock-based sound, referred to as "Soft Rock" in a full-page Billboard ad for the album "Deep Water".

    PINK FLOYD - REMEMBER A DAY (1968)

Album:  A Saucerful Of Secrets (1968)

I bought the Relics cassette tape back in the 1980's and always loved the earlier psychedelic Pink Floyd tunes more than the super popular 1970's progressive rock stuff.   This is definitely one of their best ever with the Syd Barrett influence I always like.

July 13th 2006 - my #1 favorite daily song for 21 days due to the death of Syd Barrett.  My #7 favorite daily song of 2006.  My son Nicholas was 11 weeks old and I had been dating Valerie now for 5.5 months. 

"Remember a Day" is a song by British psychedelic rock band Pink Floyd, and is featured on their second album, A Saucerful of Secrets (1968). It was performed live only once, in September 2008 (40 years after its original release) by David Gilmour in memory of Wright

The song, written and sung by Richard Wright, was recorded in October 1967 at De Lane Lea Studios in London, England. The sessions also yielded "Jugband Blues", "Vegetable Man", "In the Beechwoods" and "John Latham".  Syd Barrett plays the slide guitar. Andrew King, Pink Floyd manager, recalls: "I remember De Lane Lea... we did 'Vegetable Man' there... and 'Remember a Day', which Syd does a guitar solo on
    ALY & AJ - RUSH (2005)

Album:  Into The Rush (2005)

The perfect power/pop girl song - this song had everything a modern pop/rock song should have from the mellow minor verses to the great singalong power choruses and some great instrumentation.

April 29th 2006 - my #1 favorite song on the Rick Dees Weekly top 40 countdown which I listened to from November 2003 to December 2006.   The top 40 was not the same songs that were in the top 40 portion of the Billboard  Hot 100 Singles Chart.  This song never made the top 40 billboard but did on the Rick Dees countdown making it the only reason I discovered the song knocking out Mary J Blige Be Without You which was still ranking #1 on my billboard top 40 chart. 

May 13th 2006 - my #1 favorite daily song for 25 days at age 35 while dating Valerie now for 14 weeks. 

"Rush" is pop song recorded by American pop rock duo Aly & AJ for their debut album Into the Rush. The track was released as their first official single nationwide by their label Hollywood Records. It was first released to Radio Disney on October 14, 2005 to promote the Disney Channel Original Movie Twitches, but later grew to be become extremely popular, which led to a mainstream release on February 25, 2006.

"Rush" is Aly & AJ's first single that was a commercial success in the United States. When it was initially released, it was able to chart on Billboard's Pop 100 and Hot Digital Songs. The following February, when it was re-released, it managed to make it on the Billboard Hot 100, peaking at number 59 and staying on the chart for a total of 11 weeks. To date the single has reached over 900,000 digital downloads and was certified Gold by the RIAA. The music video for the song debuted at #2 on MTV's Total Request Live,

    PAUL MAURIAT & HIS ORCHESTRA - INCH ALLAH (1967)

Album: Blooming Hits (1967)

This haunting dramatic song featuring strings is from the #1 selling instrumental Blooming Hits album.   This song was a #1 hit in France in 1967 for 5 weeks by Salvatore Adamo.    I had never heard the vocal version until recently. 

I played this album a zillion times when I was 15 and again the next summer in 1987.

July 24th 1987 my #1 favorite song for 8 days.  It was likely my favorite song for a while in summer 1986 as well.

Paul Mauriat (4 March 1925 – 3 November 2006) was a French orchestra leader, conductor of Le Grand Orchestre de Paul Mauriat, who specialized in the easy listening genre. He is best known in the United States for his million selling remake of André Popp's "Love is Blue", which was #1 for 5 weeks in 1968. Other recordings for which he is known include El Bimbo, "Toccata" and "Penelope."

 

    PIDGEON - DARK BIRD (1969)

Album: Pidgeon (1969)

Amazing recording from my favorite year of music.  I picked this album up used for $2.00 in early 1988 on a hunt for any albums that were exactly 20 years old.   This became one of my favorite bands and albums of all time.  This was the first song I liked off the album.    Its such a powerful song vocally and using a classical victorian type of moody vibe.

Pidgeon released one album in 1969 but member Jobriath would go on to be a major star.  Jobriath (born Bruce Wayne Campbell December 14, 1946 in Philadelphia, Pennsylvania, died August 3, 1983), was an American folk and glam rock musician and actor. He was the first openly gay rock musician to be signed to a major record label, and one of the first internationally famous musicians to die of AIDS

    BOOTSAUCE - TOUCHING CLOTH (1992)

Album: Bull (1992)

This is possibly the first #1 song I ever had with swearing and mature lyrics in it.  I bought all their albums and saw them in concert front row in 1992 at the Broadway Theatre promoting this album.  The music was so loud that it hurt my head unless I turned sideways and then the music shot through one ear and out the other. 

April 22nd 1992 - my #1 favorite daily song for 13 days at age 21.  That month I had moved into a basement suite with my sister while I went to 3rd year university.  This is the 2nd of 2 #1 songs for Bootsauce.

Bootsauce was a Canadian rock band formed in Montreal in 1989. The band received a Juno Award for their 1991 single "Everyone's a Winner". The band was composed of Drew Ling (real name Drew Thorpe) (vocals), Pere Fume (real name Perry Johnson) (guitar), Sonny Greenwich Jr. (guitar), Alan Baculis (bass guitar), and John “Fatboy” Lalley (drums). Combining soul, funk and metal sounds, the band is best known for their 1990 cover of Hot Chocolate's "Everyone's a Winner

    LINDSAY LOHAN - A LITTLE MORE PERSONAL (2005)

Album:  A Little More Personal (2005)

My favorite power/pop girl album ever made - she had topped what Avril Lavigne had started in the early 2000's.   I just love every song on this album making it one of my favorites of all time.  While most would laugh at me liking music by Lindsay I defend it as the songs are all so strong, with great hooks and she had the best songwriters working on this album. 

October 13th 2006 - my #1 favorite daily song for 29 days making it my #6 favorite daily song of 2006.

The entire album is catchy but this is the one that you want to sing along with and crank up the volume.  My son Nicholas at this time was 6 months old and I had been dating Valerie for 9.5 months.

A Little More Personal (Raw) is the second studio album by American recording artist Lindsay Lohan. It was released on December 6, 2005 by Casablanca Records (Universal Music). Initially titled There's Only One Angel In Heaven, the album, produced by Kara DioGuardi, Greg Wells, Ben Moody and Butch Walker, features a darker theme when compared to Lohan's previous album, Speak (2004). Recording sessions took place in several locations, including at Lohan's trailer during the shoot of Herbie: Fully Loaded, where she recorded the first and only single of the album, "Confessions of a Broken Heart (Daughter to Father)".

A Little More Personal (Raw) received mixed reviews from music critics, who praised Lohan's ambition, despite considering it a weak album. The album failed to enter on major charts, only peaking at number twenty in United States' Billboard Hot 100 and at the same position on Digital Albums. However, A Little More Personal (Raw) was certified Gold in Taiwan; after receiving the news, Lohan stated that she would promote the album touring the country. In the United States, it was also certified Gold by the Recording Industry Association of America (RIAA). Lohan promoted the album in a few television appearances, including at MTV's Total Request Live, The Ellen DeGeneres Show and the 2005 American Music Awards

    KLAATU - PRELUDE (1977)

Album:  Hope (1977)

I discovered Klaatu in March 1985 at age 14 in Grade 9 with the album Hope.  I had built a fort in grandmas basement using her brown couch flipped over.  I laid in there with my record player and played this album 100 times in a two week period.  To this date this album is possibly my #1 favorite album of all time.  Klaatu are definitely one of the most influential bands on my music and influence.  I had listened to Klaatu originally due to the Beatles rumour connection.  Roy Wood and Klaatu are the only two acts to debut at #1 on my favorite daily group chart (both in 1985) showing the instant appreciation of these two acts early on in my charts.  Unfortunately I had no daily song charts during the first run of promotion in 1985 to show my first appreciation for the individual songs.

March 24th 1990 - my #2 favorite daily song for 3 days at age 19 while living at the monastery in Muenster, SK for 1st year University celebrating the 5th anniversary of discovering Klaatu.

March 21st 2010 - my #2 favorite daily song for 36 days at age 39 while living at Ave M South with Valerie now married 2.5 years celebrating the 25th anniversary of discovering Klaatu.

Hope, released in September 1977, is the second album by the Canadian progressive rock group Klaatu. It is a concept album, recorded with the London Symphony Orchestra, about the sole survivor of an arrogant race of beings, who warns space travellers of hazards in the last days of his life.   Many fans and critics consider Hope to be the most creative of the Klaatu albums.   It won a Juno Award for "Best Engineered Album" and a Canadian Music Critics award for "Best Album" in 1977.    An alternate version of Hope was released in 2005 as part of the group's Sun Set collection of rarities. The alternate version on Sun Set included the complete contributions of the London Symphony Orchestra, which had largely been removed from the version released in 1977.
    THE BLUES MAGOOS - WE AIN'T GOT NOTHING YET (1967) hit #5

"(We Ain't Got) Nothin' Yet" is a song by the Blues Magoos from their album Psychedelic Lollipop released in November 1966. It was a chart hit in the United States in 1966. It was written by Ron Gilbert, Ralph Scala and Mike Esposito. The organ riff was closely based on guitarist James Burton's riff to Ricky Nelson's 1962 rock recording of the old George Gershwin standard "Summertime". The Blues Magoos' psychedelic song had also inspired Deep Purple's 1970 hit song "Black Night".

Like their name, the group's sound was of the psychedelic variety. They released the "So I'm Wrong and You Are Right" b/w "The People Had No Faces" single on Verve Records, but did not gain the band much recognition. However, Mercury Records signed the band to a record deal in late 1966 and the group's debut album, Psychedelic Lollipop was released shortly thereafter. It was one of the first records to contain the word "Psychedelic" on the sleeve (along with the 13th Floor Elevators' first album, The Psychedelic Sounds of the 13th Floor Elevators, and The Deep's Psychedelic Moods, both also from 1966). They played a lot then at the Chess Mate Coffeehouse owned by Morrie Widenbaum, a mostly folk venue that also hosted bands like Southbound Freeway, Siegel-Schwall Blues Band and Blues Magoos.

In a tour of the US in 1967 they were the opening act followed by The Who and then the headliners Herman's Hermits. The group's biggest song, "(We Ain't Got) Nothin' Yet", whose Vox Continental organ riff bears an uncanny resemblance to the 1962 hit by Ricky Nelson, "Summertime" (Deep Purple also used this riff in their hit "Black Night"), was released as a single in 1967 (albeit from their 1966 album), with "Gotta Get Away" as the b-side. The song hit number 5 on the US chart

    PIDGEON - OF THE TIME WHEN I WAS YOUNG (1969)

Album: Pidgeon (1969)

Amazing recording from my favorite year of music.  I picked this album up used for $2.00 in early 1988 on a hunt for any albums that were exactly 20 years old.   This became one of my favorite bands and albums of all time.  This is the opening song on the album.    Its such a nice folk acoustic finger picking song with touching female vocals.

Pidgeon released one album in 1969 but member Jobriath would go on to be a major star.  Jobriath (born Bruce Wayne Campbell December 14, 1946 in Philadelphia, Pennsylvania, died August 3, 1983), was an American folk and glam rock musician and actor. He was the first openly gay rock musician to be signed to a major record label, and one of the first internationally famous musicians to die of AIDS 

    THE YOUNG RASCALS - HOW CAN I BE SURE (1967) hit #3
How Can I Be Sure" is a popular song. Written by Felix Cavaliere and Eddie Brigati, it was originally recorded by The Young Rascals on their 1967 album Groovin' and became their fourth Top 10 hit in the United States, peaking at #4.

This was the group's highest charted record with Eddie Brigati singing lead vocals.The song featured the sounds of an accordion in the background, as well as a trumpet, piano, drums, and strings. This gives the feeling of cabaret music. The lines of the chorus read:

How can I be sure?
In a world that's constantly changing,
How can I be sure?
... I'll be sure with you.

The song came out of the experience with transcendental meditation that the Rascals were involved in.

The Rascals (initially known as The Young Rascals) were an American blue-eyed soul group initially active during the years 1965–72. The band released numerous top ten singles in North America during the mid- and late-1960s, including the #1 hits "Good Lovin'" (1966), "Groovin'" (1967), and "People Got to Be Free" (1968), as well as A Beautiful Morning (#3 1968) and the lesser-known A Girl Like You. The band was inducted into the Rock and Roll Hall of Fame in 1997.

The Rascals were inducted into the Hit Parade Hall of Fame in 2010.

    AMERICA - IT'S LIFE (1973) written by Dan Peek.

Album:  Hat Trick (1973)

I went on a big America kick in December 1987 listening to all their albums and getting truly addicted to them.   But this song stood out - it starts so mellow and then turns out into a true rocker at the end - it just needs to be played super loud !! 

December 15th 1987 my #1 favorite daily song for 5 days.    It was sandwiched in between 2 other #1 hits by America.

Hat Trick is the third original studio album by American folk rock trio America, released by Warner Bros. Records in 1973    The album was a modest hit in the US, peaking at 28 on the Billboard album chart, although it failed to go gold, whereas the group's first two releases had platinum sales. It produced one minor hit single, "Muskrat Love" which reached 67 on the Billboard singles chart and 11 on the Adult Contemporary chart.